Download or read book African and Diaspora Aesthetics written by Sarah Nuttall and published by Duke University Press. This book was released on 2006 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Cameroon, a monumental "statue of liberty" is made from scrap metal. In Congo, a thriving popular music incorporates piercing screams and carnal dances. When these and other instantiations of the aesthetics of Africa and its diasporas are taken into account, how are ideas of beauty reconfigured? Scholars and artists take up that question in this invigorating, lavishly illustrated collection, which includes more than one hundred color images. Exploring sculpture, music, fiction, food, photography, fashion, and urban design, the contributors engage with and depart from canonical aesthetic theories as they demonstrate that beauty cannot be understood apart from ugliness. Highlighting how ideas of beauty are manifest and how they mutate, travel, and combine across time and distance, continental and diasporic writers examine the work of a Senegalese sculptor inspired by Leni Riefenstahl's photographs of Nuba warriors; a rich Afro-Brazilian aesthetic incorporating aspects of African, Jamaican, and American cultures; and African Americans' Africanization of the Santería movement in the United States. They consider the fraught, intricate spaces of the urban landscape in postcolonial South Africa; the intense pleasures of eating on Réunion; and the shockingly graphic images on painted plywood boards advertising "morality" plays along the streets of Ghana. And they analyze the increasingly ritualized wedding feasts in Cameroon as well as the limits of an explicitly "African" aesthetics. Two short stories by the Mozambican writer Mia Couto gesture toward what beauty might be in the context of political failure and postcolonial disillusionment. Together the essays suggest that beauty is in some sense future-oriented and that taking beauty in Africa and its diasporas seriously is a way of rekindling hope. Contributors. Rita Barnard, Kamari Maxine Clarke, Mia Couto, Mark Gevisser, Simon Gikandi, Michelle Gilbert, Isabel Hofmeyr, William Kentridge, Dominique Malaquais, Achille Mbembe, Cheryl-Ann Michael, Celestin Monga, Sarah Nuttall, Patricia Pinho, Rodney Place, Els van der Plas, Pippa Stein, Françoise Vergès

Download or read book Shine written by Krista A. Thompson and published by Duke University Press. This book was released on 2015-05-09 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Jamaican dancehalls competition for the video camera's light is stiff, so much so that dancers sometimes bleach their skin to enhance their visibility. In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they are seen being photographed. Throughout the United States and Jamaica friends pose in front of hand-painted backgrounds of Tupac, flashy cars, or brand-name products popularized in hip-hop culture in countless makeshift roadside photography studios. And visual artists such as Kehinde Wiley remix the aesthetic of Western artists with hip-hop culture in their portraiture. In Shine, Krista Thompson examines these and other photographic practices in the Caribbean and United States, arguing that performing for the camera is more important than the final image itself. For the members of these African diasporic communities, seeking out the camera's light—whether from a cell phone, Polaroid, or video camera—provides a means with which to represent themselves in the public sphere. The resulting images, Thompson argues, become their own forms of memory, modernity, value, and social status that allow for cultural formation within and between African diasporic communities.

Download or read book Black Religion and Aesthetics written by A. Pinn and published by Springer. This book was released on 2009-07-06 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: A great deal of attention has been given to the sociopolitical and theological importance of Black Religion. However, of less academic concern up to this point is the aesthetic qualities that define much of what is said and done within the context of Black Religion. Recognizing the centrality of the black body for black religious thought and life, this book proposes a conversation concerning various dimensions of the aesthetic considerations and qualities of Black Religion as found in various parts of the world, including the the Americas, the Caribbean, Africa, and Europe. In this respect, Black Religion is simply meant to connote the religious orientations and arrangements of people of African descent across the globe.

Download or read book Tropical Aesthetics of Black Modernism written by Samantha A. Noël and published by Duke University Press. This book was released on 2021-01-11 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Tropical Aesthetics of Black Modernism, Samantha A. Noël investigates how Black Caribbean and American artists of the early twentieth century responded to and challenged colonial and other white-dominant regimes through tropicalist representation. With depictions of tropical scenery and landscapes situated throughout the African diaspora, performances staged in tropical settings, and bodily expressions of tropicality during Carnival, artists such as Aaron Douglas, Wifredo Lam, Josephine Baker, and Maya Angelou developed what Noël calls “tropical aesthetics”—using art to name and reclaim spaces of Black sovereignty. As a unifying element in the Caribbean modern art movement and the Harlem Renaissance, tropical aesthetics became a way for visual artists and performers to express their sense of belonging to and rootedness in a place. Tropical aesthetics, Noël contends, became central to these artists’ identities and creative processes while enabling them to craft alternative Black diasporic histories. In outlining the centrality of tropical aesthetics in the artistic and cultural practices of Black modernist art, Noël recasts understandings of African diasporic art.

Download or read book What Makes That Black written by Luana and published by Lulu.com. This book was released on 2016 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: We all can name some of the Africanist aesthetic-structures that fuel African American and American art ... Syncopation, Improvisation, Call and Response, Cool, Polyrhythm, or Innovation as an ambition- But there are many, many more. What Makes That Black? The African-American Aesthetic identifies and defines seventy-four elements of the aesthetic through text and illustration. Using the magnificent camerawork of R.J. Muna, Sharen Bradford, Jae Man Joo, Rachel Neville, James Barry Knox, and more- as they point their cameras at Alonzo King LINES Ballet, Complexions Contemporary Ballet, and jazz artists such as Cécile McLorin Salvant and Wynton Marsalis- a specific artistic consciousness or sensibility visually unfolds. Luana even joins the camera crew as she shoots Oakland Street Graffiti.

Download or read book African Diasporic Cinema written by Daniela Ricci and published by . This book was released on 2020 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: "African Diasporic Cinema: Aesthetics of Reconstruction examines contemporary diasporic African films, explores the aesthetic strategies used by black diasporic filmmakers to express identity reconstruction processes after migration, and highlights their films' continuities with and distances from foundational African films. The analyzed films (by Newton I. Aduaka, Sarah Bouyain, Haile Gerima, Alain Gomis, and Balufu Bakupa-Kanyinda) reflect different personal and artistic paths and various visions between Africa and Europe or the United States"--

Download or read book The Birth of Cool written by Carol Tulloch and published by Bloomsbury Publishing. This book was released on 2016-01-28 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is broadly recognized that black style had a clear and profound influence on the history of dress in the twentieth century, with black culture and fashion having long been defined as 'cool'. Yet despite this high profile, in-depth explorations of the culture and history of style and dress in the African diaspora are a relatively recent area of enquiry. The Birth of Cool asserts that 'cool' is seen as an arbiter of presence, and relates how both iconic and 'ordinary' black individuals and groups have marked out their lives through the styling of their bodies. Focusing on counter- and sub-cultural contexts, this book investigates the role of dress in the creation and assertion of black identity. From the gardenia corsage worn by Billie Holiday to the work-wear of female African-Jamaican market traders, through to the home-dressmaking of black Britons in the 1960s, and the meaning of a polo-neck jumper as depicted in a 1934 self-portrait by African-American artist Malvin Gray Johnson, this study looks at the ways in which the diaspora experience is expressed through self-image. Spanning the late nineteenth century to the modern day, the book draws on ready-made and homemade fashion, photographs, paintings and films, published and unpublished biographies and letters from Britain, Jamaica, South Africa, and the United States to consider how personal style statements reflect issues of racial and cultural difference. The Birth of Cool is a powerful exploration of how style and dress both initiate and confirm change, and the ways in which they expresses identity and resistance in black culture.

Download or read book The African Jamaican Aesthetic written by Lisa Tomlinson and published by BRILL. This book was released on 2017-01-23 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: The African- Jamaican Aesthetics Cultural Retention and Transformation Across Borders centres on the use of African Jamaican Aesthetics in Jamaica’s literary traditions and its transformation and transmission in the diaspora.

Download or read book Art Creativity and Politics in Africa and the Diaspora written by Abimbola Adelakun and published by Springer. This book was released on 2018-07-26 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the politics of artistic creativity, examining how black artists in Africa and the diaspora create art as a procedure of self-making. Essays cross continents to uncover the efflorescence of black culture in national and global contexts and in literature, film, performance, music, and visual art. Contributors place the concerns of black artists and their works within national and transnational conversations on anti-black racism, xenophobia, ethnocentrism, migration, resettlement, resistance, and transnational feminisms. Does art by the subaltern fulfill the liberatory potential that critics have ascribed to it? What other possibilities does political art offer? Together, these essays sort through the aesthetics of daily life to build a thesis that reflects the desire of black artists and cultures to remake themselves and their world.

Download or read book Travel See written by Kobena Mercer and published by Duke University Press. This book was released on 2016-02-04 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the years, Kobena Mercer has critically illuminated the visual innovations of African American and black British artists. In Travel & See he presents a diasporic model of criticism that gives close attention to aesthetic strategies while tracing the shifting political and cultural contexts in which black visual art circulates. In eighteen essays, which cover the period from 1992 to 2012 and discuss such leading artists as Isaac Julien, Renée Green, Kerry James Marshall, and Yinka Shonibare, Mercer provides nothing less than a counternarrative of global contemporary art that reveals how the “dialogical principle” of cross-cultural interaction not only has transformed commonplace perceptions of blackness today but challenges us to rethink the entangled history of modernism as well.

Download or read book Difficult Diasporas written by Samantha Pinto and published by NYU Press. This book was released on 2013-09-06 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this comparative study of contemporary Black Atlantic women writers, Samantha Pinto demonstrates the crucial role of aesthetics in defining the relationship between race, gender, and location. Thinking beyond national identity to include African, African American, Afro-Caribbean, and Black British literature, Difficult Diasporas brings together an innovative archive of twentieth-century texts marked by their break with conventional literary structures. These understudied resources mix genres, as in the memoir/ethnography/travel narrative Tell My Horse by Zora Neale Hurston, and eschew linear narratives, as illustrated in the book-length, non-narrative poem by M. Nourbese Philip, She Tries Her Tongue, Her Silence Softly Breaks. Such an aesthetics, which protests against stable categories and fixed divisions, both reveals and obscures that which it seeks to represent: the experiences of Black women writers in the African Diaspora. Drawing on postcolonial and feminist scholarship in her study of authors such as Jackie Kay, Elizabeth Alexander, Erna Brodber, Ama Ata Aidoo, among others, Pinto argues for the critical importance of cultural form and demands that we resist the impulse to prioritize traditional notions of geographic boundaries. Locating correspondences between seemingly disparate times and places, and across genres, Pinto fully engages the unique possibilities of literature and culture to redefine race and gender studies. Samantha Pinto is Assistant Professor of Feminist Literary and Cultural Studies in the English Department at Georgetown University. In the American Literatures Initiative

Download or read book Black is Beautiful written by Paul C. Taylor and published by John Wiley & Sons. This book was released on 2016-03-24 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black is Beautiful identifies and explores the most significant philosophical issues that emerge from the aesthetic dimensions of black life, providing a long-overdue synthesis and the first extended philosophical treatment of this crucial subject. The first extended philosophical treatment of an important subject that has been almost entirely neglected by philosophical aesthetics and philosophy of art Takes an important step in assembling black aesthetics as an object of philosophical study Unites two areas of scholarship for the first time – philosophical aesthetics and black cultural theory, dissolving the dilemma of either studying philosophy, or studying black expressive culture Brings a wide range of fields into conversation with one another– from visual culture studies and art history to analytic philosophy to musicology – producing mutually illuminating approaches that challenge some of the basic suppositions of each Well-balanced, up-to-date, and beautifully written as well as inventive and insightful Winner of The American Society of Aesthetics Outstanding Monograph Prize 2017

Download or read book Black Aesthetics written by John Ayotunde Isola Bewaji and published by Africa Research and Publications. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Since its original publication in 2003, Beauty and Culture has remained the only full-length major book contribution to the area of philosophy of art and aesthetics by an African philosopher. This is an area which has had very little or no critical systematic philosophical discussion from an African and African Diaspora perspective to date, either by African or African Diaspora thinkers or, for that matter, by non-African philosophers and intellectuals, leaving the assessment and discussion of African and Diaspora art and artistic experience to Euro-American intellectuals with scant or warped understanding of the sensitivities and sensibilities that under-gird the art they are commenting on. This book which harks back to the ideas of values relating to the concept of beauty in Africana art and aesthetics globally--starting from ancient Africa, the Americas to Europe and to Asia--is predicated on the fact that there is a need for Africana peoples to begin to take a closer look at aesthetics from the Africana perspective or whatever is left of it; especially, the relationship this has to notions of morality, politics, religion, and culture generally. Over the last decade there has grown recognition of the importance of taking African aesthetics into consideration on its own terms, but the nature of the issues discussed in this book has made it necessary to provide non-philosophers a background introduction to the challenge of African philosophy of art. This accounts for the careful effort made in the first three chapters (Introduction, Biographical Details, and The Nature of the Philosophic Enterprise: Initial Issues) to introduce the readers interested in Africana aesthetics, to the rudiments of debates in African philosophy and the nature of scholarship in the discipline, using the experience of the author as illustration. The fourth chapter (Contemporary Scholarship on (Africana) Arts) reviews the discussion of African art in extant literature, while in chapter five (Artistic Expression in Africa) the author explores the nature of art and artistic expression in Africana societies; and chapter six (Philosophy and Artistic Expression in Africa) deals with the problematic of philosophizing the arts and values relating to artistic expression in Africana societies, with chapter seven (Arts, Memory and Identity) considering the critical issues involved in the relationship between art, memory, culture and identity structuring and development in all human societies, but especially in Africana societies. The last chapter (Conclusion) harnesses the inferences of this book, indicating further the challenges which Africana philosophers face in the proper appreciation of Africa and Diaspora art" ABOUT THE AUTHOR JOHN AYOTUNDE ISOLA BEWAJI, is the Jay Newman Visiting Professor of Philosophy of Culture, Brooklyn College and Professor of Philosophy, University of the West Indies; founding President of the International Society for African Philosophy and Studies and John Simon Guggenheim Research Fellow (2010-2011). Publisher's note.

Download or read book The African Diaspora written by Ingrid Tolia Monson and published by Psychology Press. This book was released on 2003 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: The African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music.

Download or read book The Latin American Identity and the African Diaspora written by Antonio Olliz Boyd and published by Cambria Press. This book was released on 2010 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Antonio Olliz Boyd is an emeritus professor of Latin American literature at Temple University. He holds a PhD from Stanford University, an MS from Grorgetown University, and a BA from Long Island University. Dr. Olliz Boyd has published various essays on Afro Latino aesthetics in literature in volumes, such as the Dictionary of Literary Biography: Modern Latin-American Fiction Writers; Singular Like a Bird: The Art of Nancy Morejon; Imagination, Emblems and Expressions: Essays on Latin American, Caribbean, and Continental Culture and Identity; Blacks in Hispanic Literature: Critical Essays among others, as well as articles on Afro Latino literary criticism in various refereed journals. --Book Jacket.

Download or read book Beyond Aesthetics written by Wole Soyinka and published by Yale University Press. This book was released on 2020-01-21 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: An intimate reflection on culture and tradition, creativity and power, that draws on a lifetime’s commitment to aesthetic encounter The playwright, poet, essayist, novelist, and Nobel Laureate Wole Soyinka is also a longtime art collector. This book of essays offers a glimpse into the motivations of the collector, as well as a highly personal look at the politics of aesthetics and collecting. Detailing moments of first encounter with objects that drew him in and continue to affect him, Soyinka describes a world of mortals, muses, and deities that imbue the artworks with history and meaning. Beyond Aesthetics is a passionate discussion of the role of identity, tradition, and originality in making, collecting, and exhibiting African art today. Soyinka considers objects that have stirred controversy, and he decries dogmatic efforts—whether colonial or religious—to suppress Africa’s artistic traditions. By turns poetic, provocative, and humorous, Soyinka affirms the power of collecting to reclaim tradition. He urges African artists, filmmakers, collectors, and curators to engage with their aesthetic and cultural histories.

Download or read book Abstractionist Aesthetics written by Phillip Brian Harper and published by NYU Press. This book was released on 2015-12-25 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: An artistic discussion on the critical potential of African American expressive culture In a major reassessment of African American culture, Phillip Brian Harper intervenes in the ongoing debate about the “proper” depiction of black people. He advocates for African American aesthetic abstractionism—a representational mode whereby an artwork, rather than striving for realist verisimilitude, vigorously asserts its essentially artificial character. Maintaining that realist representation reaffirms the very social facts that it might have been understood to challenge, Harper contends that abstractionism shows up the actual constructedness of those facts, thereby subjecting them to critical scrutiny and making them amenable to transformation. Arguing against the need for “positive” representations, Abstractionist Aesthetics displaces realism as the primary mode of African American representational aesthetics, re-centers literature as a principal site of African American cultural politics, and elevates experimental prose within the domain of African American literature. Drawing on examples across a variety of artistic production, including the visual work of Fred Wilson and Kara Walker, the music of Billie Holiday and Cecil Taylor, and the prose and verse writings of Ntozake Shange, Alice Walker, and John Keene, this book poses urgent questions about how racial blackness is made to assume certain social meanings. In the process, African American aesthetics are upended, rendering abstractionism as the most powerful modality for Black representation.