Download or read book Afro Cuban Voices written by Pedro Pérez Sarduy and published by University Press of Florida. This book was released on 2020-03-23 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the forewords: "At a time when Cuba is undergoing immense economic and social changes, race becomes a kind of cultural litmus test for the national identity. . . . This anthology illustrates fully that it is possible to be both revolutionary and black in Cuba."—Manning Marable, Columbia University "The authors of Afro-Cuban Voices, also key actors in the new, unfolding dialogue about race in Cuba, make a seminal contribution through a forthright critique of ‘racial blind spots’ in official history and present-day racial discrimination."—James Early, director of cultural studies and communication, Smithsonian Institution From the series editor: "A courageous attempt to deal head-on with the issue of race in Cuba today. . . . Pérez Sarduy and Stubbs [seek to] put a human face on this debate, and do so well. The book will be received with relief by some and with frustration by others. Controversial it will undoubtedly be, since—as with most things Cuban—strong emotions are a given assumption. It will be an admirable beginning for the series and, it is hoped, will spark a much-needed debate in the United States on many aspects of the ‘Cuban question.’ It is about time."—John M. Kirk Based on the vivid firsthand testimony of prominent Afro-Cubans who live in Cuba, this book of interviews looks at ways that race affects daily life on the island. While celebrating their racial and national identity, the collected voices express an urgent need to end the silences and distortions of history in both pre- and postrevolutionary Cuba. The 14 people interviewed—of different generations and from different geographic areas of Cuba—come from the arts, the media, industry, academia, and medicine. They include a doctor who calls for joint U.S.-Cuban studies on high blood pressure and a craftsman who makes the batá drums used in Yoruba worship ceremonies. All responded to four controversial questions: What is it like to be black in Cuba? How has the revolution made a difference? To what extent is that difference true today? What can be done? Exposing the contradictions of both racial stereotyping and cultural assimilation, their eloquent answers make the case that the issue of race in Cuba, no matter how hard to define, will not be ignored. A volume in the series Contemporary Cuba, edited by John M. Kirk

Download or read book Afro Cuban Voices written by Pedro Pérez Sarduy and published by . This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Performing Afro Cuba written by Kristina Wirtz and published by University of Chicago Press. This book was released on 2014-06-05 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Visitors to Cuba will notice that Afro-Cuban figures and references are everywhere: in popular music and folklore shows, paintings and dolls of Santería saints in airport shops, and even restaurants with plantation themes. In Performing Afro-Cuba, Kristina Wirtz examines how the animation of Cuba’s colonial past and African heritage through such figures and performances not only reflects but also shapes the Cuban experience of Blackness. She also investigates how this process operates at different spatial and temporal scales—from the immediate present to the imagined past, from the barrio to the socialist state. Wirtz analyzes a variety of performances and the ways they construct Cuban racial and historical imaginations. She offers a sophisticated view of performance as enacting diverse revolutionary ideals, religious notions, and racial identity politics, and she outlines how these concepts play out in the ongoing institutionalization of folklore as an official, even state-sponsored, category. Employing Bakhtin’s concept of “chronotopes”—the semiotic construction of space-time—she examines the roles of voice, temporality, embodiment, imagery, and memory in the racializing process. The result is a deftly balanced study that marries racial studies, performance studies, anthropology, and semiotics to explore the nature of race as a cultural sign, one that is always in process, always shifting.

Download or read book AfroCuba written by Pedro Pérez Sarduy and published by Ocean Press. This book was released on 1993 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology looks at the AfroCuban experience through the eyes of the island’s writers, scholars and artists. "A rich portrait of AfroCuba—one of the most vibrant and least well-documented of the black Caribbean diasporas."—Stuart Hall An insightful look at Cuba’s rich ethnic and cultural reality. What is it like to be black in Cuba? Does racism exist in a revolutionary society that claims to have abolished it? How does the legacy of slavery and segregation live on in today’s Cuba? Essays, poetry, extracts from novels, anthropological studies and political analysis are brought together by editors Jean Stubbs and Pedro Pérez to create an outstanding anthology of Cuban scholars, writers and artists. Drawing on an extensive knowledge of Cuba, the editors have produced a multi-faceted insight into Cuba’s right ethnic and cultural reality. The book is divided into three sections: The Die is Cast, Myth and Reality and Redrawing the Line, introducing the reader to a wide range of previously unavailable Cuban authors, in which dissenting voices speak alongside established writers, such as Fernando Ortiz. Jean Stubbs is a professor of Caribbean and Latin American History at the University of North London. She has been a visiting associate professor at Hunter College, CUNY (New York) and Rockefeller scholar at the University of Florida (Gainesville), the University of Puerto Rico and Florida International University. Stubbs has published several other books, including Cuba: The Test of Time. Pedro Pérez Sarduy is an AfroCuban poet and journalist. He was writer-in-residence at Columbia University and a Rockefeller visiting scholar at the University of Florida (Gainesville) and the University of Puerto Rico. He has been the recipient of several literary awards and regularly undertakes speaking tours in the United States.

Download or read book Feminine Voices in Contemporary Afro Cuban Poetry written by and published by . This book was released on 2006 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Celia Cruz written by Roberto Miguel Rodriguez and published by . This book was released on 2023-09-20 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Celia Cruz - The Defiant Voice of Afro-Cuban Music" is a riveting tribute to the life, legacy, and indomitable spirit of one of Latin music's most celebrated icons. This biography captures the essence of Celia Cruz's journey -- from her humble beginnings in Havana's vibrant neighborhoods to her ascent as the undisputed "Queen of Salsa." Using a rich tapestry of different sources, the author paints a vivid portrait of Cruz as not just a musical sensation but also a symbol of resilience and defiance against the socio-political challenges of her era. The book delves into Cruz's early exposure to Santería chants, rumba rhythms, and the burgeoning sounds of mambo, highlighting the Afro-Cuban roots that deeply influenced her musical style. While celebrating her chart-topping hits and collaborations with legendary artists, this biography also sheds light on Cruz's profound struggles. From facing racism due to her African heritage to her painful decision to leave Cuba post the Castro revolution, Cruz's life was marked by battles that went beyond the stage. Her voice, both in song and in life, became a beacon for countless immigrants and Afro-Latinos, echoing themes of hope, identity, and freedom. The author also emphasizes Cruz's role in challenging the gender norms of Latin music. In a male-dominated industry, Cruz carved out a space for herself, breaking barriers and setting the stage for future female artists. Through her distinctive style, characterized by vibrant costumes and her electrifying stage presence, the singer asserted her identity and influenced fashion and pop culture. "Celia Cruz - The Defiant Voice of Afro-Cuban Music" is not merely a chronicle of Cruz's life. It's a celebration of Afro-Cuban heritage, a testament to the power of perseverance, and an intimate look at the woman whose voice continues to inspire and resonate with generations across the globe. Whether you're a seasoned salsa aficionado or a newcomer to Cruz's captivating melodies, this book is an essential read, promising to immerse you in the rhythms and passions of a remarkable life.

Download or read book Voices of the Enslaved in Nineteenth Century Cuba written by Gloria García Rodríguez and published by Univ of North Carolina Press. This book was released on 2011-10-10 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Putting the voices of the enslaved front and center, Gloria Garcia Rodriguez's study presents a compelling overview of African slavery in Cuba and its relationship to the plantation system that was the economic center of the New World. A major essay by Garcia, who has done decades of archival research on Cuban slavery, introduces the work, providing a history of the development, maintenance, and economy of the slave system in Cuba, which was abolished in 1886, later than in any country in the Americas except Brazil. The second part of the book features eighty previously unpublished primary documents selected by Garcia that vividly illustrate the experiences of Cuba's African slaves. This translation offers English-language readers a substantial look into the very rich, and much underutilized, material on slavery in Cuban archives and is especially suitable for teaching about the African diaspora, comparative slavery, and Cuban studies. Highlighting both the repressiveness of slavery and the legal and social spaces opened to slaves to challenge that repression, this collection reveals the rarely documented voices of slaves, as well as the social and cultural milieu in which they lived.

Download or read book Voice of the Leopard written by Ivor L. Miller and published by Univ. Press of Mississippi. This book was released on 2010-01-06 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Voice of the Leopard: African Secret Societies and Cuba, Ivor L. Miller shows how African migrants and their political fraternities played a formative role in the history of Cuba. During the eighteenth and nineteenth centuries, no large kingdoms controlled Nigeria and Cameroon's multilingual Cross River basin. Instead, each settlement had its own lodge of the initiation society called Ékpè, or “leopard,” which was the highest indigenous authority. Ékpè lodges ruled local communities while also managing regional and long-distance trade. Cross River Africans, enslaved and forcibly brought to colonial Cuba, reorganized their Ékpè clubs covertly in Havana and Matanzas into a mutual-aid society called Abakuá, which became foundational to Cuba's urban life and music. Miller's extensive fieldwork in Cuba and West Africa documents ritual languages and practices that survived the Middle Passage and evolved into a unifying charter for transplanted slaves and their successors. To gain deeper understanding of the material, Miller underwent Ékpè initiation rites in Nigeria after ten years' collaboration with Abakuá initiates in Cuba and the United States. He argues that Cuban music, art, and even politics rely on complexities of these African-inspired codes of conduct and leadership. Voice of the Leopard is an unprecedented tracing of an African title-society to its Caribbean incarnation, which has deeply influenced Cuba's creative energy and popular consciousness.

Download or read book The Racial Politics of Division written by Monika Gosin and published by Cornell University Press. This book was released on 2019-06-15 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Racial Politics of Division deconstructs antagonistic discourses that circulated in local Miami media between African Americans, "white" Cubans, and "black" Cubans during the 1980 Mariel Boatlift and the 1994 Balsero Crisis. Monika Gosin challenges exclusionary arguments pitting these groups against one another and depicts instead the nuanced ways in which identities have been constructed, negotiated, rejected, and reclaimed in the context of Miami's historical multiethnic tensions. Focusing on ideas of "legitimacy," Gosin argues that dominant race-making ideologies of the white establishment regarding "worthy citizenship" and national belonging shape inter-minority conflict as groups negotiate their precarious positioning within the nation. Rejecting oversimplified and divisive racial politics, The Racial Politics of Division portrays the lived experiences of African Americans, white Cubans, and Afro-Cubans as disrupters in the binary frames of worth-citizenship narratives. Foregrounding the oft-neglected voices of Afro-Cubans, Gosin posits new narratives regarding racial positioning and notions of solidarity in Miami. By looking back to interethnic conflict that foreshadowed current demographic and social trends, she provides us with lessons for current debates surrounding immigration, interethnic relations, and national belonging. Gosin also shows us that despite these new demographic realities, white racial power continues to reproduce itself by requiring complicity of racialized groups in exchange for a tenuous claim on US citizenship.

Download or read book The History of Afro Cuban Latin American Music written by Harvey Sheldon and published by CreateSpace. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: George Gershwin introduced Afro Cuban Music in America in 1926. Xavier Cugat during the 1930's introduced The Rumba dance had America dancing through the 40's. Hollywood featured him in many musicals.Three great innovations based on Cuban music hit the USA after World War II: the first was Cubop, the latest Latin jazz fusion. In this, Mario Bauza and the Machito orchestra on the Cuban side and Dizzy Gillespie on the American side were prime movers. The rumbustious conguero Chano Pozo was also important, for he introduced jazz musicians to basic Cuban rhythms. Cuban jazz has continued to be a significant influence. The mambo first entered the United States around 1950, though ideas had been developing in Cuba and Mexico City for some time. The mambo as understood in the United States and Europe was considerably different from the danzón-mambo of Orestes "Cachao" Lopez, which was a danzon with extra syncopation in its final part. The mambo which became internationally famous was a big band product, the work of Perez Prado, who made some sensational recordings for RCA in their new recording studios in Mexico City in the late 1940s. About 27 of those recordings had Benny Moré as the singer, though the best sellers were mainly instrumentals. The big hits included Que rico el mambo (Mambo Jambo); Mambo#5; Mambo #8; Cherry Pink and Apple Blossom White. The later (1955) hit Patricia was a mambo/rock fusion. Mambo of the Prado kind was more a descendent of the son and the guaracha than the danzón. In the U.S. the mambo craze lasted from about 1950 to 1956, but its influence on the bugaloo and salsa that followed it was considerable. Other big bands followed were Tito Puente, Tito Rodriguez, and Noro Morales.

Download or read book From Afro Cuban Rhythms to Latin Jazz written by Raul A. Fernandez and published by Univ of California Press. This book was released on 2006-05-23 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the complexity of Cuban dance music and the webs that connect it, musically and historically, to other Caribbean music, to salsa, and to Latin Jazz. Establishing a scholarly foundation for the study of this music, Raul A. Fernandez introduces a set of terms, definitions, and empirical information that allow for a broader, more informed discussion. He presents fascinating musical biographies of prominent performers Cachao López, Mongo Santamaría, Armando Peraza, Patato Valdés, Francisco Aguabella, Cándido Camero, Chocolate Armenteros, and Celia Cruz. Based on interviews that the author conducted over a nine-year period, these profiles provide in-depth assessments of the musicians’ substantial contributions to both Afro-Cuban music and Latin Jazz. In addition, Fernandez examines the links between Cuban music and other Caribbean musics; analyzes the musical and poetic foundations of the Cuban son form; addresses the salsa phenomenon; and develops the aesthetic construct of sabor, central to Cuban music. Copub: Center for Black Music Research

Download or read book Afro Cuban Rhythms written by Trevor Salloum and published by Mel Bay Publications. This book was released on 2016-09-07 with total page 33 pages. Available in PDF, EPUB and Kindle. Book excerpt: Afro-Cuban Rhythms: Gig Savers Complete Edition combines both of Trevor Salloum's popular previous editions. The material is designed for the intermediate to advanced percussionist who has some basic understanding of percussion notation. Part one is a collection of traditional rhythms ideal for a percussion ensemble or for the individual who wants to learn the authentic parts of each rhythm. The material is presented in a concise and user-friendly style. Part one includes information on Clave, Tumbao for one and two drums, Yambú, Guaguancó (Havana), Guaguancó (Matanzas), Rumba columbia, Conga (Havana), Conga (Matanzas) and Conga (Santiago). Part two is structured just like part one, but covers a different set of rhythms: Bembe, Makuta, Yuka, Palo, Arará, Abakuá (Havana), Abakuá (Matanzas), Gagá, Vudú and Iyesa. All rhythms presented in this edition are easily adapted to conga drums and Afro-Cuban hand percussion.

Download or read book Afro Cuban Identity in Postrevolutionary Novel and Film written by Andrea E. Morris and published by Lexington Books. This book was released on 2012 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: Afro-Cuban Identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959. Andrea Easley Morris analyzes the artists' participation in and questioning of the revolutionary government's revision of national identity to include the unique experience and contributions of Cuban men and women of African descent. While the Cuban revolution brought sweeping changes that vastly improved the material condition of many Afro-Cubans, at the time overrepresented among Cuba's poor and marginalized, the government's official position was that racial inequities had been resolved as early as 1962. Although a more open dialogue on race was cut short, the work of several novelists and film directors from the late 1960s and 70s expresses the need to explore what was gained and lost by Afro-Cubans in the early years of the revolution, among them Manuel Granados, Miguel Barnet, Nivaria Tejera, Sara G mez, C sar Leante, Tom s Guti rrez Alea, Sergio Giral, and Manuel Cofi o. Their works participate in the process of redefining Cuban national identity that took place after the revolution and, more specifically, they explore the place of Afro-Cuban identity within a broader notion of revolutionary "Cubanness." This occurs through an emphasis on Afro-Cuban cultural practices that have constituted forms of resistance to colonial and neo-colonial oppression. This book examines the identity conflicts portrayed in these works and takes into account the artists' negotiation of their own status within the revolutionary context by looking at the narrative strategies used to address racial issues within the constraints placed on cultural production in Cuba after 1962.

Download or read book Afro Cuban Jazz written by Scott Yanow and published by Hal Leonard Corporation. This book was released on 2000-12-01 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Book). Through anecdotal biographies and evocative photos, this book by jazz author extraordinaire Scott Yanow portrays every key Afro-Cuban Jazz innovator past and present, plus other jazz artists influenced by this infectious music. Also includes reviews and ratings of recordings that make (or don't make) the cut, and essays packed with historical insight not found in other guides. Musicians covered include: Tito Puente, Cal Tjader, Willie Bobo, Machito, Poncho Sanchez, Chucho Valdes, Arturo Sandoval, Mongo Santamaria, Gato Barbieri, Eddie Palmieri, and many more.

Download or read book Conversations in clave written by Horacio Hernandez and published by Alfred Music Publishing. This book was released on 2000 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ultimate technical study of four-way independence based on Afro-Cuban rhythms. This detailed and methodical approach will develop four-limb coordination and expand rhythmic vocabulary. Understanding the clave and the relationship between eighth-note and triplet rhythms will aid in mastering the multiple and complex rhythms of Afro-Cuban styles.

Download or read book Cuban Music from A to Z written by Helio Orovio and published by Duke University Press. This book was released on 2004-03-12 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVThe definitive guide to the composers, artists, bands, musical instruments, dances, and institutions of Cuban music./div

Download or read book Afrocuban Voices written by Jean Stubbs and published by . This book was released on 1997-06-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a unique book of recent interviews with a wide range of AfroCubans presenting their differing political, social and cultural outlooks on the transition process taking place in Cuba today. "The editors have brought together a rich portrait of AfroCuba, one of the most vibrant and -- from an Anglo-Saxon viewpoint -- least well-documented of the black Caribbean diasporas". Stuart Hall, Carribean scholar on Perez and Stubbs previous book, AfroCuba In Cuban history, the race question has been extraordinarily linked to the search for a national identity. After more than 35 years of revolution, the crisis years of the 1990s brought paradoxical developments where race is concerned. While the symbolism of race was deployed, black Cuban support for the revolution invoked and AfroCuban culture celebrated, there have been increasing racial divides in the restructuring process and a perceived growing unease about those divides, especially among black and brown Cubans. This book presents their voices. In these interviews AfroCuban women and men of different generations, walks of life, and parts of the island, reflect on their lives and experiences of race in both pre-and post-revolutionary Cuba, and the broader issues of race and racism. Together, they constitute eloquent and moving testimony to the tremendous openings provided by the revolution and also its contradictions. An introduction by the editors draws on their extensive knowledge of Cuba and Cuban history. The introduction seeks also to place current day Cuba in the context of the Americas, looking especially at Brazil and the United States. In a popular and highly readable style, Stubbs and Perez pose three key questionsregarding race in Cuba: How far has the revolution made a difference? To what extent is th