Download or read book The Emergence of the Antique and Curiosity Dealer in Britain 1815 1850 written by Mark Westgarth and published by Routledge. This book was released on 2020-04-07 with total page 171 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815–1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets. Set against the recent ‘art market turn’ in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.1803–1887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects. This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.

Download or read book The Napoleon of Crime written by Ben Macintyre and published by Crown. This book was released on 2011-04-05 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the New York Times bestselling author of Prisoners in the Castle, a dramatic portrait of the master thief of the nineteenth century: Adam Worth “Fascinating . . . a brisk, lively, colorful biography of an amazing criminal.”—The New York Times (Best Books of the Year) The Victorian era’s most infamous and iconic thief, the inspiration for Sherlock Holmes’s Professor Moriarty, Adam Worth was known as the Napoleon of crime. Suave, cunning, and fearless, Worth learned early that the best way to succeed was to steal. And steal he did. Following a strict code of honor, Worth won the respect of Victorian society. He also aroused its fear by becoming a chilling phantom, mingling undetected with the upper classes, whose valuables he brazenly stole. His most celebrated heist: Gainsborough’s grand portrait of the Duchess of Devonshire—ancestor of Diana, Princess of Wales—a painting Worth adored and often slept with for twenty years. With a brilliant gang that included “Piano” Charley, a jewel thief, train robber, and playboy, and “the Scratch” Becker, master forger, Worth secretly ran operations from New York to London, Paris, and South Africa—until betrayal and a Pinkerton man finally brought him down. The Napoleon of Crime is a grand, dazzling tour into the gaslit underworld of the nineteenth century, and into the doomed genius of a criminal mastermind.

Download or read book Old Masters New World written by Cynthia Saltzman and published by Penguin. This book was released on 2008 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: SALTZMAN/OLD MASTERS; NEW WORLD

Download or read book Victorian Artists Autograph Replicas written by Julie F. Codell and published by Routledge. This book was released on 2020-05-10 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a wide-ranging exploration of the production of Victorian art autograph replicas, a painting’s subsequent versions created by the same artist who painted the first version. Autograph replicas were considered originals, not copies, and were highly valued by collectors in Britain, America, Japan, Australia, and South Africa. Motivated by complex combinations of aesthetic and commercial interests, replicas generated a global, and especially transatlantic, market between the 1870s and the 1940s, and almost all collected replicas were eventually donated to US public museums, giving replicas authority in matters of public taste and museums’ modern cultural roles. This book will be of interest to scholars in art history, museum studies, and economic history.

Download or read book Dutch Paintings in the Metropolitan Museum of Art written by Walter A. Liedtke and published by Metropolitan Museum of Art. This book was released on 2007 with total page 1109 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.

Download or read book The Ephemeral Museum written by Francis Haskell and published by Yale University Press. This book was released on 2000-01-01 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this illustrated book, an eminent art historian examines the intriguing history and significance of the international art exhibition of the Old Master paintings.

Download or read book Lives of Mississippi Authors 1817 1967 written by and published by Univ. Press of Mississippi. This book was released on 1981 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dutch Paintings in the Metropolitan Museum of Art written by Walter A. Liedtke and published by . This book was released on 2007 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book History s Beauties written by Lara Perry and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 'beauties' - women of note - who were welcomed to the National Portrait Gallery's early collection were those whose lives and portraits were recognized as significant to the 'civil, ecclesiastical and literary history of the nation'. This brief was interpreted to include figures as diverse as the devout Lady Margaret Beaufort, and the entertaining Lady Emma Hamilton. History's Beauties, the first detailed study of this collection, maps a culture of femininity that reframes the Victorian fascination with women's domestic and sentimental presence by locating it within a Parliament-centred 'national' culture.

Download or read book Impressionism Scotland written by Frances Fowle and published by . This book was released on 2008 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the end of the nineteenth century Scotland was one of the most powerful industrial nations in the world. Huge wealth was generated in cities such as Glasgow, Aberdeen and Dundee and this period saw the emergence of a new breed of mercantile art collector, eager to invest in modern European art. This book is the first to explore the Scottish taste for Impressionism and Post-Impressionism c.1865-1930 and the impact of this art on two generations of Scottish artists. The term 'Impressionism' was then applied to artists as diverse as Corot, Whistler and the Glasgow Boys, as well as Monet, Degas and their contemporaries and the essays in this book - by leading scholars in the field - address a number of themes, including the influence of Dutch and French Realism on Scottish art, modern life imagery in the work of the Glasgow Boys, the taste for Whistler and his importance for Scottish art; William Burrell's collection of Impressionist pictures; and the impact of French art on the Scottish Colourists. Published to accompany the major exhibition Impressionism and Scotland (2008). AUTHOR: Dr Frances Fowle holds a joint post as Senior Curator of French Art at the National Gallery of Scotland and Lecturer in Art History at the University of Edinburgh. She has published widely on nineteenth century art, collecting and the art market and her publications include Monet and French Landscape (Edinburgh 2006) and (with Richard Thomson) Soil and Stone: Impressionism, Urbanism, Environment (London 2003). 160 colour & 40 b/w illustrations

Download or read book Degas and the Business of Art written by and published by Penn State Press. This book was released on 1994 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: While it received a more positive response than other works exhibited, its success was with the conservative audience. After considerable difficulty, Degas finally succeeded in selling the painting in 1878 to the newly founded museum in the city of Pau. The painting was probably regarded as an appropriate homage to the old textile manufacturing family who funded its purchase. It also appealed to "progressive" provincial and more cosmopolitan audiences in Pau. The picture's scattered form and atomized figures - in which some interpreters today read evidence of the artist's own ambivalence about capitalism - seemingly contributed to its "innovative" cachet in Pau. But the private and public meanings of the painting had shifted, in discontinuous fashion, between its production and consumption. Under the circumstances, Degas's unfixed and even mixed messages about business became, among other things, his most successful (if unwitting) marketing strategy.

Download or read book Transactions of the Lancashire and Cheshire Antiquarian Society written by Lancashire and Cheshire Antiquarian Society and published by . This book was released on 2006 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes the Society's proceedings and list of members.

Download or read book Pictures for the Parlour written by Art Gallery of Ontario and published by Art Gallery of Ontario = Musée des beaux-arts de l'Ontario. This book was released on 1983 with total page 94 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Tastemakers written by Diana Davis and published by Getty Publications. This book was released on 2020-07-07 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of the development, role, and influence of the British decorative art dealers who invented an Anglo-Gallic style for elite interiors. In this volume Diana Davis demonstrates how London dealers invented a new and visually splendid decorative style that combined the contrasting tastes of two nations. Departing from the conventional narrative that depicts dealers as purveyors of antiquarianism, Davis repositions them as innovators who were key to transforming old art objects from ancien régime France into cherished “antiques” and, equally, as creators of new and modified French-inspired furniture, bronze work, and porcelain. The resulting old, new, and reconfigured objects merged aristocratic French eighteenth-century taste with nineteenth-century British preference, and they were prized by collectors, who displayed them side by side in palatial interiors of the period. The Tastemakers analyzes dealer-made furnishings from the nineteenth-century patron’s perspective and in the context of the interiors for which they were created, contending that early dealers deliberately formulated a new aesthetic with its own objects, language, and value. Davis examines a wide variety of documents to piece together the shadowy world of these dealers, who emerge center stage as a traders, makers, and tastemakers.

Download or read book Catalog of the Collection written by Columbus Museum of Art and published by . This book was released on 1978 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Politics personified written by Henry Miller and published by Manchester University Press. This book was released on 2016-05-16 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: The remarkable popularity of political likenesses in the Victorian period is the central theme of this book, which explores how politicians and publishers exploited new visual technology to appeal to a broad public. The first study of the role of commercial imagery in nineteenth-century politics, Politics personified shows how visual images projected a favourable public image of politics and politicians. Drawing on a vast and diverse range of sources, this book highlights how and why politics was visualised. Beginning with an examination of the visual culture of reform, the book goes on to study how Liberals, Conservatives and Radicals used portraiture to connect with supporters, the role of group portraiture, and representations of Victorian MPs. The final part of the book examines how major politicians, including Palmerston, Gladstone and Disraeli, interacted with mass commercial imagery. The book will appeal to a broad range of scholars and students across political, social and cultural history, art history and visual studies, cultural and media studies and literature.

Download or read book The Manchester Art Treasures Exhibition of 1857 written by ElizabethA. Pergam and published by Routledge. This book was released on 2017-07-05 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: An overdue study of a groundbreaking event, this is the first book-length examination of the Manchester Art Treasures Exhibition of 1857. Intended to rehabilitate Manchester's image at a heady time of economic prosperity, the Exhibition became a touchstone for aesthetic, social, and economic issues of the mid-nineteenth century. Reverberations of this moment can be followed to the present day in the discipline of art history and its practice in public museums of Europe and America. Highlighting the tension between art and commerce, philanthropy and profit, the book examines the Exhibition's organization and the presentation of the works of art in the purpose-built Art Treasures Palace. Pergam places the Exhibition in the context of contemporary debates about museum architecture and display. With an analysis of the reception of both "Ancient" and "Modern" paintings, the book questions the function of exhibitions in the construction of an art historical canon. The book also provides an essential reference tool: a compiled list of all of the paintings exhibited in 1857 that are now in public collections throughout the world, with an analysis of the collecting trends manifest in their provenance.