Download or read book Adolph Gottlieb written by Adolph Gottlieb and published by Hudson Hills. This book was released on 1995 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covers the full scope of Gottlieb's achievement.
Download or read book Adolph Gottlieb written by Adolph Gottlieb and published by . This book was released on 1993 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Adolph Gottlieb Works on Paper written by Adolph Gottlieb and published by Mitchell Beazley. This book was released on 1985 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Adolph Gottlieb written by Adolph Gottlieb and published by . This book was released on 2004 with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Adolph Gottlieb Paintings 1921 1956 written by Adolph Gottlieb and published by . This book was released on 1980 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Abstract Expressionism at the Museum of Modern Art written by Ann Temkin and published by The Museum of Modern Art. This book was released on 2010 with total page 131 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalog of an exhibition held at the Museum of Modern Art, New York, Sept. 28, 2010-Apr. 25, 2011.
Download or read book The Writings of Robert Motherwell written by Robert Motherwell and published by Univ of California Press. This book was released on 2007-05-10 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Robert Motherwell was not just a great painter, he was a brilliant thinker. As the founding editor of The Documents of Twentieth-Century of Art, he decisively shaped our understanding of modernism. This new and expanded selection of Motherwell's criticism provides an essential guide to the art of the high modern period, both American and European."—Pepe Karmel, author of Picasso and the Invention of Cubism "In the past two decades Abstract Expressionism has become one of the most dynamic subjects in art history; sometimes the reading is so dense it is like swimming through peanut butter. But, cutting through to the essential questions that generated the movement, the writings of Robert Motherwell are a treasure. Written at the same time he was painting, Motherwell's texts make me feel like a witness to the philosophical curiosity that generated one of the most powerful art movements of the twentieth century."—Michael Auping, author of Abstract Expressionism: The Critical Developments “This book is essential reading for anyone thinking about the uneasy clash of modernism and postmodernism in postwar America; Motherwell’s writing played a decisive role and this volume is an admirably full account of it.”—Jonathan Fineberg, author of When We Were Young: New Perspectives on the Art of the Child
Download or read book Writings on Art written by Mark Rothko and published by Yale University Press. This book was released on 2006-01-01 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first collection of Mark Rothko's writings, which range the entire span of his career While the collected writings of many major 20th-century artists, including Barnett Newman, Robert Motherwell, and Ad Reinhardt, have been published, Mark Rothko's writings have only recently come to light, beginning with the critically acclaimed The Artist's Reality: Philosophies of Art. Rothko's other written works have yet to be brought together into a major publication. Writings on Art fills this significant void; it includes some 90 documents--including short essays, letters, statements, and lectures--written by Rothko over the course of his career. The texts are fully annotated, and a chronology of the artist's life and work is also included. This provocative compilation of both published and unpublished writings from 1934--69 reveals a number of things about Rothko: the importance of writing for an artist who many believed had renounced the written word; the meaning of transmission and transition that he experienced as an art teacher at the Brooklyn Jewish Center Academy; his deep concern for meditation and spirituality; and his private relationships with contemporary artists (including Newman, Motherwell, and Clyfford Still) as well as journalists and curators. As was revealed in Rothko's The Artist's Reality, what emerges from this collection is a more detailed picture of a sophisticated, deeply knowledgeable, and philosophical artist who was also a passionate and articulate writer.
Download or read book The Irascibles written by Daniel Belasco and published by Fondation Juan March. This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The fact that most modern and contemporary art is produced with the idea of it ending up in a museum seems so natural to us that we can hardly think about the relationship between museums and artists as anything other than a kind of productive symbiosis. We tend to think that artists create, and museums as a matter of course preserve what is created. But in fact modern museums are, above all, filled with art produced against the museum. The Irascibles: Painters Against the Museum (New York, 1950) examines one of the most significant episodes in this historical dialectic between the museum and artists, through the lens of the now iconic Nina Leen photograph published by Life magazine on January 15, 1951: that of the clash between some of the painters of the New York School and the Metropolitan Museum of Art, which was, according to the artists, hostile to "advanced art." The Irascibles were William Baziotes, James Brooks, Fritz Bultman, Willem de Kooning, Jimmy Ernst, Adolph Gottlieb, Hans Hofmann, Weldon Kees, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Ad Reinhardt, Mark Rothko, Theodoros Stamos, Hedda Sterne, Clyfford Still, and Bradley Walker Tomlin, although Bultman, Hofmann, and Kees were unable to attend the shoot. A quick glance at the history of modern art--with its succesion of salonniers and rejects--could lead us to think of this photo as a mere journalistic anecdote. But it is in fact a single frame in a much larger sequence: that of the institutional workings of modern art since the historical avant-gardes, caught in flagrante in one of the most compelling moments of those confrontations with the status quo. The Irascibles knew precisely what they were defending--the new--and they were aware that their demands would end up affecting the perception of the art of their time, and thus of the art that followed. And if they do indeed continue to affect our perception, it is--in what only appears to be a paradox--precisely because of the indisputable presence of their works in the very museum that once rejected them."--
Download or read book Adolph Gottlieb written by Adolph Gottlieb and published by . This book was released on 2002 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Adolph Gottlieb written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Adolph Gottlieb written by Adolph Gottlieb and published by . This book was released on 2001 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Adolph Gottlieb written by Adolph Gottlieb and published by . This book was released on 2008 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Adolph Gottlieb written by Adolph Gottlieb and published by . This book was released on 2006 with total page 50 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Color as Field written by Karen Wilkin and published by Yale University Press. This book was released on 2007-01-01 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt: Color field painting, which emerged in the United States in the 1950s, is based on radiant, uninflected hues. Exemplified by the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among others, these stunningly beautiful and impressively scaled paintings constitute one of the crowning achievements of postwar American abstract art. Color as Field offers a long-overdue reevaluation of this important aspect of American abstract painting. The authors examine how color field painting rejects the gestural, layered, and hyper-emotional approach typical of Willem de Kooning and his followers, yet at the same time develops and expands ideas about all-overness and the primacy of color posited by the work of other members of the abstract expressionist generation, such as Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko. From the fresh historical standpoint of the 21st century, this fascinating reassessment ranges across the artists’ individual approaches and their commonalities, concluding with insights into the ongoing legacy of post-1970s color field painting among present-day artists.
Download or read book Adolph Gottlieb written by Adolph Gottlieb and published by . This book was released on 1990 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Native American Art and the New York Avant Garde written by W. Jackson Rushing and published by . This book was released on 1995 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Avant-garde art between 1910 and 1950 is well known for its use of "primitive" imagery, often borrowed from traditional cultures in Africa and Oceania. Less recognized, however, is the use United States artists made of Native American art, myth, and ritual to craft a specifically American Modernist art. In this groundbreaking study, W. Jackson Rushing comprehensively explores the process by which Native American iconography was appropriated, transformed, and embodied in American avant-garde art of the Modernist period. Writing from the dual perspectives of cultural and art history, Rushing shows how national exhibitions of Native American art influenced such artists, critics, and patrons as Marsden Hartley, John Sloan, Mabel Dodge Luhan, Robert Henri, John Marin, Adolph Gottlieb, Barnett Newman, and especially Jackson Pollock, whose legendary drip paintings he convincingly links with the curative sand paintings of the Navajo. He traces the avant-garde adoption of Native American cultural forms to anxiety over industrialism and urbanism, post-World War I "return to roots" nationalism, the New Deal search for American strengths and values, and the notion of the "dark" Jungian unconscious current in the 1940s. Through its interdisciplinary approach, this book underscores the fact that even abstract art springs from specific cultural and political motivations and sources. Its message is especially timely, for Euro-American society is once again turning to Native American cultures for lessons on how to integrate our lives with the land, with tradition, and with the sacred.
