Download or read book A Proposed Indian Portfolio by John Mix Stanley written by Frederick Webb Hodge and published by . This book was released on 1929 with total page 9 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book JOHN MIX STANLEY AND HIS INDIAN PAINTINGS written by and published by . This book was released on with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Painted Journeys written by Peter H. Hassrick and published by University of Oklahoma Press. This book was released on 2015-07 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Artist-explorer John Mix Stanley (1814–1872), one of the most celebrated chroniclers of the American West in his time, was in a sense a victim of his own success. So highly regarded was his work that more than two hundred of his paintings were held at the Smithsonian Institution—where in 1865 a fire destroyed all but seven of them. This volume, featuring a comprehensive collection of Stanley’s extant art, reproduced in full color, offers an opportunity—and ample reason—to rediscover the remarkable accomplishments of this outsize figure of nineteenth-century American culture. Originally from New York State, Stanley journeyed west in 1842 to paint Indian life. During the U.S.-Mexican War, he joined a frontier military expedition and traveled from Santa Fe to California, producing sketches and paintings of the campaign along the way—work that helped secure his fame in the following decades. He was also appointed chief artist for Isaac Stevens’s survey of the 48th parallel for a proposed transcontinental railroad. The essays in this volume, by noted scholars of American art, document and reflect on Stanley’s life and work from every angle. The authors consider the artist’s experience on government expeditions; his solo tours among the Oregon settlers and western and Plains Indians; and his career in Washington and search for government patronage, as well as his individual works. With contributions by Emily C. Burns, Scott Manning Stevens, Lisa Strong, Melissa Speidel, Jacquelyn Sparks, and Emily C. Wilson, the essays in this volume convey the full scope of John Mix Stanley’s artistic accomplishment and document the unfolding of that uniquely American vision throughout the artist’s colorful life. Together they restore Stanley to his rightful place in the panorama of nineteenth-century American life and art.
Download or read book John Mix Stanley a Traveller in the West written by University of Michigan. Graduate Seminar in Museum Practice and published by . This book was released on 1969 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catlin and His Contemporaries written by Brian W. Dippie and published by U of Nebraska Press. This book was released on 1990-01-01 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: George Catlin's paintings and the vision behind them have become part of our understanding of a lost America. We see the Indian past through Catlin's eyes, imagine a younger, fresher land in his bright hues. But he spent only a few years in what he considered Indian country. The rest of his long life?more than thirty years?wasødevoted largely to promoting, repainting, and selling his collection?in short, to seeking patronage. Catlin and His Contemporaries examines how the preeminent painter of western Indians before the Civil War went about the business of making a living from his work. Catlin shared with such artists as Seth Eastman and John Mix Stanley a desire to preserve a visual record of a race seen as doomed and competed with them for federal assistance. In a young republic with little institutional and governmental support available, painters, writers, and scholars became rivals and sometimes bitter adversaries. Brian W. Dippie untangles the complex web of interrelationships between artists, government officials, members of Congress, businessmen, antiquarians and literati, kings and queens, and the Indians themselves. In this history of the politics of patronage during the nineteenth century, luminaries like Henry Rowe Schoolcraft, Henry H. Sibley, John James Audubon, Alfred Jacob Miller, and Karl Bodmer are linked with Catlin in a contest for the support of the arts, setting a precedent for later generations. That the contenders "produced so much of enduring importance under such trying circumstances," Dippie observes,"was the sought-for miracle that had seemed to elude them in their lives."
Download or read book American Stories written by Helene Barbara Weinberg and published by Metropolitan Museum of Art. This book was released on 2009 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F. B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand.
Download or read book Joe Meek written by Stanley Vestal and published by U of Nebraska Press. This book was released on 1952-01-01 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at the career and accomplishments of the Western pioneer as fur trapper, Indian fighter, scout, politician, and U.S. Marshal during the early nineteenth century
Download or read book Across the Wide Missouri written by Bernard De Voto and published by Houghton Mifflin Harcourt. This book was released on 1998 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: The story of the climax and decline of the Rocky Mountain fur trade during the 1830s.
Download or read book Indian Notes written by and published by . This book was released on 1949 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue Subjects written by Peabody Museum of Archaeology and Ethnology. Library and published by . This book was released on 1963 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue Authors written by Peabody Museum of Archaeology and Ethnology. Library and published by . This book was released on 1963 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book We Gather Together written by Charles C. Eldredge and published by Univ of California Press. This book was released on 2022-01-18 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: The mutual history of art, agriculture, and American identity as told through the theme of the harvest. The harvest has traditionally been a productive season, both on American farms and in its artists’ studios. Before the early nineteenth century, the ideal of the Jeffersonian yeoman, singly cultivating a subsistence plot for family use, dominated the American imagination; after World War II, the advent of big agribusiness proved less immediately attractive for artists. In We Gather Together, Charles C. Eldredge examines the period in between—when many Americans were farmers and much of America was farmland. Organized in a series of case studies each devoted to a single crop, We Gather Together initially focuses on familiar commodity crops such as corn, wheat, and potatoes, and then expands to other yields by Native American harvesters and California floriculturists, as well as winter ice cutters and coastal seaweed gatherers. This novel history of agriculture and art traces parallel developments on land and canvas, highlighting breakthroughs in each field. Artists such as Winslow Homer, Doris Lee, and Georgia O’Keeffe are joined by innovators in agriculture, whether mechanical inventors such as Eli Whitney, John Deere, and Cyrus McCormick or genetic hybridizers such as Luther Burbank, W. Atlee Burpee, and Theodosia Shepherd. Surveying an astonishing amount of material and a wide range of paintings, prints, and other artworks from the nineteenth century to the mid-twentieth century, We Gather Together gorgeously demonstrates how the use of agricultural metaphors permeated American visual culture. The harvest, we see here, came to signify and dominate politics, poetry, and popular culture, ultimately representing a primary facet of American identity and nationhood.
Download or read book The Frontier Indian in White Art 1820 1876 written by Kathryn Sweeney Hight and published by . This book was released on 1990 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book California Historical Society Quarterly written by California Historical Society and published by . This book was released on 1946 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Paintings in the Metropolitan Museum of Art written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 1980 with total page 674 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of three chronologically arranged catalogues that document the Metropolitan Museum's outstanding collection of American paintings.
Download or read book Catalogue written by Peabody Museum of Archaeology and Ethnology. Library and published by . This book was released on 1963 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Picturing Indian Territory written by B. Byron Price and published by University of Oklahoma Press. This book was released on 2016-10-10 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the nineteenth century, the land known as “Indian Territory” was populated by diverse cultures, troubled by shifting political boundaries, and transformed by historical events that were colorful, dramatic, and often tragic. Beyond its borders, most Americans visualized the area through the pictures produced by non-Native travelers, artists, and reporters—all with differing degrees of accuracy, vision, and skill. The images in Picturing Indian Territory, and the eponymous exhibit it accompanies, conjure a wildly varied vision of Indian Territory’s past. Spanning nearly nine decades, these artworks range from the scientific illustrations found in English naturalist Thomas Nuttall’s journal to the paintings of Frederic Remington, Henry Farny, and Charles Schreyvogel. The volume’s three essays situate these works within the historical narratives of westward expansion, the creation of an “Indian Territory” separate from the rest of the United States, and Oklahoma’s eventual statehood in 1907. James Peck focuses on artists who produced images of Native Americans living in this vast region during the pre–Civil War era. In his essay, B. Byron Price picks up the story at the advent of the Civil War and examines newspaper and magazine reports as well as the accounts of government functionaries and artist-travelers drawn to the region by the rapidly changing fortunes of the area’s traditional Indian cultures in the wake of non-Indian settlement. Mark Andrew White then looks at the art and illustration resulting from the unrelenting efforts of outsiders who settled Indian and Oklahoma Territories in the decades before statehood. Some of the artworks featured in this volume have never before been displayed; some were produced by more than one artist; others are anonymous. Many were completed by illustrators on-site, as the events they depicted unfolded, while other artists relied on written accounts and vivid imaginations. Whatever their origin, these depictions of the people, places, and events of “Indian Country” defined the region for contemporary American and European audiences. Today they provide a rich visual record of a key era of western and Oklahoma history—and of the ways that art has defined this important cultural crossroads.
