Download or read book Dan Graham written by Kodwo Eshun and published by MIT Press. This book was released on 2012 with total page 121 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dan Graham's Rock My Religion (1982-84) is a video essay populated by punk and rock performers (Patti Smith, Jim Morrison, Black Flag and Glenn Branca) and historical figures (including Ann Lee, founder of the Shakers). This coming together of several narrative voice-overs, of singing and shouting voices, of jarring sounds and text overlaid onto shaky, gritty images, proposes a historical genealogy of rock music and an ambitious thesis on the origins of America. In this illustrated book, Kodwo Eshun examines this landmark work of contemporary moving image in relation to Graham's wider body of work and to the broader culture of the time, especially in relation to history, popular culture, and individual and communal identity.

Download or read book Fischli and Weiss written by Jeremy Millar and published by National Geographic Books. This book was released on 2007-11-09 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated discussion of Fischli and Weiss's famous film The Way Things Go, marking the twentieth anniversary of its first screening, explores why this captivating work continues to fascinate viewers. The Way Things Go (Der Lauf der Dinge) is a thirty-minute film by Swiss artists Peter Fischli and David Weiss featuring a series of chain reactions involving ordinary objects. It is also one of the truly amazing works of art produced in the late twentieth century. Admired, even loved, by members of the public as much as it is praised by the more specialist audience of artists, critics, and curators, The Way Things Go was perhaps the most popular work shown at Documenta 8, Kassel, in 1987. The work embodies many of the qualities that make Fischli and Weiss's work among the most captivating in the world today: slapstick humor and profound insight; a forensic attention to detail; a sense of illusion and transformation; and the dynamic exchange between states of order and chaos. In discussing what makes The Way Things Go utterly compelling to its viewers—whether they have seen it one time or many times—Jeremy Millar leaves no doubt as to why this film was chosen for the One Works series. As everyday objects crash, scrape, slide, or fly into one another with devastating, impossible, and persuasive effect, viewers find themselves witnessing a spectacle that seems at once prehistoric and postapocalyptic. Millar tells us why this extraordinary film speaks to us at the beginning of the twenty-first century. If history is “just one thing after another,” then The Way Things Go is truly a historic work. Jeremy Millar is an artist. He is the author of Place (with Tacita Dean) and has contributed to many artist's monographs. He has also curated many solo and group exhibitions internationally. Swiss artists Peter Fischli and David Weiss received Europe's most coveted art prize, the Roswitha Haftmann Prize, in November 2006. A major retrospective of their work, “Flowers and Questions,” originating at the Tate, London, travels to Zurich and Hamburg in 2007 and 2008.

Download or read book Ophelia After All written by Racquel Marie and published by Feiwel & Friends. This book was released on 2022-02-08 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A teen girl navigates friendship drama, the end of high school, and discovering her queerness in Ophelia After All, a hilarious and heartfelt contemporary YA debut by author Racquel Marie. Ophelia Rojas knows what she likes: her best friends, Cuban food, rose-gardening, and boys – way too many boys. Her friends and parents make fun of her endless stream of crushes, but Ophelia is a romantic at heart. She couldn’t change, even if she wanted to. So when she finds herself thinking more about cute, quiet Talia Sanchez than the loss of a perfect prom with her ex-boyfriend, seeds of doubt take root in Ophelia’s firm image of herself. Add to that the impending end of high school and the fracturing of her once-solid friend group, and things are spiraling a little out of control. But the course of love—and sexuality—never did run smooth. As her secrets begin to unravel, Ophelia must make a choice between clinging to the fantasy version of herself she’s always imagined or upending everyone’s expectations to rediscover who she really is, after all. "Ophelia Rojas is the type of character that leaps off the page and directly into your heart—Ophelia After All is a queer delight through and through." —Leah Johnson, bestselling author of You Should See Me in a Crown

Download or read book Not So Bad After All written by Daniel Amaguana and published by Mascot Books. This book was released on 2021-02-02 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mascot Books announces the release of Not So Bad After All written by Daniel Amaguana with illustrations by Nabi Bilal. Come along to school with Daniel as he overcomes challenges, stands up to bullies, and gains confidence in all the new adolescent experiences! With engaging rhymes and colorful illustrations, this is the perfect book for any kid who could use a self- esteem boost and learn to tackle the social scene at school.

Download or read book David Hammons written by Elena Filipovic and published by MIT Press. This book was released on 2017-09-08 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on unpublished documents and oral histories, an illustrated examination of an iconic artwork of an artist who has made a lifework of tactical evasion. One wintry day in 1983, alongside other street sellers in the East Village, David Hammons peddled snowballs of various sizes. He had neatly laid them out in graduated rows and spent the day acting as obliging salesman. He called the evanescent and unannounced street action Bliz-aard Ball Sale, thus inscribing it into a body of work that, from the late 1960s to the present, has used a lexicon of ephemeral actions and self-consciously “black" materials to comment on the nature of the artwork, the art world, and race in America. And although Bliz-aard Ball Sale has been frequently cited and is increasingly influential, it has long been known only through a mix of eyewitness rumors and a handful of photographs. Its details were as elusive as the artist himself; even its exact date was unrecorded. Like so much of the artist's work, it was conceived, it seems, to slip between our fingers—to trouble the grasp of the market, as much as of history and knowability. In this engaging study, Elena Filipovic collects a vast oral history of the ephemeral action, uncovering rare images and documents, and giving us singular insight into an artist who made an art of making himself difficult to find. And through it, she reveals Bliz-aard Ball Sale to be the backbone of a radical artistic oeuvre that transforms such notions as “art,” “commodity,” “performance,” and even “race” into categories that shift and dissolve, much like slowly melting snowballs.

Download or read book After All written by Heidi McLaughlin and published by Montlake Romance. This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: From New York Times bestselling author Heidi McLaughlin comes a heartfelt story about overcoming great loss and forgiving past sins to find happiness again. Brooklyn Hewett hasn't set foot in Cape Harbor for fifteen years--not since an accident claimed the love of her life, Austin Woods. Desperate to move forward, Brooklyn has focused on raising her daughter for the past fourteen years. But when the opportunity comes along to renovate the old Driftwood Inn, Brooklyn knows it's time to go home. But it won't be easy. For one, Austin's best friend, Bowie Holmes, still lives in Cape Harbor. Brooklyn hasn't quite been able to forget him: not since the night they spent together--the same night they both lost Austin. Separated by tragedy and guilt, they're brought together by the Driftwood project. And as they rebuild the inn, they discover they're also rebuilding something else. Brooklyn's always been desperate to move on, not knowing that she first needs to reconcile past transgressions. She can't forget, but she can forgive--Austin, Bowie, and herself--on her way toward long-awaited happiness.

Download or read book Mark Leckey written by Mitch Speed and published by MIT Press. This book was released on 2020-02-11 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated examination of Mark Leckey's celebrated video montage. In 1999, the British artist Mark Leckey released his video-montage Fiorucci made me Hardcore, a dreamscape vignette that communes with the rapturous promises of youth. Putting archive material to use, Leckey entwined footage of underground dance and street culture in Britain with audio grifted and recorded in the artist's studio. In this illustrated study, the first comprehensive examination of the work, Mitch Speed argues that by interweaving personal and collective memory, this work gives voice to the complexities of class and cultural transformation during Britain's Thatcherite era. Oscillating between local and expansive resonances, Fiorucci made me Hardcore takes form as a homage, love letter, and work of criticism that eschews analysis, instead incanting the deeper implications of its subject.

Download or read book Walker Evans written by Olivier Richon and published by MIT Press. This book was released on 2019-06-18 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of one of Walker Evans's iconic photographs of the Great Depression. Kitchen Corner, Tenant Farmhouse, Hale County, Alabama shows a painstakingly clean-swept corner in the house of an Alabama sharecropper. Taken in 1936 by Walker Evans as part of his work for the Farm Security Administration, Kitchen Corner was not published until 1960, when it was included in a new edition of Walker Evans and James Agee's classic Let Us Now Praise Famous Men. The 1960 reissue of Evans and Agee's book had an enormous impact on Americans' perceptions of the Depression, creating a memory-image retrospectively through Walker's iconic photographs and Agee's text. In this latest addition to the Afterall One Work series, photographer Olivier Richon examines Kitchen Corner. The photograph is particularly significant, he argues, because it uses a documentary form that privileges detachment, calling attention to overlooked objects and to the architecture of the dispossessed. Given today's growing economic inequality, the photograph feels pointedly relevant. The FSA, established in 1935, commissioned photographers to document the impact of the Great Depression in America and used the photographs to advertise aid relief. For four weeks in the summer of 1936, Evans collaborated with Agee on an article about cotton farmers in the American South. The result of that project was the landmark publication Let Us Now Praise Famous Men, documenting three sharecropper families and their environment. These photographs were intimate, respectful portraits of the farmers, and of their homes, furniture, clothing, and rented land. Kitchen Corner powerfully evokes Agee's observations of the significance of “bareness and space” in these homes: “general odds and ends are set very plainly and squarely discrete from one another... [giving] each object a full strength it would not otherwise have.”

Download or read book Jeff Koons written by Michael Archer and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In Jeff Koons's One Ball Total Equilibrium Tank (1985), a Spalding basketball floats in the centre of a glass tank that rests on a simple black metal stand. The work presents what Koons called 'the penultimate state of being' - neither death nor life, but a suspended state of rest. It has been called one of the defining works of the 1980s, but was also described as 'an endgame', 'misleading' and part of a 'repulsive' practice"--Jacket.

Download or read book Yayoi Kusama written by Jo Applin and published by MIT Press. This book was released on 2012-10-05 with total page 113 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of Kusama's era-defining work, a “sublime, miraculous field of phalluses,” against the background of abstraction, eroticism, sexuality, and softness. Almost a half-century after Yayoi Kusama debuted her landmark installation Infinity Mirror Room—Phalli's Field (1965) in New York, the work remains challenging and unclassifiable. Shifting between the Pop-like and the Surreal, the Minimal and the metaphorical, the figurative and the abstract, the psychotic and the erotic, with references to “free love” and psychedelia, it seemed to embody all that the 1960s was about, while at the same time denying the prevailing aesthetics of its time. The installation itself was a room lined with mirrored panels and carpeted with several hundred brightly polka-dotted soft fabric protrusions into which the visitor was completely absorbed. Kusama simply called it “a sublime, miraculous field of phalluses.” A precursor of performance-based feminist art practice, media pranksterism, and “Occupy” movements, Kusama (born in 1929) was once as well known as her admirers—Andy Warhol, Donald Judd, and Joseph Cornell. In this first monograph on an epoch-defining work, Jo Applin looks at the installation in detail and places it in the context of subsequent art practice and theory as well as Kusama's own (as she called it) “obsessional art.” Applin also discusses Kusama's relationship to her contemporaries, particularly those working with environments, abstract-erotic sculpture, and mirrors, and those grappling with such issues as abstraction, eroticism, sexuality, and softness. The work of Lee Lozano, Claes Oldenburg, Louise Bourgeois, and Eva Hesse is seen anew when considered in relation to Yayoi Kusama's.

Download or read book Beverly Buchanan written by Amelia Groom and published by MIT Press. This book was released on 2021-02-02 with total page 97 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated examination of Beverly Buchanan's 1981 environmental sculpture, which exists in an ongoing state of ruination. Beverly Buchanan's Marsh Ruins (1981) are large, solid mounds of cement and shell-based tabby concrete, yet their presence has always been elusive. Hiding in the tall grasses and brackish waters of the Marshes of Glynn, on the southeast coast of Georgia, the Marsh Ruins merge with their surroundings as they enact a curious and delicate tension between destruction and endurance. This volume offers an illustrated examination of Buchanan's environmental sculpture, which exists in an ongoing state of ruination.

Download or read book Philip Guston written by Craig Burnett and published by MIT Press. This book was released on 2014-02-28 with total page 95 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated examination of Philip Guston's comic and complex painting The Studio. Throughout his career, Philip Guston's work metamorphosed from figural to abstract and back to figural. In the 1950s, Guston (1913–1980) produced a body of shimmering abstract paintings that made him—along with Willem de Kooning, Jackson Pollock, and Franz Kline—an influential abstract expressionist of the “gestural” tendency. In the late 1960s, with works like The Studio came his most radical shift. Drawing from the imagery of his early murals and from elements in his later drawings, ignoring the prevailing “coolness” of Minimalism and antiform abstraction, Guston invented for these late works a cast of cartoon-like characters to articulate a vision that was at once comic, crude, and complex. In The Studio, Guston offers a darkly comic portrait of the artist as a hooded Ku Klux Klansman, painting a self-portrait. In this concise and generously illustrated book, Craig Burnett examines The Studio in detail. He describes the historical and personal motivations for Guston's return to figuration and the (mostly negative) critical reaction to the work from Hilton Kramer and others. He looks closely at the structure of The Studio, and at the influence of Piero della Francesca, Manet, and Krazy Kat, among others; and he considers the importance of the column of smoke in the painting—as a compositional device and as a ghost of abstraction and metaphysics. The Studio signals not only Guston's own artistic evolution but a broader shift, from the medium-centric and teleological claim of modernism to the discursive, carnivalesque, and mucky world of postmodernism.

Download or read book Sturtevant written by Patricia Lee (Writer on contemporary art) and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated examination of a work--a Warhol that isn''t by Warhol--that embodies a shift in attitudes about artistic authorship and originality. Warhol Marilyn (1965) is not a work by Andy Warhol but by the artist Elaine Sturtevant (1930-2014). Throughout her career, Sturtevant (as she preferred to be called) remade and exhibited works by other contemporary artists, among them Jasper Johns, Roy Lichtenstein, and Robert Rauschenberg. For Warhol Marilyn, Sturtevant used one of Warhol''s own silkscreens from his series of Marilyn printed multiples. (When asked how he made his silkscreened work, Warhol famously answered, "I don''t know. Ask Elaine.") In this book, Patricia Lee examines Warhol Marilyn as representing a shift in thinking about artistic authorship and originality, highlighting a decisive moment in the rethinking of the contemporary artwork. Lee describes the cognitive dissonance a viewer might feel on learning the identity of Warhol Marilyn''s author, and explains that mistaken identity is part of Sturtevant''s intention for the operation of the work. She discusses the ways that Sturtevant''s methodology went against the grain of a certain interpretation of modernism, and addresses the cultural significance of both Warhol and Monroe as celebrity figures. She considers Dorothy Podber''s shooting a bullet through a stack of Warhol''s Marilyns (thereafter known as The Shot Marilyns) at the Factory in 1964 and its possible influence on Sturtevant''s decision to remake the work. Lee writes that Sturtevant''s critical reception has been informed by some fictional forebears: the made-up artist Hank Herron (whose nonexistent work duplicating paintings by Frank Stella was reviewed by a fictional critic), and (suggested by Sturtevant herself) Pierre Menard, the title character of Jorge Luis Borges''s "Pierre Menard, Author of the Quixote," who recreates a section of Cervantes''s masterpiece line by line. And finally, she explores installation contexts and display strategies for Sturtevant''s work as illuminating her broader artistic aims and principles. and explains that mistaken identity is part of Sturtevant''s intention for the operation of the work. She discusses the ways that Sturtevant''s methodology went against the grain of a certain interpretation of modernism, and addresses the cultural significance of both Warhol and Monroe as celebrity figures. She considers Dorothy Podber''s shooting a bullet through a stack of Warhol''s Marilyns (thereafter known as The Shot Marilyns) at the Factory in 1964 and its possible influence on Sturtevant''s decision to remake the work. Lee writes that Sturtevant''s critical reception has been informed by some fictional forebears: the made-up artist Hank Herron (whose nonexistent work duplicating paintings by Frank Stella was reviewed by a fictional critic), and (suggested by Sturtevant herself) Pierre Menard, the title character of Jorge Luis Borges''s "Pierre Menard, Author of the Quixote," who recreates a section of Cervantes''s masterpiece line by line. And finally, she explores installation contexts and display strategies for Sturtevant''s work as illuminating her broader artistic aims and principles. ntexts and display strategies for Sturtevant''s work as illuminating her broader artistic aims and principles.and explains that mistaken identity is part of Sturtevant''s intention for the operation of the work. She discusses the ways that Sturtevant''s methodology went against the grain of a certain interpretation of modernism, and addresses the cultural significance of both Warhol and Monroe as celebrity figures. She considers Dorothy Podber''s shooting a bullet through a stack of Warhol''s Marilyns (thereafter known as The Shot Marilyns) at the Factory in 1964 and its possible influence on Sturtevant''s decision to remake the work. Lee writes that Sturtevant''s critical reception has been informed by some fictional forebears: the made-up artist Hank Herron (whose nonexistent work duplicating paintings by Frank Stella was reviewed by a fictional critic), and (suggested by Sturtevant herself) Pierre Menard, the title character of Jorge Luis Borges''s "Pierre Menard, Author of the Quixote," who recreates a section of Cervantes''s masterpiece line by line. And finally, she explores installation contexts and display strategies for Sturtevant''s work as illuminating her broader artistic aims and principles. and explains that mistaken identity is part of Sturtevant''s intention for the operation of the work. She discusses the ways that Sturtevant''s methodology went against the grain of a certain interpretation of modernism, and addresses the cultural significance of both Warhol and Monroe as celebrity figures. She considers Dorothy Podber''s shooting a bullet through a stack of Warhol''s Marilyns (thereafter known as The Shot Marilyns) at the Factory in 1964 and its possible influence on Sturtevant''s decision to remake the work. Lee writes that Sturtevant''s critical reception has been informed by some fictional forebears: the made-up artist Hank Herron (whose nonexistent work duplicating paintings by Frank Stella was reviewed by a fictional critic), and (suggested by Sturtevant herself) Pierre Menard, the title character of Jorge Luis Borges''s "Pierre Menard, Author of the Quixote," who recreates a section of Cervantes''s masterpiece line by line. And finally, she explores installation contexts and display strategies for Sturtevant''s work as illuminating her broader artistic aims and principles. ntexts and display strategies for Sturtevant''s work as illuminating her broader artistic aims and principles.ntexts and display strategies for Sturtevant''s work as illuminating her broader artistic aims and principles.and explains that mistaken identity is part of Sturtevant''s intention for the operation of the work. She discusses the ways that Sturtevant''s methodology went against the grain of a certain interpretation of modernism, and addresses the cultural significance of both Warhol and Monroe as celebrity figures. She considers Dorothy Podber''s shooting a bullet through a stack of Warhol''s Marilyns (thereafter known as The Shot Marilyns) at the Factory in 1964 and its possible influence on Sturtevant''s decision to remake the work. Lee writes that Sturtevant''s critical reception has been informed by some fictional forebears: the made-up artist Hank Herron (whose nonexistent work duplicating paintings by Frank Stella was reviewed by a fictional critic), and (suggested by Sturtevant herself) Pierre Menard, the title character of Jorge Luis Borges''s "Pierre Menard, Author of the Quixote," who recreates a section of Cervantes''s masterpiece line by line. And finally, she explores installation contexts and display strategies for Sturtevant''s work as illuminating her broader artistic aims and principles. ntexts and display strategies for Sturtevant''s work as illuminating her broader artistic aims and principles.," who recreates a section of Cervantes''s masterpiece line by line. And finally, she explores installation contexts and display strategies for Sturtevant''s work as illuminating her broader artistic aims and principles.ntexts and display strategies for Sturtevant''s work as illuminating her broader artistic aims and principles.

Download or read book Art and Its Worlds Exhibitions Institutions and Art Becoming Public Exhibition Histories Vol 12 written by and published by Walther Konig Verlag. This book was released on 2021-06 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: An anthology of essays on art's relation to the public realm since 1989 This critical anthology explores the myriad histories and worlds through which art is produced and experienced. It is guided by the following questions: How are the "global" and the "located" shaped and understood in disparate contexts and times? How have artists experimented with modes of exhibition-making and public presentation? Key essays previously published by Afterall are included alongside new image-led presentations, translated material and commissioned texts. The anthology addresses the topic in both theoretical terms and through case studies. Contributors include: Silvia Rivera Cusicanqui, Miguel A. López, Eddie Chambers, Francesca Recchia, Pablo Lafuente, Philippe Pirotte, Ntone Edjabe, Clémentine Deliss, Khwezi Gule, Charles Gaines, David Teh, Ekaterina Degot, Ana Teixeira Pinto, María Berríos, Mujeres Creando, Comunitario del Valle de Xico, Tonika Sealy Thompson and Stefano Harney.

Download or read book Women After All Sex Evolution and the End of Male Supremacy written by Melvin Konner and published by W. W. Norton & Company. This book was released on 2015-03-09 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A sparkling, thought-provoking account of sexual differences. Whether you’re a man or a woman, you’ll find his conclusions gripping.”—Jared Diamond There is a human genetic fluke that is surprisingly common, due to a change in a key pair of chromosomes. In the normal condition the two look the same, but in this disorder one is malformed and shrunken beyond recognition. The result is a shortened life span, higher mortality at all ages, an inability to reproduce, premature hair loss, and brain defects variously resulting in attention deficit, hyperactivity, conduct disorder, hypersexuality, and an enormous excess of both outward and self-directed aggression. It is called maleness. Melvin Konner traces the arc of evolution to explain the relationships between women and men. With patience and wit he explores the knotty question of whether men are necessary in the biological destiny of the human race. He draws on multiple, colorful examples from the natural world—such as the mating habits of the octopus, black widow, angler fish, and jacana—and argues that maleness in humans is hardly necessary to the survival of the species. In characteristically humorous and engaging prose, Konner sheds light on our biologically different identities, while noting the poignant exceptions that challenge the male/female divide. We meet hunter-gatherers such as those in Botswana, whose culture gave women a prominent place, invented the working mother, and respected women’s voices around the fire. Recent human history has upset this balance, as a dense world of war fostered extreme male dominance. But our species has been recovering over the past two centuries, and an unstoppable move toward equality is afoot. It will not be the end of men, but it will be the end of male supremacy and a better, wiser world for women and men alike.

Download or read book Richard Hamilton written by Andrew Wilson and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated study of Richard Hamilton's famous Pop art painting of Mick Jagger and art dealer Robert Fraser in handcuffs. One of the defining paintings of British Pop art, Richard Hamilton's Swingeing London 67 (f) depicts two men--Mick Jagger and Hamilton's art dealer Robert Fraser--handcuffed together in the back of a police van. The image is taken from a newspaper photograph that shows the two being driven from Lewes prison to Chichester Magistrates Court following their June 1967 arrest for possession of drugs. The title is a clever and bitter play on words, conflating the "swinging" of 1960s-era London with the "swingeing" (to swinge is to beat or scourge) punishment meted out to new cultural heroes by the law. Hamilton's painting is far from reportage; it portrays the historical clash of cultures between Pop (and Pop art) and the establishment. In this illustrated study of Hamilton's celebrated painting, Andrew Wilson views Swingeing London 67 (f) as history painting, to be understood in the context of the struggle against the British state's attempt--aided and abetted by the popular press--to repress any expression of personal liberation. Hamilton's Pop art idiom of figuration and media images was his way of refusing the demands of an old aesthetic order. For him, Pop art was the expression of an open-ended, analytical, critical, and artistic process that reflected his own direct engagement with ethical issues. With Swingeing London 67 (f), Hamilton offers not only a representational image but also a trigger for critical activity--an image of an event and an image of what determines the conditions of that image.

Download or read book After All written by Mary Tyler Moore and published by Penguin. This book was released on 1995-10-31 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: New York Times Bestseller Audiences have long adored Mary Tyler Moore for her television persona as the quintessential girl-next-door, as well as for her strong performances on screen and stage. But what about the poignant doubts and inner strength that drove this versatile and courageous actress? After All is the candid, moving autobiography of the woman America fell in love with, and the icon she became. “Mesmerizing…Fans will love Moore’s behind-the-scenes reminiscences.” —San Francisco Chronicle Mary Tyler Moore was America's darling: actress, producer, star of the golden age of television. Her work on The Dick Van Dyke Show and The Mary Tyler Moore Show garnered multiple Emmys, followed by critical acclaim for her acting on Broadway and in film. Now, in her witty, candid, heartbreaking autobiography, Mary Tyler Moore tells all about the Dick Van Dyke nobody knows; Elvis, her sly, seductive co-star in Change of Habit; how Carl Reiner taught her to cry while being funny; Robert Redford's confession after casting her in Ordinary People; about then-First Lady Betty Ford's inebriated debut on The Mary Tyler Moore Show, and years later, her phone call that saved Mary's life. After All is the exhilarating and moving story of this extraordinarily successful woman, a complex and creative star who hadn’t developed a legacy without much pain and reflection along the way. Mary spares nothing as she recounts her traumatic childhood, two failed marriages, her own alcoholism, the tragic death of her son, and her third, happy marriage to a cardiologist eighteen years her junior. Offering a firsthand overview of the television industry, and peppered with sharp anecdotes, the result is a remarkable narrative and a rare look at one the most enduring and admired stars of our time. Inspiring, poignant, and brutally frank, After All will touch every reader's heart and soul.