Download or read book A Study of Native American Singing and Song written by William J. Lavonis and published by Edwin Mellen Press. This book was released on 2004 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lavonia (Director of Opera at the University of Wisconsin-Milwaukee) spent the 2000-2001 academic year on sabbatical in Santa Fe, New Mexico researching Native American singing and song. The purpose of his study is to foster an appreciation for the singing and songs, and gather in one place some of the pedagogical mysteries of the vocal art of Native Americans. He focuses on those vocal practices that have been referred to by ethnomusicologists in previously published sources, and on the pueblo villages near Santa Fe. The chapters cover his experiences with San Juan Pueblo singer Peter Garcia, Native voice pedagogy, and the composition and performance of Native songs and their singers. A final chapter lists Western and Native composers and their vocal works based on Native American melodies. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
Download or read book Music of the First Nations written by Tara Browner and published by University of Illinois Press. This book was released on 2010-10-01 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique anthology presents a wide variety of approaches to an ethnomusicology of Inuit and Native North American musical expression. Contributors include Native and non-Native scholars who provide erudite and illuminating perspectives on aboriginal culture, incorporating both traditional practices and contemporary musical influences. Gathering scholarship on a realm of intense interest but little previous publication, this collection promises to revitalize the study of Native music in North America, an area of ethnomusicology that stands to benefit greatly from these scholars' cooperative, community-oriented methods. Contributors are T. Christopher Aplin, Tara Browner, Paula Conlon, David E. Draper, Elaine Keillor, Lucy Lafferty, Franziska von Rosen, David Samuels, Laurel Sercombe, and Judith Vander.
Download or read book Singing the Songs of My Ancestors written by Linda Goodman and published by University of Oklahoma Press. This book was released on 2003 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ever since she was a small child, Helma Swan, the daughter of a Northwest Coast chief, loved and learned the music of her people. As an adult she began to sing, even though traditionally Makah singers had been men. How did such a situation develop? In her own words, Helma Swan tells the unusual story of her life, her music, and how she became a singer. An excellent storyteller, she speaks of both musical and non-musical activities and events. In addition to discussing song ownership and other Makah musical concepts, she describes songs, dances, and potlatch ceremonies; proper care of masks and costumes; and changing views of Native music education. More generally, she speaks of cultural changes that have had profound effects on contemporary Makah life. Drawing on more than twenty years of research and oral history interviews, Linda J. Goodman in Singing the Songs of My Ancestors presents a somewhat different point of view-that of the anthropologist/ethnomusicologist interested in Makah culture and history as well as the changing musical and ceremonial roles of Makah men and women. Her information provides a context for Helma Swan’s stories and songs. Taken together, the two perspectives allow the reader to embark on a vivid and absorbing journey through Makah life, music, and ceremony spanning most of the twentieth century. Studies of American Indian women musicians are rare; this is the first to focus on a Northwest Coast woman who is an outstanding singer and storyteller as well as a conservator of her tribe’s cultural traditions.
Download or read book Native American Music in Eastern North America written by Beverley Diamond and published by Oxford University Press, USA. This book was released on 2008 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Native American Music in Eastern North America is one of many case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Native American Music in Eastern North America is one of the first books to explore the contemporary musical landscape of indigenous North Americans in the north and east. It shows how performance traditions of Native North Americans have been influenced by traditional social values and cultural histories, as well as by encounters and exchanges with other indigenous groups and with newcomers from Europe and Africa. Drawing on her extensive fieldwork and on case studies from several communities--including the Iroquois, the Algonquian-speaking nations of the Atlantic seaboard, and the Inuit of the far north--author Beverley Diamond discusses intertribal celebrations, popular music projects, dance, art, and film. She also considers how technology has mediated present-day cultural communication and how traditional ideas about social roles and gender identities have been negotiated through music. Enhanced by accounts of local performances, interviews with tribal elders and First Nations performers, vivid illustrations, and hands-on listening activities, Native American Music in Eastern North America provides a captivating introduction to this under-examined topic. It is packaged with an 80-minute audio CD containing twenty-six examples of the music discussed in the book, including several rare recordings. The author has also provided a list of eighteen songs representing a wide variety of styles--from traditional Native American chants to an Inuit collaboration with Björk--that are referenced in the book and available as an iMix at www.oup.com/us/globalmusic.
Download or read book Indian Story and Song from North America written by Alice Cunningham Fletcher and published by . This book was released on 1900 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Native American Song at the Frontiers of Early Modern Music written by Olivia A. Bloechl and published by Cambridge University Press. This book was released on 2020-10-15 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: Olivia A. Bloechl reconceives the history of French and English music from the sixteenth through to the eighteenth century from the perspective of colonial history. She demonstrates how encounters with Native American music in the early years of colonization changed the course of European music history. Colonial wealth provided for sumptuous and elite musical display, and American musical practices, materials, and ideas fed Europeans' taste for exoticism, as in the masques, ballets, and operas discussed here. The gradual association of Native American song with derogatory stereotypes of musical 'savagery' pressed Europeans to distinguish their own music as civilized and rational. Drawing on evidence from a wide array of musical, linguistic, and visual sources, this book demonstrates that early American colonization shaped European music cultures in fundamental ways, and it offers a fresh, politically and transculturally informed approach to the study of music in the early colonial Atlantic world.
Download or read book Indian Story and Song from North America written by Alice Cunningham Fletcher and published by London : D. Nutt. This book was released on 1900 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present book, Indian Story and Song from North America (1900), was inspired by enthusiasm for Native American music generated at the Congress of Musicians held in connection with the Trans-Mississippi Exposition, Omaha, July 1898.
Download or read book Singing and Healing written by Theresa Anne Allison and published by . This book was released on 1994 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Songs of the Nations American Indian Music Adapted for the Native American Flute written by Jim Mayhew and published by Mel Bay Publications. This book was released on 2016-06-15 with total page 105 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book with accompanying audio is a detailed guide to learning how to play these songs on the Native American flute. Delve into a deeper understanding of the Native American flute with this unique collection of songs specifically tailored for this beautiful instrument. American Indian music from several Nations (Cheyenne, Lakota, Papago, Ojibwa and many more) has been adapted to the Nakai TAB system and presented for your enjoyment and musical development. These songs of the hunt and home, songs of love and war will increase your appreciation for the richness and diversity of American Indian culture. The music in this collection ranges from easy to very challenging and will improve your skills on this fascinating instrument. Access to online audio
Download or read book Encyclopedia of Native American Music of North America written by Timothy Archambault and published by Bloomsbury Publishing USA. This book was released on 2013-03-27 with total page 501 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a one-stop reference resource for the vast variety of musical expressions of the First Peoples' cultures of North America, both past and present. Encyclopedia of Native American Music of North America documents the surprisingly varied musical practices among North America's First Peoples, both historically and in the modern context. It supplies a detailed yet accessible and approachable overview of the substantial contributions and influence of First Peoples that can be appreciated by both native and nonnative audiences, regardless of their familiarity with musical theory. The entries address how ethnomusicologists with Native American heritage are revolutionizing approaches to the discipline, and showcase how musicians with First Peoples' heritage are influencing modern musical forms including native flute, orchestral string playing, gospel, and hip hop. The work represents a much-needed academic study of First Peoples' musical cultures—a subject that is of growing interest to Native Americans as well as nonnative students and readers.
Download or read book Repertoire Authenticity and Introduction written by Robert J. Damm and published by Routledge. This book was released on 2014-01-21 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study provides new information regarding the instruction of American Indian music in Oklahoma, and shows the effect of demographic variables of teachers and students on pedagogical context and practice.
Download or read book Indian Melodies written by Thomas Commuck (Brotherton Indian) and published by . This book was released on 1845 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book North American Indian Musical Styles written by Bruno Nettl and published by . This book was released on 1954 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Songs of Power and Prayer in the Columbia Plateau written by Chad Hamill and published by . This book was released on 2012 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Songs of Power and Prayer in the Columbia Plateau explores the role of song as a transformative force in the twentieth century, tracing a cultural, spiritual, and musical encounter that upended notions of indigeneity and the rules of engagement for Indians and priests in the Columbia Plateau. In Chad Hamill's narrative, a Jesuit and his two Indian "grandfathers"--one a medicine man, the other a hymn singer--engage in a collective search for the sacred. The priest becomes a student of the medicine man. The medicine man becomes a Catholic. The Indian hymn singer brings indigenous songs to the Catholic mass. Using song as a thread, these men weave together two worlds previously at odds, realizing a promise born two centuries earlier within the prophecies of Circling Raven and Shining Shirt. Songs of Power and Prayer reveals how song can bridge worlds: between the individual and Spirit, the Jesuits and the Indians. Whether sung in an indigenous ceremony or adapted for Catholic Indian services, song abides as a force that strengthens Native identity and acts as a conduit for power and prayer. A First Peoples: New Directions in Indigenous Studies book
Download or read book 33 Traditional Native American Songs for Tongue Drum and Handpan written by Helen Winter and published by Helen Winter. This book was released on 2021-05-25 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music is an integral part in the life of the Native Americans, playing a key role in ceremonies, recreational activities, self expression, and healing. Many different instruments are used in Native American music, including drums, flutes, and other percussion instruments. These songs were adapted here for Tongue Drum and Handpan and they are possible to play on most drum models. The steel tongue drum (aka tong drum, tank drum, gluck-o-phone, hapi, or steeldrum) and the handpan (aka hank drum, UFO drum, zen drum, meditation, healing, yoga or chakra drum) are percussion musical instruments designed to help you focus on your feelings, sensations, and body. In musical science, a unique Native American style of singing can be distinguished. It is characterized by rhythmic breathing, a tense voice, and syllabic sounds being more important than lyrics. These technical features helped the shaman achieve a trance state. Although the tongue drum is a modern musical instrument, is perfectly suitable for any tribal songs. Attention: Songs have been transposed for a DIATONIC range. Some melodies might be changed and simplified. If your drum has flat keys, it is recommended that you use classic sheet music for piano. We write the note numbers above the notes because our sheet music is aimed at absolute beginners. Just follow numbers and enjoy. Here you can find traditional songs, handed down from generation to generation: ceremonial (such as corn grinding or moccasin game songs) or healing songs. Also, we add a QR code to most songs. Follow the link and find this song on YouTube, so that you can listen to the rhythm before beginning to play. For which tongue drum are these songs suitable? Each tongue drum is very different and it is impossible to accommodate songs for all kinds of tongue drums in one book. The songs which have been collected in this book can be played on most drum models. If you have less than 1 octave of keys on your drum, you may need to skip some songs. However, if your drum has many sharp notes, you will need a book that contains chromatic songs. Here, we have collected only simplified diatonic melodies. Contents Ani Couni. Arapaho Song. (Version 1) Ani Couni. Arapaho Song. (Version 2) Ani Couni. Arapaho Song. (Version 3) Medicine Song. Apache Song Bebi Notsa. Creek folk song Buffalo Dance. Kiowa folk song Chippewa Lullaby. Chippewa folk song Corn Grinding Song. Zuni folk song Dust of the Red Wagon. Ute folk song Eagle Dance Song. Algonquin folk song Epanay. Sioux folk song Eskimo Ice Cream. Inuit folk song Hiya Hiya. Pawnee folk song Happy Song. Navajo folk song Ho Ho Watanay. Iroquois Lullaby. (2 versions) Hosisipa. Sioux folk song Hwi Ne Ya He. Presumably an Apache song Happiness Song. Navajo folk song Inuit Lullaby. Inuit folk song Moccasin Game Song. Navajo folk song Nessa, Nessa. Ojebwe Lullaby Mos Mos. Hopi folk song My Paddle. Folk song O Hal'lwe. Nanticoke folk song Okki Tokki Unga. Eskimo fishing song Pleasure Dance. Choctaw folk song Sioux Lullaby. Sioux folk song Song of the Deer Dancing. Chippewa folk song Song to the Sun. Zuni folk song Uhe' Ba Sho. Omaha folk song Wanagi Wacipi Olowan. Dakota folk song Wioste Olowan. Dakota folk song We N’ De Ya Ho Cherokee Morning song Ya Ya We. Wichita song Zuni Sunset Song. Zuni folk song
Download or read book Intertribal Native American Music in the United States written by John-Carlos Perea and published by Oxford University Press, USA. This book was released on 2013 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: The development of a shared musical heritage amongst the various Native American tribes reveals a history fraught with the tension of the give-and-take between cultural maintenance and new cultural creation. In Intertribal Native American Music in the United States, author John-Carlos Perea explores this tension and shows how traditional sounds, such as the powwow song and cedar flute, have developed into increasingly recognizable forms, like Native jazz and rock. These older sounds and their modern incarnations form the four themes around which Perea frames his discussion. First, he examines powwows - American Indian social gatherings founded upon an intertribal repertoire of music and dance - and shows how the assemblies of Northern and Southern Plains and Navajo tribes represent a singular performance encompassing disparate stories and sounds. From the relative insularity of the powwow, Perea then looks at the mainstreaming of the cedar flute and its role in introducingNative American music to broader audiences. From there, he surveys Native rock and jazz, considering their roots and their trajectories, as well as the milestone creation of the Best Native American Music GrammyRG Award in 2000. With this book, Perea offers readers the only brief text that makes clear the interconnectedness of Native American music through a lively analysis of how it began and where it is headed. Designed to be used as one of several short and inexpensive case study volumes in the Global Music Series, this volume is appropriate for introductory undergraduate courses in world music or ethnomusicology and for upper-level courses on Native American music and/or culture, as well as Native American Indians courses in Anthropology. The twenty-second volume in the Series, this text is based on the author's own extensive fieldwork and features interviews with performers, eyewitness accounts of performances, and vivid illustrations. The book also features listening activities that enable students to engage critically and actively with the text. The included 70-minute CD contains examples of music discussed in the text, and supplementary material for instructors will be available on the companion web site.
Download or read book Songprints written by Judith Vander and published by University of Illinois Press. This book was released on 1988 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: Songprints, the first book-length exploration of the musical lives of Native American women, describes a century of cultural change and constancy among the Shoshone of Wyoming's Wind River Reservation. Through her conversations with Emily, Angelina, Alberta, Helene, and Lenore, Judith Vander captures the distinct personalities of five generations of Shoshone women as they tell their thoughts, feelings, and attitudes toward their music. These women, who range in age from seventy to twenty, provide a unique historical perspective on many aspects of twentieth-century Wind River Shoshone life. In addition to documenting these oral histories, Vander transcribes and analyzes seventy-five songs that the women sing--a microcosm of Northern Plains Indian music. She shows how each woman possesses her own songprint--a song repertoire distinctive to her culture, age, and personality, as unique in its configuration as a fingerprint or footprint. Vander places the five song repertoires in the context of Shoshone social and religious ceremonies to offer insights into the rise of the Native American Church, the emergence and popularity of the contemporary powwow, and the changing, enlarging role of women. Songprints also offers important new material on Ghost Dance songs and performances. Because the Ghost Dance was abandoned by the Wind River Shoshones in the 1930s, only Emily and Angelina saw it performed. Vander engages the two women--now in their sixties and seventies--in a discussion of the function and meaning of the Ghost Dance among the Wind River Shoshones. Thirteen Shoshone Ghost Dance song transcriptions accompany their accounts of past performances. The distinctive voices of these five women will captivate those interested in music, women's studies, ethnohistory, and ethnography, as well as ethnomusicologists, Native American scholars, anthropologists, and historians.
