Download or read book A Study of the Historical Development of the Medieval Liturgical Drama written by John W. Kazee and published by . This book was released on 1982 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Origin of Medieval Drama written by Leonard Goldstein and published by Fairleigh Dickinson Univ Press. This book was released on 2004 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: It has been widely accepted that the 10th-century liturgical plays developed naturally as a religious entity from the Mass. This approach is critiqued in The Origin of Medieval Drama where Leonard Goldstein places the development of the plays within the socio-economic context of the period, most notably the rapid rise of feudalism. Goldstein argues that the plays were a response by the Church to a decline in faith brought on by the burdens of feudalism on the peasantry. However, instead of revitalising faith, the plays which sought to assure the peasantry of their salvation actually represented and therefore reinforced the emerging private property relation. In looking at the origins of ancient Greek drama where scholars have concentrated more on social and cultural issues, Goldstein develops a Marxist model for the origins of medieval drama.
Download or read book The Medieval Drama written by Center for Medieval and Renaissance Studies (Los Angeles, Calif.) and published by SUNY Press. This book was released on 1972-01-01 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The religious medieval drama, like the Church which produced it, was international. As such, from its earliest beginnings in the tenth-century Quem quaeritis to the thirteenth-century Ludi Paschales and Passion Plays, it exhibits a cultural and thematic unity binding the various plays: a thematic unity from the fabric of Christian thought, and a cultural unity from the fact that these productions, at least up to the end of the thirteenth century, generally share a technical-philological medium: the Latin language. In later centuries, this religious drama expressed in the vernacular remained an act of faith; its purpose being to strengthen the faith of the worshippers and to express in visible, dramatic terms the facts and values of Christian belief. These essays were, in their original form, addressed to the third annual conference of the Center for Medieval and Early Renaissance Studies at the State University of New York at Binghamton. The work of international authorities on the medieval drama, they span many centuries and bear witness to the growth of the religious dramatic form and of the dramatic movement and temper of the liturgy in which that form finds its origin. Omer Jodogne establishes a difference, on the aesthetic level, between dramatic works and their theatrical performance by pointing out that the surviving texts, whether they were meant for reading or for a theatrical performance, reproduce only what was said on the stage, and, succinctly, what was done. Wolfgang Michael suggests that the first medieval drama did not originate in a slow growth from the Easter trope Quem quaeritis but was rather an original creation of the author or authors of the Concordia Regularis. He indicates that subsequent dramatic endeavors in their slow process of change and expansion reflect the working of tradition rather than an original spirit and form. Sandro Sticca examines the creation of the first Passion Play and shows that Christ's passion became increasingly popular in the tenth century, and that the new forces which allowed a more eloquent and humane visualization and description of Christ's anguish first appeared in the eleventh and twelfth centuries. He also refutes the traditional view that the Planctus Mariae is the germinal point of the Latin Passion Play. V. A. Kolve seeks to account for certain central facts about Everyman which have never had close critical attention. He analyzes the Biblical and Patristic references within which the story is shaped and which are central to the understanding of other actions and to determining the meaning of the play. Glynn Wickham, after exploding on the evidence of reference alone the old categorizing of English Saint Plays as by-products or late developments of Mysteries and Moralities, turns to a critical discussion of the three surviving texts of English Saint Plays and of their original staging by means of diagrammatic illustrations providing a vivid visualization of their performance. William Smolden takes an unaccustomed approach to the controversial question of the origins of the Quem quaeritis. He maintains that when musical evidence is called on, it brings about, on a number of occasions, a confutation of the theory of a "textual" writer. From a detailed consideration of the two earliest Quem quaeritis he feels convinced that the place of origin of the trope was the Abbey of St. Martial of Limoges.
Download or read book The Ambivalences of Medieval Religious Drama written by Rainer Warning and published by Stanford University Press. This book was released on 2001 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is medieval religious drama, and what function does it serve in negotiating between the domains of theology and popular life? This book aims to answer these questions by studying three sets of these dramas from Germany, France, England, and Spain: 10th-century Easter plays, 12th-century Adam plays, and 15th- and 16th-century Passion plays.
Download or read book Christian Rite and Christian Drama in the Middle Ages written by O. B. Hardison Jr. and published by JHU Press. This book was released on 2019-12-01 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis—the earliest of all medieval dramas—is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays.
Download or read book The Liturgical Drama in Medieval Spain written by Richard B. Donovan and published by PIMS. This book was released on 1958 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Medieval European Stage 500 1550 written by William Tydeman and published by Cambridge University Press. This book was released on 2001-09-27 with total page 798 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together a wide selection of primary source materials from the theatrical history of the Middle Ages. The focus is on Western Europe between the fall of the Roman Empire and the emergence of markedly Renaissance forms in Italy. Early sections of the volume are devoted to the survival of Classical tradition and the development of the liturgical drama of the Roman Catholic Church, but the main concentration is on the genesis and growth of popular religious drama in the vernacular. Each of the major medieval regions is featured, while a final section covers the pastimes and customs of the people, a record of whose traditional activities often only survives in the margins of official recognition. The documents are compiled by a team of leading scholars in the field and the over 700 documents are all presented in modern English translation.
Download or read book A Cultural History of Theatre in the Middle Ages written by Jody Enders and published by Bloomsbury Publishing. This book was released on 2019-08-08 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historically and broadly defined as the period between the fall of the Roman Empire and the rise of the Renaissance, the Middle Ages encompass a millennium of cultural conflicts and developments. A large body of mystery, passion, miracle and morality plays cohabited with song, dance, farces and other public spectacles, frequently sharing ecclesiastical and secular inspiration. A Cultural History of Theatre in the Middle Ages provides a comprehensive and interdisciplinary overview of the cultural history of theatre between 500 and 1500, and imaginatively pieces together the puzzle of medieval theatre by foregrounding the study of performance. Each of the ten chapters of this richly illustrated volume takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Download or read book Drama Play and Game written by Lawrence M. Clopper and published by University of Chicago Press. This book was released on 2001-05 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: How was it possible for drama, especially biblical representations, to appear in the Christian West given the church's condemnation of the theatrum of the ancient world?In a book with radical implications for the study of medieval literature, Lawrence Clopper resolves this perplexing question. Drama, Play, and Game demonstrates that the theatrum repudiated by medieval clerics was not "theater" as we understand the term today. Clopper contends that critics have misrepresented Western stage history because they have assumed that theatrum designates a place where drama is performed. While theatrum was thought of as a site of spectacle during the Middle Ages, the term was more closely connected with immodest behavior and lurid forms of festive culture. Clerics were not opposed to liturgical representations in churches, but they strove ardently to suppress May games, ludi, festivals, and liturgical parodies. Medieval drama, then, stemmed from a more vernacular tradition than previously acknowledged-one developed by England's laity outside the boundaries of clerical rule.
Download or read book The Staging of Drama in the Medieval Church written by Dunbar H. Ogden and published by . This book was released on 2002 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using original rubrics from some 1,200 manuscripts, this book demonstrates performance of the liturgical drama from the tenth through the sixteenth centuries. It lays out the staging space and traces the movements of the performers on architectural ground plans. The rubrics reveal a wealth of information about the creating of character through ecclesastical vestments and other costumes. It also includes a surprising range of directives for voice, gesture, and dumb show. The book provides a major theatrical source book for students and scholars in the field of drama.
Download or read book The Latin Passion Play written by Sandro Sticca and published by SUNY Press. This book was released on 1970-01-01 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this first comprehensive study of the Latin Passion play, Professor Sticca examines the medieval liturgical ceremonies commemorating the events in Christ's Passion and traces their gradual change in character from the contemplative to the dramatic. The author shows that while Christ's Passion became increasingly popular as one of the sacred mysteries beginning in the tenth century, new forces that allowed a more eloquent and humane visualization and description of Christ's anguish first appeared in the eleventh and twelfth centuries. Professor Sticca analyzes the earliest extant Latin Passion play, the twelfth-century Montecassino codex, and compares it with other Latin and vernacular Passion plays. He refutes the traditional view that the Planctus Mariae is the germinal point of the Latin Passion play and then offers a new theory of its inception. As a literary form, the Latin Passion play appears to Professor Sticca as a creation of the Montecassino monastic circle which was inspired by the liturgical services of Good Friday and the Gospel accounts. Particularly influential also were three themes that developed in the eleventh century: in liturgy, a concentration on Christocentric piety; in art, a more humanistic treatment of Christ; and in literature, a consideration of the scenes of the Passion as dramatic and human episodes. In the course of this investigation, Professor Sticca also reappraises traditional views of the origin of the medieval liturgical drama, indicating that it should not be traced exclusively to the tropes from the schools of St. Gall and St. Martial of Limoges, but rather to a number of sources.
Download or read book The Medieval Liturgical Drama written by James Dean Wilkinson and published by . This book was released on 1965 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Drama of Medieval England written by Arnold Williams and published by . This book was released on 2012-06-01 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Liturgical Drama and the Reimagining of Medieval Theater written by Michael Lee Norton and published by Medieval Institute Publications. This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The expression "liturgical drama" was formulated in 1834 as a metaphor and hardened into formal category only later in the nineteenth century. Prior to this invention, the medieval rites and representations that would forge the category were understood as distinct and unrelated classes: as liturgical rites no longer celebrated or as theatrical works of dubious quality. This distinction between liturgical rites and non-liturgical representations holds should we examine the works called "liturgical drama" according to the contexts of their presentations within the manuscripts and books that preserve them. Given the ways that the words "liturgy" and "drama" have been understood, moreover, combining them makes little sense. Given the distinctions that exist within the repertory, the expression also has no definable referent. Ultimately, the expression has little utility if we wish to appreciate how these rites and representations were understood at the time they were copied, celebrated, or performed.
Download or read book Offprints written by Karl Young, JR and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book, written by Karl Young, is a scholarly study of the development of liturgical drama and theatre in medieval Europe. It focuses specifically on the work of Phillipe De Mézières and how his dramatic office for the Presentation of the Virgin influenced the liturgical drama of Christmas and Easter. This book is a must-read for scholars of medieval studies and theatre history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book Ad Faciendum Peregrinum written by Robert G. A. Kurvers and published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften. This book was released on 1996 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: The small group of Peregrinus plays contains a wealth of fascinating elements. They illustrate one of the initial stages of the development of medieval theatre, show the level of dramatic expression present in medieval liturgy and thus form an important part of the cultural history of Europe. The Peregrinus plays and liturgical drama in general can never be regarded as theatrical presentations in the true Aristotelian sense of the word. They are too deeply embedded in the liturgy itself and make use of too many liturgical texts, functions and furnishings for them to be defined as such. Therefore, regardless of the opinions voiced in the world of literature and drama, an extremely strong case can be made for the liturgical point of view, namely, that the Peregrinus plays and similar medieval liturgical celebrations could best be described as liturgical drama. The plays contain elements of both.
Download or read book The Liturgical Element in the Earliest Forms of the Medieval Drama written by Paul Edward Kretzmann and published by . This book was released on 2015-09-27 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The Liturgical Element in the Earliest, Forms of the Medieval Drama: With Special Reference to the English and German Plays As indicated in the introduction below, the present author is by no means the first to point out liturgical formulae in the religious drama. He has merely gone somewhat farther in the application of the idea than has hitherto been attempted. It is also proper to acknowledge that liturgical tags may in many instances have found place in the religious drama by virtue of their having been transferred thither as part of epical or homiletic source material at a later stage than that of the dramatic office in the church service. There can be no question but that the liturgy also underlies a great portion of medieval religious literature and may therefore readily have been a part of secondary sources. During the preparation of this monograph, it was necessary to consult also epical and lyrical poetry of the Middle Ages to some extent, and it became evident with increasing clearness that these branches of literature were influenced largely by the liturgy of the church. In the German field the poem "Biblische geschichte von der Beschaffunge diser Welt bisz aufs jungst gericht gereymt," and in the English field "The Northern Passion," are cases in point. There is also, no doubt, a certain reactive influence of secular upon religious literature. The English "Harrowing of Hell" is possibly an instance of this kind. If it were possible to discover more manuscripts of this particular work, the difficulty might be solved. Whether the contention advanced a few years ago that this play may have originated with the work of Cynewulf can ever be sustained by the discovery of sufficient evidence, is more than doubtful. In the case of the great body of plays, except those on apochryphal subjects and from apochryphal sources, the contention of the thesis seems to be borne out by the evidence presented even when due allowance is made for the post-liturgical introduction of liturgical materials. The preparation of the monograph has been a delightful task, not only on account of the interesting material with which it is concerned, but especially on account of the help and inspiration of Professor Hardin Craig, who directed the progress of the work, and to whose unflagging interest and assistance the author freely acknowledges his indebtedness. To all others, also, members of the teaching staff of the University of Minnesota, as well as friends that have assisted with advice or interest, the author wishes to express his grateful appreciation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
