Download or read book Alienation and Theatricality written by Phoebevon Held and published by Routledge. This book was released on 2017-07-05 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alienation (Vefremdung) is a concept inextricably linked with the name of twentieth-century German playwright Bertolt Brecht - with modernism, the avant-garde and Marxist theory. However, as Phoebe von Held argues in this book, 'alienation' as a sociological and aesthetic notionavant la lettre had already surfaced in the thought of eighteenth-century French philosopher and writer Denis Diderot. This original study destabilizes the conventional understanding of alienation through a reading ofLe Paradoxe sur le comedien, Le Neveu de Rameau and other works by Diderot, opening up new ways of interpretation and aesthetic practices. If alienation constitutes a historical development for the Marxist Brecht, for Diderot it defines an existential condition. Brecht uses the alienation-effect to undermine a form of naturalism based on subjectivity, identification and illusion; Diderot, by contrast, plunges the spectator into identification and illusion, to produce an aesthetic of theatricality that is profoundly alienating and yet remains anchored in subjectivity.
Download or read book Alienation and Theatricality written by Phoebe von Held and published by Routledge. This book was released on 2017-07-05 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alienation (Vefremdung) is a concept inextricably linked with the name of twentieth-century German playwright Bertolt Brecht - with modernism, the avant-garde and Marxist theory. However, as Phoebe von Held argues in this book, 'alienation' as a sociological and aesthetic notionavant la lettre had already surfaced in the thought of eighteenth-century French philosopher and writer Denis Diderot. This original study destabilizes the conventional understanding of alienation through a reading ofLe Paradoxe sur le comedien, Le Neveu de Rameau and other works by Diderot, opening up new ways of interpretation and aesthetic practices. If alienation constitutes a historical development for the Marxist Brecht, for Diderot it defines an existential condition. Brecht uses the alienation-effect to undermine a form of naturalism based on subjectivity, identification and illusion; Diderot, by contrast, plunges the spectator into identification and illusion, to produce an aesthetic of theatricality that is profoundly alienating and yet remains anchored in subjectivity.
Download or read book Alienation and Theatricality in Brecht and Diderot written by Phoebe Annette Von Held and published by . This book was released on 2001 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art Alienation and Participation written by Finola Simpson and published by . This book was released on 2015 with total page 51 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Alienation in the Theatre Different Approaches to the Technique and Its Effects written by Tamara Batistic-Wulff and published by . This book was released on 1963 with total page 666 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre and Boxing written by Franco Ruffini and published by Taylor & Francis. This book was released on 2023-08-25 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre and Boxing focuses on a problem which is of paramount importance for any theatre practitioner and researcher: the actor’s believable body. This problem has been taken up by Stanislavski, Meyerhold, Artaud, Brecht, Decroux, Copeau, Grotowski, and many others. It is an essential hurdle for all who practice the theatrical craft or want to study it theoretically. This hurdle can be considered one of the foundations of theatre science and of the relationship between technique, politics and ethics. This book tells the story of a revolution in the work of the actor in the early- and mid-20th century, a period in which the focus of theatrical interest shifted from the emotions to the body. The actor’s body became a tool for purveying a dynamic set of actions which often transformed the very actor himself. This new centrality of the body also drew attention to those places in which the body is central: the gym, the boxing ring and the circus with its trapezes and tightropes became, together with the stage, laboratories for the theatre. Thus, in addition to the reformers of the theatre the pages of this book are filled with boxers, acrobats, gymnasts and wrestlers, pursuers of an utopia: the "actor who flies".
Download or read book Inventing the Spectator written by Joseph Harris and published by OUP Oxford. This book was released on 2014-05-01 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the seventeenth and eighteenth centuries, France became famous — notorious even — across Europe for its ambitious attempts to codify and theorise a system of universally valid dramatic 'rules'. So fundamental and formative was this 'classical' conception of drama that it still underpins our modern conception of theatre today. Yet rather than rehearsing familiar arguments about plays, Inventing the Spectator reads early modern France's dramatic theory against the grain, tracing instead the profile and characteristics of the spectator that these arguments imply: the living, breathing individual in whose mind, senses, and experience the theatre comes to life. In so doing, Joseph Harris raises numerous questions — of imagination and illusion, reason and emotion, vision and aurality, to name but a few — that strike at the very heart of human psychology, cognition, and experience. Bridging the gap between literary and theatre studies, history of psychology, and intellectual history, Inventing the Spectator thus reconstructs the theatre spectator's experience as it was understood and theorised within French dramatic theory between the Renaissance and the Revolution. It explores early modern spectatorship through three main themes (illusion and the senses; pleasure and narrative; interest and identification) and five key dramatic theoreticians (d'Aubignac, Corneille, Dubos, Rousseau, and Diderot). As it demonstrates, the period's dramatic rules are at heart rules of psychology, cognition, and affect that emerged out of a complex dialogue with human subjectivity in all its richness.
Download or read book Rogue Sexuality in Early Modern English Literature written by Ari Friedlander and published by Oxford University Press. This book was released on 2023-01-17 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: The "rogue," a term that described criminals, prostitutes, vagrants, beggars, and the unemployed, dominated the pages of early modern popular crime literature. Rogue Sexuality resituates the rogue by focusing on how their menace—and their seductive appeal—emerged not only from their social marginality, but also from their supposedly excessive sexuality and prodigious sexual reproduction. Through discussions of both familiar and little-studied early modern works by William Shakespeare, John Milton, Ben Jonson, Thomas Middleton, Thomas Dekker, Robert Greene, Thomas Harman, and the inventor of modern demography John Graunt, this volume posits the sexualized rogue as the avatar of a new category of "socio-sexual identity" and traces a surprising social transposition, in which socio-political elites are portrayed as appropriating the rogue's sexual vitality and performative charisma to navigate moments of crisis. By tracking the movement of rogue sexuality from a criminal to a normative discursive register, this book challenges the distinctions that literary critics and historians tend to draw between orderly and disorderly sexuality. With its focus on reproduction, rogue sexuality also provides a new framework for what Michel Foucault called "biopolitics," the state's focus on exercising power over life. In legal, administrative, and scientific documents, this book shows that early modern writers grappled with popular pamphlets' rendering of the alleged threat of rogue reproduction. Rogue Sexuality thus offers a new approach to the political history of early modern England as a population—as a people whose aggregate sexual life and reproduction were a key part of its political imagination.
Download or read book From Camera Lens To Critical Lens written by Rebecca Housel and published by Cambridge Scholars Publishing. This book was released on 2009-01-14 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Camera Lens to Critical Lens: A Collection of Best Essays on Film Adaptation, edited by Rebecca Housel, takes the reader through films by directors like Alfred Hitchcock to examining the relevance of twenty-first century British politics with current film; from screenwriter Charlie Kaufman to author Virginia Woolf; and, examining new theoretical approaches to international film adaptations from China, Japan, Britain, Canada, and France, as well as films like Eternal Sunshine of the Spotless Mind and Daughters of the Dust. The collection is derived from the Popular Culture Association (PCA) film-adaptation-area conference papers, researched and written by fourteen diverse scholars from all over the world, who gathered together in San Diego, California in April 2005 to further their research by presenting their ideas on film adaptation, now in full text versions within this exciting new volume. Accessible, engaging and informative, any audience may read and enjoy this edited collection on film adaptation. The volume would also work well for pedagogical purposes, both in and out of the classroom. Such a volume may easily be used in courses for English, film studies, gender studies, women’s studies, fine art, psychology, political science, history, and more. A work of diverse international voices, this collection represents the very best on film adaptation today.
Download or read book Theatricality written by Tracy C. Davis and published by Cambridge University Press. This book was released on 2003 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of specially-commissioned, accessible, essays explores that element of performance theory known as theatricality. Six case studies use historically specific circumstances to illustrate how and why the concept of theatricality was and is used. Topics discussed include early use of the term; employment of 'theatricality' by a number of other disciplines to describe events; non-Western interpretation of theatricality; and its use when discussing and analyzing political and cultural events and philosophies. The book provides a first-step guide for those discovering the complex yet rewarding world of performance theory.
Download or read book Theatre and Everyday Life written by Alan Read and published by Routledge. This book was released on 2003-09-02 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Read examines the relationship between an ethics of performance, a politics of place and a poetics of the urban environment.
Download or read book The African American Theatrical Body written by Soyica Diggs Colbert and published by Cambridge University Press. This book was released on 2011-10-06 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Presenting an innovative approach to performance studies and literary history, Soyica Colbert argues for the centrality of black performance traditions to African American literature, including preaching, dancing, blues and gospel, and theatre itself, showing how these performance traditions create the 'performative ground' of African American literary texts. Across a century of literary production using the physical space of the theatre and the discursive space of the page, W. E. B. Du Bois, Zora Neale Hurston, James Baldwin, August Wilson and others deploy performances to re-situate black people in time and space. The study examines African American plays past and present, including A Raisin in the Sun, Blues for Mister Charlie and Joe Turner's Come and Gone, demonstrating how African American dramatists stage black performances in their plays as acts of recuperation and restoration, creating sites that have the potential to repair the damage caused by slavery and its aftermath.
Download or read book Intercultural Aesthetics in Traditional Chinese Theatre written by Wei Feng and published by Springer Nature. This book was released on 2020-06-11 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the transformation of traditional Chinese theatre’s (xiqu) aesthetics during its encounters with Western drama and theatrical forms in both mainland China and Taiwan since 1978. Through analyzing both the text and performances of eight adapted plays from William Shakespeare, Bertolt Brecht, and Samuel Beckett, this book elaborates on significant changes taking place in playwriting, acting, scenography, and stage-audience relations stemming from intercultural appropriation. As exemplified by each chapter, during the intercultural dialogue of Chinese and foreign elements there exists one-sided dominance by either culture, fusion, and hybridity, which corresponds to the various facets of China’s pursuit of modernity between its traditional and Western influences.
Download or read book Perversion Pedagogy and the Comic written by Soumick De and published by Routledge. This book was released on 2022-06-07 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Perversion, Pedagogy and the Comic studies how the idea-of-theater shaped western consciousness during the Christian Middle Ages. It analyses developments within western philosophy, Christian theology and theater history to show how this idea realized itself primarily as a metaphor circulating through various discursive domains. Beginning with Plato’s injunction against tragedy the relation between philosophy and theater has been a complicated affair which this book traces at the threshold when the western world became Christian. By late antiquity as theatre was slowly banned, Christian theology put the idea-of-theatre to use in order to show what they understood to be the perverted nature of worldly existence and the mystery of the Kingdom of God. Interrogating the theological teachings of some of the early Church Fathers like St Augustine, Tertullian and Clement of Alexandria the book offers a new look at how the idea of theater not only inspired Christian liturgical practices but Christian pedagogy in general which in turn shaped the nature of Christian religious drama. Finally the author tries to demonstrate how this hegemonic use of the theatre-idea was countered by a certain comic sensibility which opened the idea of theatre in the Christian Middle Ages to a new and subversive materialist possibility. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Download or read book Dictionary of the Theatre written by Patrice Pavis and published by University of Toronto Press. This book was released on 1998-01-01 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt: An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
Download or read book Cultural Space and Theatrical Conventions in the Works of Oduvaldo Vianna Filho written by Leslie Hawkins Damasceno and published by Wayne State University Press. This book was released on 1996 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his work he constantly appraised his own dramatic development and the potential of his theatrical activity, in light of cultural and political possibilities, to affect social change.
Download or read book Event Space written by Dorita Hannah and published by Routledge. This book was released on 2018-07-11 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political ‘event’, the built environment of a performance became not only part of the event, but an event in and of itself. Event-Space radically re-evaluates the avant garde’s championing of nonrepresentational spaces, drawing on the specific fields of performance studies and architectural studies to establish a theory of ‘performative architecture’. ‘Event’ was of immense significance to modernism’s revolutionary agenda, resisting realism and naturalism – and, simultaneously, the monumentality of architecture itself. Event-Space analyzes a number of spatiotemporal models central to that revolution, both illuminating the history of avant-garde performance and inspiring contemporary approaches to performance space.
