Download or read book A Practical Approach to 16th Century Counterpoint written by Robert Gauldin and published by Waveland Press. This book was released on 2013-03-04 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
Download or read book A Practical Approach to Sixteenth century Counterpoint written by Robert Gauldin and published by Prentice Hall. This book was released on 1985 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author emphasizes acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth century sacred polyphonic idioms in this volume. The author follows a didactic method of a "non species or direct" approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices taken from musical literature or composed by the author; demonstration of the possibility of employing a single given pitch series within the contexts of different compositional techniques; a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasis of Palestrina and the Counter Reformation sacred style; discussion of various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
Download or read book A Practical Approach to 18th Century Counterpoint written by Robert Gauldin and published by Waveland Press. This book was released on 2013-03-04 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
Download or read book A Practical Approach to Eighteenth century Counterpoint written by Robert Gauldin and published by Prentice Hall. This book was released on 1988 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sixteenth Century Counterpoint written by Gilbert Trythall and published by WCB/McGraw-Hill. This book was released on 1994 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Study of Counterpoint written by Johann Fux and published by W. W. Norton & Company. This book was released on 1965 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most celebrated book on counterpoint is Fux's great theoretical work GRADUS AD PARNASSUM. Since its appearance in 1725, it has been used by and has directly influenced the work of many of the great composers, including J.S. Bach, Haydn, and Beethoven. Originally written in Latin, this work has been translated in to the principal European languages. The present translation by Alfred Mann is the first faithful rendering in English, presenting the essence of Fux's teachings.
Download or read book A Manual of Sixteenth century Contrapuntal Style written by Charlotte Smith and published by University of Delaware Press. This book was released on 1989 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the expressive power of sixteenth-century vocal polyphony, giving special emphasis to the development of aural familiarity with the style. Every element of sixteenth-century counterpoint is defined, described, and liberally illustrated, included for analysis and singing are complete compositions and movements by Palestrina, Lasso, Victoria, Byrd, Morales, and Joaquin.
Download or read book Modal Counterpoint Renaissance Style written by Peter Schubert and published by Oxford University Press, USA. This book was released on 1999 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modal Counterpoint, Renaissance Style introduces the rules for writing and analysing 16th-century music through a wide variety of carefully graded exercises. It begins with species counterpoint -- the method used to teach voice-leading and the treatment of consonances and dissonances in contrapuntal composition -- with exercises modelled on examples from among 1600. Unlike other books that bear little stylistic relation to the music of the period, this is the only text available that uses examples and concepts based on Renaissance treatises and contemporaneous theoretical sources. This book provides a conceptual framework that guides the students' writing and analysis and that teaches students the general principles of composition. The author's selection of Renaissance repertoire examples illustrates the range of possibilities within a given technical formula. The concluding chapters provide conceptual tools and formal schemes for building longer pieces, encouraging students to see analysis and composition as complementary activities. By the end of the book students are writing real compositions, not just drill exercises. Adapted from eight years of class testing, this textbook includes many helpful tools for students and teachers, including carefully chosen musical examples, different levels of student exercises with exercise blanks, historial asides explaining interesting and relevant issues of the period, a glossary of terms, brief information on theorists whose work was examined to make this text, and brief notes to the teacher. This book uniquely combines the stylistic accuracy of the "style-oriented" texts with more systematic species counterpoint approach, favoured by many as a pedagogical method.
Download or read book A Geometry of Music written by Dmitri Tymoczko and published by OUP USA. This book was released on 2011-03-21 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
Download or read book Counterpoint written by Markand Thakar and published by Yale University Press. This book was released on 1990-01-01 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Counterpoint manuals have long been central to the music education of composers, historians, and theorists. In this book a conductor uses counterpoint exercises to aid musicians in becoming sensitive to the fundamental ingredients of good music making.
Download or read book Harmony Counterpoint Partimento written by Job IJzerman and published by . This book was released on 2018 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.
Download or read book Polyphonic Composition written by Owen Swindale and published by . This book was released on 1962 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Counterpoint written by Knud Jeppesen and published by Courier Corporation. This book was released on 2013-04-15 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: First paperback edition of classic introductory text features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples.
Download or read book Tonal Counterpoint for the 21st Century Musician written by Teresa Davidian and published by Rowman & Littlefield. This book was released on 2015-02-10 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Students today have grown up in the age of digital technology. As a result, they process information in radically different ways than preceding generations. They like their information fast and consider visual images as important as textual content. In Tonal Counterpoint for the 21st-Century Musician, Teresa Davidian finally provides students a textbook that is quick, direct, and visual—a direct reflection of the age in which they live. This book is easy to understand, comprehensive, and distinctly modern in its approach to the study of counterpoint. Written in a style that is clear, simple, and informal writing style, Davidian artfully mixes the history of counterpoint with an outline of its structure, placing musical examples from J. S. Bach side by side with those from The Beatles to illustrate the universality and currency of counterpoint in music analysis and composition. Designed as a single-semester introduction, Tonal Counterpoint brings the study of counterpoint into the present by: Making ample use of diagrams and flow charts Including helpful step-by-step prompt sheets for analyzing inventions and fugues Placing just as much emphasis on the composition as on the analysis of counterpoint Offering a broad array of musical examples, including the work of women composers, American songwriters, current students, and pop music composers Throughout, Davidian explains how the techniques of 18th-century contrapoint still readily apply to how music is composed today. Tonal Counterpoint for the 21st-Century Musician is ideal for students in the fields of music theory, composition, music history, and performance.
Download or read book Counterpoint in Composition written by Felix Salzer and published by Columbia University Press. This book was released on 1989 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: -- Stanley Persky, City University of New York
Download or read book Contemporary Counterpoint written by Beth Denisch and published by Hal Leonard Corporation. This book was released on 2017-09-01 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Berklee Guide). Use counterpoint to make your music more engaging and creative. Counterpoint the relationship between musical voices is among the core principles for writing music, and it has been central to the study of composition for many centuries. Whether you are a composer, arranger, film composer, orchestrator, music director, bandleader, or improvising musician, this book will help hone your craft, gain control, and lead you to new creative possibilities. You will learn "tricks of the trade" from the masters and apply these skills to contemporary styles. Online audio examples illustrate the principles being discussed, and many recommended listening lists point you to additional examples of how these principles have been used in music over the past thousand years.
Download or read book The Performance of 16th Century Music written by Anne Smith and published by Oxford University Press. This book was released on 2011-03-30 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period. She takes readers through the significance of part-book notation; solmization; rhythmic flexibility; and elements of structure in relation to rhetoric of the time; while familiarizing them with contemporary criteria and standards of excellence for performance. Through The Performance of 16th-Century Music, today's musicians will gain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest, most glorious potential.
