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Book Playful Letters

Download or read book Playful Letters written by Erika Mary Boeckeler and published by University of Iowa Press. This book was released on 2017-11-01 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alphabetic letters are ubiquitous, multivalent, and largely ignored. Playful Letters reveals their important cultural contributions through Alphabetics—a new interpretive model for understanding artistic production that attends to the signifying interplay of the graphemic, phonemic, lexical, and material capacities of letters. A key period for examining this interplay is the century and a half after the invention of printing, with its unique media ecology of print, manuscript, sound, and image. Drawing on Shakespeare, anthropomorphic typography, figured letters, and Cyrillic pedagogy and politics, this book explores the ways in which alphabetic thinking and writing inform literature and the visual arts, and it develops reading strategies for the “letterature” that underwrites such cultural production. Playful Letters begins with early modern engagements with the alphabet and the human body—an intersection where letterature emerges with startling force. The linking of letters and typography with bodies produced a new kind of literacy. In turn, educational habits that shaped letter learning and writing permeated the interrelated practices of typography, orthography, and poetry. These mutually informing processes render visible the persistent crumbling of words into letters and their reconstitution into narrative, poetry, and image. In addition to providing a rich history of literary and artistic alphabetic interrogation in early modern Western Europe and Russia, Playful Letters contributes to the continuous story of how people use new technologies and media to reflect on older forms, including the alphabet itself.

Book The Fabrication of Leonardo da Vinci   s Trattato della pittura  2 vols

Download or read book The Fabrication of Leonardo da Vinci s Trattato della pittura 2 vols written by Claire Farago and published by BRILL. This book was released on 2018-01-29 with total page 1371 pages. Available in PDF, EPUB and Kindle. Book excerpt: The basis for our understanding of Leonardo’s theory of art was, for over 150 years, his Treatise on Painting, which was issued in 1651 in Italian and French. This present volume offers both the first scholarly edition of the Italian editio princeps as well as the first complete English translation of this seminal work. In addition, It provides a comprehensive study of the Italian first edition, documenting how each editorial campaign that lead to it produced a different understanding of the artist’s theory. What emerges is a rich cultural and textual history that foregrounds the transmission of artisanal knowledge from Leonardo’s workshop in the Duchy of Milan to Carlo Borromeo’s Milan, Cosimo I de’ Medici’s Florence, Urban VIII’s Rome, and Louis XIV’s Paris.

Book The Italian Renaissance Imagery of Inspiration

Download or read book The Italian Renaissance Imagery of Inspiration written by Maria Ruvoldt and published by Cambridge University Press. This book was released on 2004-03-29 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description

Book The First Proofs of the Universal Catalogue of Books on Art

Download or read book The First Proofs of the Universal Catalogue of Books on Art written by and published by . This book was released on 1870 with total page 1142 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Mobile Image from Watteau to Boucher

Download or read book The Mobile Image from Watteau to Boucher written by David Pullins and published by Getty Publications. This book was released on 2024-08-13 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reframing long-held assumptions about what distinguishes fine from decorative art, this innovative study explores a mode of making, seeing, and thinking that slices across eighteenth-century visual culture. This book provides a new way of thinking about eighteenth-century French art and visual culture by prioritizing production over reception. Abandoning the ideologically driven discourse that distinguished fine from decorative art between the 1690s and 1770s, The Mobile Image reveals how the two have been inextricably bound from the earliest stages of artistic instruction through the daily life of painters’ workshops. In this study, author David Pullins defines artisanal and artistic means of learning, seeing, and making through a system of “mobile images”: motifs that were effectively engineered for mobility and designed never to be definitive, always awaiting replication and circulation. He examines the careers of Antoine Watteau, Jean-Baptiste Oudry, and François Boucher, situating them against a much broader cast of actors—such as printmakers, publishers, anonymous studio assistants, and architects, among others—to place eighteenth-century painting within a wider context of media and making.

Book Counterpoints

    Book Details:
  • Author : Philippe Junod
  • Publisher : Reaktion Books
  • Release : 2017-09-15
  • ISBN : 1780238592
  • Pages : 246 pages

Download or read book Counterpoints written by Philippe Junod and published by Reaktion Books. This book was released on 2017-09-15 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Multimedia experiments are everywhere in contemporary art, but the collaboration and conflict associated with multimedia is not a new phenomenon. From opera to the symphonic poem to paintings inspired by music, many attempts have been made to pair sounds with pictures and to combine the arts of time and space. Counterpoints explores this artistic evolution from ancient times to the present day. The book’s main focus is music and its relationship with painting, sculpture, and architecture. Philippe Junod draws on theoretical and practical examples to show how different art movements throughout history have embraced or rejected creative combinations. He explains how the Renaissance, neoclassicism, and certain brands of modernism tried to claim the purity of each mode of expression, while other movements such as romanticism, symbolism, and surrealism called for a fusion of the arts. Counterpoints is a unique cultural history, one that provides a critical understanding of a popular but previously unheralded art form.

Book Bookseller s and printseller s catalogues

Download or read book Bookseller s and printseller s catalogues written by E. and A. Evans and published by . This book was released on 1820 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Initials and Decorative Alphabets

Download or read book Initials and Decorative Alphabets written by Erhardt D. Stiebner and published by Blandford. This book was released on 1985 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book First Proofs of the Universal Catalogue of Books on Art

Download or read book First Proofs of the Universal Catalogue of Books on Art written by National Art Library (Great Britain) and published by . This book was released on 1870 with total page 1142 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Universal Catalogue of Books on Art  L to Z

Download or read book Universal Catalogue of Books on Art L to Z written by National Art Library (Great Britain) and published by . This book was released on 1870 with total page 1140 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Art Subjects

    Book Details:
  • Author : Howard Singerman
  • Publisher : Univ of California Press
  • Release : 2023-09-01
  • ISBN : 0520921437
  • Pages : 306 pages

Download or read book Art Subjects written by Howard Singerman and published by Univ of California Press. This book was released on 2023-09-01 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nearly every artist under the age of fifty in the United States today has a Master of Fine Arts degree. Howard Singerman's thoughtful study is the first to place that degree in its proper historical framework and ideological context. Arguing that where artists are trained makes a difference in the forms and meanings they produce, he shows how the university, with its disciplined organization of knowledge and demand for language, played a critical role in the production of modernism in the visual arts. Now it is shaping what we call postmodernism: like postmodernist art, the graduate university stresses theory and research over manual skills and traditional techniques of representation. Singerman, who holds an M.F.A. in sculpture as well as a Ph.D. in Visual and Cultural Studies, is interested in the question of the artist as a "professional" and what that word means for and about the fashioning of artists. He begins by examining the first campus-based art schools in the 1870s and goes on to consider the structuring role of women art educators and women students; the shift from the "fine arts" to the "visual arts"; the fundamental grammar of art laid down in the schoolroom; and the development of professional art training in the American university. Singerman's book reveals the ways we have conceived of art in the past hundred years and have institutionalized that conception as atelier activity, as craft, and finally as theory and performance.

Book British Museum Catalogue of printed Books

Download or read book British Museum Catalogue of printed Books written by and published by . This book was released on 1892 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Pictorial Composition from Medieval to Modern Art

Download or read book Pictorial Composition from Medieval to Modern Art written by François Quiviger and published by . This book was released on 2000 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 12th century the "Book of the Soul" by the philosopher Avicenna was translated from Arabic into Latin. It had an immense success among scholastic writers and deeply influenced the structure and content of many psychological works of the Middle Ages. The reception of Avicenna's book is the story of cultural contact at an impressively high intellectual level. The present volume investigates this successful reception using two approaches. The first is chronological, tracing the stages by which Avicenna's work was accepted and adapted by Latin scholars. The second is doctrinal, analyzing the fortunes of key doctrines. The sense of the original Arabic text of Avicenna is kept in mind throughout and the degree to which his original Latin interpreters succeeded in conveying it is evaluated.

Book Reference Library Catalogue

Download or read book Reference Library Catalogue written by Bristol (England). Public Libraries and published by . This book was released on 1909 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Piccadilly Series

    Book Details:
  • Author :
  • Publisher :
  • Release : 1924
  • ISBN :
  • Pages : 172 pages

Download or read book Piccadilly Series written by and published by . This book was released on 1924 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Pictorial Composition from Medieval to Modern Art

Download or read book Pictorial Composition from Medieval to Modern Art written by Paul Taylor and published by . This book was released on 2000 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contains most of the papers given at a colloquium held at the Institute in 1997. It provides a study of the concept of composition in European art and art literature from the middle ages to the early twentieth century. Some authors are concerned to show the extent to which writers on art before 1880 would have been able to think of a work of art in the terms put forward by modernist theorists like Maurice Denis, Wassily Kandinsky and Clement Greenberg, as a flat surface, covered with colours, lines and forms arranged in an aesthetically pleasing way. Other authors aim to show how artists and theorists conceived of composition before the modern period, by describing some of the implications and connotations of the concept within a broader field of political and religious meanings. Contents Athene Reiss - Pictorial Composition in Medieval Art. Charles Hope - 'Composition' from Cennini and Alberti to Vasari François Quiviger - Imagining and Composing Stories in the Renaissance. Philip Sohm - Baroque Piles and Other Decompositions. Thomas Frangenberg - Andrea Pozzo on the Ceiling Paintings in S. Ignazio. Colette Nativel - La Théorie de la composition dans le De pictura veterum de Franciscus Junius: Une transition entre Alberti et l'Académie. Thomas Puttfarken - Composition, Disposition and Ordonnance in French Seventeenth-century Writings on Art. Paul Taylor - Composition in Seventeenth-century Dutch Art Theory. Harry Mount - Reynolds, Chiaroscuro and Composition. Richard Wrigley - The Politics of Composition: Reflection on Jacques Louis David's Serment du Jeu de paume. Hubert Locher - Towards a Science of Art: the Concept of 'Pure Composition' in Nineteenth- and Twentieth- century Art Theory.