Download or read book The Poet as Filmmaker written by Oleksandr Petrovych Dovz︠h︡enko and published by Cambridge, Mass. : MIT Press. This book was released on 1973 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Alexander Dovzhenko written by Bohdan Y. Nebesio and published by Canadian Institute of Ukrainian Studies Press. This book was released on 1995 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Alexander Dovzhenko written by George O. Liber and published by . This book was released on 2002 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Along with Sergei Eisenstein and Vsevolod Pudovkin, Alexander Dovzhenko became one of the major pioneers of Soviet filmmaking. During his thirty-year career, his films (including Zvenyhora, Arsenal, Earth, and Ivan) won international acclaim and have become influential classics of the silent and early sound eras. Combining images from Ukrainian history and folklore, stark realism, visual poetry, propaganda, and gentle humor, his films celebrated nature and man's relationship to the land. From his humble beginnings in the Ukrainian peasantry, Dovzhenko developed into a volatile artist with a great belief in cinema as an art form for the people. Fearing arrest and execution, he had to come to terms with the Stalinist order and compromised his vision for his later films (Aerograd, Shchors, and Michurin). Despite his concessions, his creative work inspired the first post-Stalinist generation of filmmakers and writers to challengeprevailing Soviet and artistic orthodoxies. Based on archival research in Moscow and Kiev and interviews with Dovzhenko's colleagues and students, George O. Liber provides the first definitive account in any language of this important director's personal and professional life. Liber's biography explores the political context of Dovzhenko's filmmaking, investigates the divisions between his public and private worlds, and analyses his contradictions, illusions, misrepresentations and struggles within and against the Stalinist system.
Download or read book The Fiction Films of Alexander Dovzhenko written by Vance Kepley and published by . This book was released on 1978 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Early Work of Alexander Dovzhenko and the Ukrainian Response to Soviet Modernism written by Vance Kepley and published by . This book was released on 1976 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Early Soviet Cinema written by David Gillespie and published by Wallflower Press. This book was released on 2000 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text examines the aesthetics of Soviet cinema during its golden age of the 1920s, against a background of cultural ferment and the construction of a new socialist society.
Download or read book The Alexander Medvedkin Reader written by Alexander Medvedkin and published by University of Chicago Press. This book was released on 2016-10-19 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filmmaker Alexander Medvedkin (1900–89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of “total” documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin’s satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky.
Download or read book In the Service of the State written by Vance Kepley and published by . This book was released on 1986 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Alexander Dovzhenko written by and published by . This book was released on 197? with total page 99 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Technique of Film and Video Editing written by Ken Dancyger and published by Taylor & Francis. This book was released on 2013-04-26 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Technique of Film & Video Editing provides a detailed, precise look at the artistic and aesthetic principles and practices of editing for both picture and sound. Analyses of photographs from dozens of classic and contemporary films and videos provide a sound basis for the professional filmmaker and student editor. This book puts into context the storytelling choices an editor will have to make against a background of theory, history, and practice. This new edition has been updated to include the latest advances in digital video and nonlinear editing and explores the new trend of documentary as mainstream entertainment, using films such as "Farenheit 9/11" and "The Fog of War" as examples.
Download or read book An Index to the Creative Work of Alexander Dovzhenko written by and published by . This book was released on 1947 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Fiction Films of Alexander Dovzhenko written by Vance Kepley and published by . This book was released on 1978 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Total Wars and the Making of Modern Ukraine 1914 1954 written by George Liber and published by University of Toronto Press. This book was released on 2016-05-09 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1914 and 1954, the Ukrainian-speaking territories in East Central Europe suffered almost 15 million “excess deaths” as well as numerous large-scale evacuations and forced population transfers. These losses were the devastating consequences of the two world wars, revolutions, famines, genocidal campaigns, and purges that wracked Europe in the first half of the twentieth century and spread new ideas, created new political and economic systems, and crafted new identities. In Total Wars and the Making of Modern Ukraine, 1914–1954, George O. Liber argues that the continuous violence of the world wars and interwar years transformed the Ukrainian-speaking population of East Central Europe into self-conscious Ukrainians. Wars, mass killings, and forced modernization drives made and re-made Ukraine’s boundaries, institutionalized its national identities, and pruned its population according to various state-sponsored political, racial, and social ideologies. In short, the two world wars, the Holodomor, and the Holocaust played critical roles in forming today’s Ukraine. A landmark study of the terrifying scope and paradoxical consequences of mass violence in Europe’s bloodlands, Liber’s book will transform our understanding of the entangled histories of Ukraine, the USSR, Germany, and East Central Europe in the twentieth century.
Download or read book Nonfiction Film written by Richard Barsam and published by Indiana University Press. This book was released on 1992-11-22 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." --Richard Dyer MacCann "... superb work... " --Historical Journal of Film, Radio, and Television
Download or read book Masters of the Soviet Cinema written by Herbert Marshall and published by Routledge. This book was released on 2013-12-04 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eisenstein, Pudovkin, Dovzhenko, Vertov: these Soviet film directors are acknowledged to be among the greatest in the history of cinematography. To Eisenstein we owe such films as Battleship Potemkin and October; to Pudovkin Mother and The End of St Petersburg; to Dovzhenko Earth and Zvenigora; and to Vertov The Man With a Movie Camera and The Three Songs of Lenin. Herbert Marshall knew each of them personally, both as artists and as friends, and shared their cinema world when he was a student at the GIK (The Moscow State Institute of Cinematography) in the heady years following the Revolution into the period of the first Five Year Plan. His material is culled from personal recollections, diaries, notes, unpublished and published biographies, letters, press cuttings, articles and books in various languages, but mainly from Soviet sources and the Soviet cinema world. Taking the subjects one by one, this indispensible book discusses their major films including an account of their creation and reception in the USSR and abroad. It shows the tragedy of these four Soviet artists who were lucky enough not to be arrested or deprived of their limited freedom, yet who nevertheless ended up with ‘crippled creative biographies’. The author then examines the changed viewpoint in the climate of 1983 when the book was originally published.
Download or read book The Voice of Technology written by Lilya Kaganovsky and published by Indiana University Press. This book was released on 2018-02-13 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: A deeply researched exploration of the technology, aesthetics, and politics of Soviet film during the transition from silent to sound. As cinema industries around the globe adjusted to the introduction of synch-sound technology, the Soviet Union was also shifting culturally, politically, and ideologically from the heterogeneous film industry of the 1920s to the centralized industry of the 1930s, and from the avant-garde to Socialist Realism. In The Voice of Technology: Soviet Cinema’s Transition to Sound, 1928–1935, Lilya Kaganovsky explores the history, practice, technology, ideology, aesthetics, and politics of the transition to sound within the context of larger issues in Soviet media history. Industrialization and centralization of the cinema industry greatly altered the way movies in the Soviet Union were made, while the introduction of sound radically altered the way these movies were received. Kaganovsky argues that the coming of sound changed the Soviet cinema industry by making audible, for the first time, the voice of State power, directly addressing the Soviet viewer. By exploring numerous examples of films from this transitional period, Kaganovsky demonstrates the importance of the new technology of sound in producing and imposing the “Soviet Voice.” “Kaganovsky’s research is impeccable. Not only does she reference virtually all English-language writing on her subject, she also has combed the archives, unearthing personal stories, government records, filmmakers’ notes, press reviews from the period, and other previously untranslated documents.” —CineMontage
Download or read book Ukrainian Cinema written by Joshua First and published by Bloomsbury Publishing. This book was released on 2015-01-06 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ukrainian Cinema: Belonging and Identity during the Soviet Thaw is the first concentrated study of Ukrainian cinema in English. In particular, historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s. He argues that film-makers working at the Alexander Dovzhenko Feature Film Studio in Kiev were obsessed with questions of identity and demanded that the Soviet film industry and audiences alike recognize Ukrainian cultural difference. The first two chapters provide the background on how Soviet cinema since Stalin cultivated an exoticised and domesticated image of Ukrainians, along with how the film studio in Kiev attempted to rebuild its reputation during the early Sixties as a centre of the cultural thaw in the USSR. The next two chapters examine Sergei Paradjanov's highly influential Shadows of Forgotten Ancestors (1965) and its role in reorienting the Dovzhenko studio toward the auteurist (some would say elitist) agenda of Poetic Cinema. In the final three chapters, Ukrainian Cinema looks at the major works of film-makers Yurii Illienko, Leonid Osyka, and Leonid Bykov, among others, who attempted (and were compelled) to bridge the growing gap between a cinema of auteurs and concerns to generate profit for the Soviet film industry.
