Download or read book Alois Riegl written by Margaret Iversen and published by MIT Press. This book was released on 2003-03-17 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alois Riegl (1858-1905) was one of the founders of art history as a discipline. This is the first general introduction to the work of the celebrated Austrian who brought complex philosophical considerations to bear on art and its history. Ranging easily over diverse fields and among a large group of thinkers, Margaret Iversen establishes Riegl's relevance to recent critical thinking while clearly delineating his extraordinary critical powers. Iversen contextualizes Riegl's thought among the wider cultural crosscurrents of his time, pointing for example to his denunciation of the sub-Semperians and his profound influence on Walter Benjamin. She is equally concerned to relate Riegl's work to contemporary theoretical interests, arguing that he pioneered an approach to art history that took into consideration the role of the spectator. She devotes a chapter to Riegl's theory of spectator/depiction relationships, comparing it with more recent writing on the subject by commentators like Fried, Foucault, and others. In a sympathetic reading of Riegl, Iversen interprets his theory of Kunstwollen or artistic volition, as a concept that ran counter to narrowly empiricist and determinist histories of art that were dominant in his time. She provides extended critical commentary on his most important works, Questions of Style, Late Roman Art Industry, and The Dutch Group Portrait, enriched by explorations of the theoretical background of his systematic art history, including the work of Kant, Hegel, Herbart, and Hildebrand. Iversen also details Erwin Panofsky's early response to Riegl, arguing that Panofsky's search for an authoritative viewpoint collapsed Riegl's multiple typology of style into an art history constructed around a single aesthetic norm.
Download or read book Alois Riegl in Vienna 1875 1905 written by Dr Diana Reynolds Cordileone and published by Ashgate Publishing, Ltd.. This book was released on 2014-02-14 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Alois Riegl in Vienna 1875-1905, Diana Cordileone applies standard methods of cultural and intellectual history for close readings of Riegl’s published texts, several of which are still unavailable in English. Using archival and other primary sources this study also illuminates the institutional conflicts and imperatives that shaped Riegl’s oeuvre. The result is a multi-layered philosophical, cultural and institutional history of this art historian’s work of the fin-de-siècle that demonstrates his close relationship to several of the significant actors in Vienna at the end of the nineteenth century.
Download or read book The Group Portraiture of Holland written by Alois Riegl and published by Getty Publications. This book was released on 2000-03-16 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Group Portraiture of Holland, art historian Alois Riegl (1858-1905) argues that the artists of sixteenth- and seventeenth-century Holland radically altered the beholders relationship to works of art. Group portraits by artists such as Rembrandt and Frans Halls reflect an egalitarian viewpoint not found in the more hierarchically structured Italian works of the same period. First published in 1902 and here in English for the first time, the book opened up areas of inquiry that continue to engage scholars today.
Download or read book The Origins of Baroque Art in Rome written by Alois Riegl and published by Getty Publications. This book was released on 2010 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Delivered at the turn of the twentieth century, Riegl's groundbreaking lectures called for the Baroque period to be judged by its own rules and not merely as a period of decline.
Download or read book Historical Grammar of the Visual Arts written by Alois Riegl and published by Princeton University Press. This book was released on 2021-03-23 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A to is Riegl (1858-1905) was one of the greatest modern art historians. The most important member of the so-called "Vienna School," Riegl developed a highly refined technique of visual or formal analysis, as opposed to the iconological method with its emphasis on decoding motifs through recourse to texts. Riegl also pioneered understanding of the changing role of the viewer, the significance of non-high art objects or what would now be called visual or material culture, and theories of art and art history, including his much-debated neologism Kunstwollen (the will of art). At last, his Historical Grammar of the Visual Arts, which brings together the diverse threads of his thought, is available to an English-language audience, in a superlative translation by Jacqueline E. Jung. In one of the earliest and perhaps the most brilliant of all art historical "surveys," Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives, from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist's intentions or its social and historical functions. Book jacket.
Download or read book Time s Visible Surface written by Mike Gubser and published by Wayne State University Press. This book was released on 2006 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alois Riegl's art history has influenced thinkers as diverse as Erwin Panofsky, Georg Lukacs, Walter Benjamin, Paul Feyerabend, Gilles Deleuze, and F'lix Guattari. One of the founders of the modern discipline of art history, Riegl is best known for his theories of representation. Yet his inquiries into the role of temporality in artistic production-including his argument that art conveys a culture's consciousness of time-show him to be a more wide-ranging and influential commentator on historiographical issues than has been previously acknowledged. In Time's Visible Surface, Michael Gubser presents Riegl's work as a sustained examination of the categories of temporality and history in art. Supported by a rich exploration of Riegl's writings, Gubser argues that Riegl viewed artworks as registering historical time visibly in artistic forms. Gubser's discussion of Riegl's academic milieu also challenges the widespread belief that Austrian modernism adopted a self-consciously ahistorical worldview. By analyzing the works of Riegl's professors and colleagues at the University of Vienna, Gubser shows that Riegl's interest in temporality, from his early articles on calendar art through later volumes on the Roman art industry and Dutch portraiture, fit into a broad discourse on time, history, and empiricism that engaged Viennese thinkers such as the philosopher Franz Brentano, the historian Theodor von Sickel, and the art historian Franz Wickhoff. By expanding our understanding of Riegl and his intellectual context, Time's Visible Surface demonstrates that Riegl is a pivotal figure in cultural theory and that fin-de-si'cle Vienna holds continued relevance for today's cultural and philosophical debates.
Download or read book Forms of Representation in Alois Riegl s Theory of Art written by Margaret Rose Olin and published by Penn State University Press. This book was released on 1992 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alois Riegl (1858-1905) made pioneering contributions to the history of late Roman, seventeenth-century Dutch, and Baroque art. His impact on scholars, however, extended beyond art-historical circles into the fields of art theory, psychology, sociology, literary criticism, and philosophy. Margaret Olin utilizes extensive archival material and the entire range of Riegl's published writings to locate his theory of representation in the Viennese and wider European intellectual context of the late nineteenth century. Riegl is usually viewed as a precursor of mid-twentieth-century formal criticism. Yet his formal theory had a representational edge. He shared with many positivists the sanguine expectation that the emulation of scientific methodology could provide solutions to humanistic and social concerns. Accordingly, he modeled his view both of his own field, art history, and of artistic practice on the observational sciences. In representational art, he adhered to naturalism. With his studies of the lotus ornament in Stilfragen, however, he broached the issues of formal theory that gave his work lasting significance. Olin interprets these studies in the light of a theory of "structural symbolism" associated with the Arts and Crafts Movement, showing how they articulate in great detail a theory of the capacity for representation in ostensibly nonrepresentational ornament. Riegl envisioned the designer as an ornamental scientist, who studies the structure of surfaces in almost scientific detail to develop increasingly complex means of symbolizing its solidity and unity, just as the fine artist studies nature to depict it ever more accurately. Olin's account of Riegl illuminates the hidden representational agenda of early formal theory crucial to the dramatic call for nonobjective art, which Riegl's theories helped inspire. In so doing, it also reveals Riegl's significance for the present, postformalist phase of art-history writing.
Download or read book Framing Formalism written by Richard Woodfield and published by Routledge. This book was released on 2013-10-23 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alois Riegl (1858-1905) was one of the founding fathers of modern formalist criticism. As a member of the Vienna School of Art Historians, he shared their range of interests in the decorative arts, art in transition, conservation and monuments. This collection of critical essays examines various facets of Riegl's work and opens with a new translation of Hans Sedlmayr's famous, and notorious,Die Quintessenze der Lehren Riegls. Included is Julius von Schlosser's assessment of Riegl's contribution to the Vienna School of Art Historians as well as essays by a team of international scholars. This book offers a re-engagement with the ideas of one of the most important and neglected art historians of the 20th century.
Download or read book Problems of Style written by Alois Riegl and published by Princeton University Press. This book was released on 2018-12-04 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written at the height of the arts and crafts movement in fin-de-siecle Vienna, Alois Riegl's Stilfragen represented a turning point in defining art and understanding the sources of its inspiration. Demonstrating an uninterrupted continunity in the history of ornament from the ancient Egyptian through the Islamic period, Riegl argued that the creative urge manifests itself in both "great art" and the most humble artifact, and that change is an inherent part of style. This new translation, which renders Riegl's seminal work in contemporary, readable prose, allows for a fresh reexamination of his thought in light of current revisionist debate. His discovery of infinite variation in the restatement of several decorative motifs--the palmette, rosette, tendril--led Riegl to believe that art is completely independent from exterior conditions and is beyond individual volition. This thinking laid the groundwork for his famous concept of Kunstwollen, or artistic intention. "Something that the translation will, I hope, convey, is the passion invsted in Riegl's enterprise. We are made to feel that the issues he discussed mattered vitally to him; it was the very nature of art and its relation to human life that were at stake, art as an absolute necessity." --From the preface of Henri Zerner Alois Reigl (1858-1905) was Curator of Textiles at the Museum of Art and Industry in Vienna during most of his career and wrote many influential works on the history of art, including Spatromische Kunstgeschichte. Evelyn Kain is Associate Professor of Art History at Ripon College, Ripon, Wisconsin. David Castriota is Assistant Professor of Art History at Sarah Lawrence College. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Late Roman Art Industry written by Alois Riegl and published by Bretschneider Giorgio. This book was released on 1985 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art History written by Michael Hatt and published by Manchester University Press. This book was released on 2006-04-30 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates.
Download or read book Writing Art History written by Margaret Iversen and published by University of Chicago Press. This book was released on 2010-12 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.
Download or read book Histories of Ornament written by Gülru Necipoğlu and published by Princeton University Press. This book was released on 2016-03-08 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lavishly illustrated volume is the first major global history of ornament from the Middle Ages to today. Crossing historical and geographical boundaries in unprecedented ways and considering the role of ornament in both art and architecture, Histories of Ornament offers a nuanced examination that integrates medieval, Renaissance, baroque, and modern Euroamerican traditions with their Islamic, Indian, Chinese, and Mesoamerican counterparts. At a time when ornament has re-emerged in architectural practice and is a topic of growing interest to art and architectural historians, the book reveals how the long history of ornament illuminates its global resurgence today. Organized by thematic sections on the significance, influence, and role of ornament, the book addresses ornament's current revival in architecture, its historiography and theories, its transcontinental mobility in medieval and early modern Europe and the Middle East, and its place in the context of industrialization and modernism. Throughout, Histories of Ornament emphasizes the portability and politics of ornament, figuration versus abstraction, cross-cultural dialogues, and the constant negotiation of local and global traditions. Featuring original essays by more than two dozen scholars from around the world, this authoritative and wide-ranging book provides an indispensable reference on the histories of ornament in a global context. Contributors include: Michele Bacci (Fribourg University); Anna Contadini (University of London); Thomas B. F. Cummins (Harvard); Chanchal Dadlani (Wake Forest); Daniela del Pesco (Universita degli Studi Roma Tre); Vittoria Di Palma (USC); Anne Dunlop (University of Melbourne); Marzia Faietti (University of Bologna); María Judith Feliciano (independent scholar); Finbarr Barry Flood (NYU); Jonathan Hay (NYU); Christopher P. Heuer (Clark Art); Rémi Labrusse (Université Paris Ouest Nanterre la Défense); Gülru Necipoğlu (Harvard); Marco Rosario Nobile (University of Palermo); Oya Pancaroğlu (Bosphorus University); Spyros Papapetros (Princeton); Alina Payne (Harvard); Antoine Picon (Harvard); David Pullins (Harvard); Jennifer L. Roberts (Harvard); David J. Roxburgh (Harvard); Hashim Sarkis (MIT); Robin Schuldenfrei (Courtauld); Avinoam Shalem (Columbia); and Gerhard Wolf (KHI, Florence).
Download or read book Objects in Air written by Margareta Ingrid Christian and published by University of Chicago Press. This book was released on 2021-06-07 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its “milieu,” “atmosphere,” or “environment.” Christian explores how the artwork’s external space was seen to work as an aesthetic category in its own right, beginning with Rainer Maria Rilke’s observation that Rodin’s sculpture “exhales an atmosphere” and that Cezanne’s colors create “a calm, silken air” that pervades the empty rooms where the paintings are exhibited. Writers created an early theory of unbounded form that described what Christian calls an artwork’s ecstasis or its ability to stray outside its limits and engender its own space. Objects viewed in this perspective complicate the now-fashionable discourse of empathy aesthetics, the attention to self-projecting subjects, and the idea of the modernist self-contained artwork. For example, Christian invites us to historicize the immersive spatial installations and “environments” that have arisen since the 1960s and to consider their origins in turn-of-the-twentieth-century aesthetics. Throughout this beautifully written work, Christian offers ways for us to rethink entrenched narratives of aesthetics and modernism and to revisit alternatives.
Download or read book The Vienna School Reader written by Christopher S. Wood and published by . This book was released on 2000 with total page 485 pages. Available in PDF, EPUB and Kindle. Book excerpt: The key to this contextualist alchemy was the concept of "structure," a kind of deep formal property that the work of art shared with the world." "The idea of this volume is to bring the drama of this methodological and political encounter to the attention of Anglo-American art historians."--BOOK JACKET.
Download or read book Conservation and Preservation written by Michael S. Falser and published by Edizioni Polistampa. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the first conference of the ISC Theory in Florence 2007, Values and Criteria in Heritage Preservation, the Vienna Conference in 2008 was planned as a commemoration of the 150th birth anniversary of Alois Riegl. The volume honours his work with contributions of: Wilfried Lipp, Michael S. Falser, Paolo Del Bianco, Niels Gutschow, Jukka Jokilehto, Christiane Schmuckle-Mollard, Peter Burman, Andreas Lehne, Ursula Schädler-Saub, Bogusl? aw Szmygin, Andrzej Tomaszewski, Duncan Marshall, Zbigniew Kobylin'ski, Christoph Machat, Irmela Spelsberg, Natalia Dushkina, Erzsébet Kovács, Jörg Haspel, Gamini Wijesuriya, Giora Solar, Dinu Bumbaru, Eduard Sekler. Table of Contents: Prefaces by Wilfried Lipp & Michael S. Falser, Paolo Del Bianco Foreword of the Cluster of Excellence Asia and Europe in a Global Context, by Niels Gutschow Pillars of conservation. Reflections on its European roots: The idea of conservation. An overview - Viollet-le-Duc and his followers. French theories in the 19th and the 20th centuries - Ruskin's children. John Ruskin, the 'Good Steward', and his influence today - Georg Dehio, Alois Riegl, Max Dvor?ák - a threshold in theory development - Teoria e metodologia del restauro. Italian contributions to conservation in theory and practice Doctrinal texts in review. From European standards to global issues: Formal analysis of doctrinal texts in heritage protection - From Athens 1931 to Venice 1964. History and actuality - From Venice 1964 to Nara 1994 - changing concepts of authenticity? - The Burra Charter in an international context - the implications of international doctrine for practice in Australia Perspectives from the ICOMOS Scientific Committees: Contemporary archaeological heritage management: conflicts between research, preservation and presentation - The vernacular between theory and practice - Cultural landscape - an expanding notion and its challenges for conservation - The challenge of change and the 20th-century heritage - Theoretical and practical issues of conservation in the context of tourism Conservation philosophy in today's transcultural reality: Contrast versus context. A conflict between the authenticity of the past and the authenticity of the present? - Conservation in context - Conservation and religion - Communities, communications, conservation philosophy - The cult of authenticity in the age of fake - In praise of principles Dedicated to Alois Riegl in the 150th anniversary of his birth / An Alois Riegl gewidmet an seinem 150. Geburtstag (1858-1905).
Download or read book Historical and Philosophical Issues in the Conservation of Cultural Heritage written by Nicholas Price and published by Getty Publications. This book was released on 2016-09-23 with total page 522 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is the first comprehensive collection of texts on the conservation of art and architecture to be published in the English language. Designed for students of art history as well as conservation, the book consists of forty-six texts, some never before translated into English and many originally published only in obscure or foreign journals. The thirty major art historians and scholars represented raise questions such as when to restore, what to preserve, and how to maintain aesthetic character. Excerpts have been selected from the following books and essays: John Ruskin, The Seven Lamps of Architecture; Bernard Berenson, Aesthetics and History in the Visual Arts; Clive Bell, The Aesthetic Hypothesis; Cesare Brandi, Theory of Restoration; Kenneth Clark, Looking at Pictures; Erwin Panofsky, The History of Art as a Humanistic Discipline; E. H. Gombrich, Art and Illusion; Marie Cl. Berducou, The Conservation of Archaeology; and Paul Philippot, Restoration from the Perspective of the Social Sciences. The fully illustrated book also contains an annotated bibliography and an index.
