Download or read book Music and Power at the Court of Louis XIII written by Peter Bennett and published by Cambridge University Press. This book was released on 2021-05-27 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of the strategies by which sacred music and liturgy was used to legitimate Louis XIII's power.
Download or read book They Fought the Law written by Stan Soocher and published by Schirmer Trade Books. This book was released on 1999 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This account of the most famous lawsuits in rock history ... traces the difficulties rockers have faced dealing with bad contracts, personnel problems, litigious fans, and crooked managers and accountants."--Jacket.
Download or read book Music in Elizabethan Court Politics written by Katherine Butler (Music tutor) and published by Boydell & Brewer Ltd. This book was released on 2015 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Download or read book The Court Musicians in Florence During the Principate of the Medici written by Warren Kirkendale and published by Firenze : L.S. Olschki. This book was released on 1993 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music at the Gonzaga Court in Mantua written by Donald C. Sanders and published by Lexington Books. This book was released on 2012 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Music at the Gonzaga Court in Mantua, Donald C. Sanders examines the history of musical composition and performance at the northern Italian court of Mantua from the fifteenth century to the seventeenth century. Music is discussed in the context of the visual art, poetry, and theater that graced the court and of the Gonzaga family's interaction with the major European historical figures of the era.
Download or read book The Cambridge History of Fifteenth Century Music written by Anna Maria Busse Berger and published by Cambridge University Press. This book was released on 2015-07-16 with total page 1058 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.
Download or read book Pierre de la Rue and Musical Life at the Habsburg Burgundian Court written by Honey Meconi and published by Oxford University Press, USA. This book was released on 2003 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.
Download or read book Dance and Music of Court and Theater written by Wendy Hilton and published by Pendragon Press. This book was released on 1997 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of selected writings of Ms. Hilton includes a complete facsimile of her 1981 book Dance of Court & Theater (no longer available) as well as two significant articles, and a notated triple-meter danse � deux by LouisP�cour. Book One (the facsimile) provides in-depth analysis of primary sources on dance of the baroque period.The main body of the text is devoted to mastery of the Beauchamp-Feuillet notation system,which includes the relationships of steps to music in such dance types as the menuet,gavotte, bourr�e, sarabande, passacaille, loure, gigue, and entr�e grave. Instruction is also given on style, bows and courtesies, the use of the hat, and the ballroom menuet ordinaire as given by Pierre Rameau.Book Two adds theslow Seventeenth-Century French Courante; A survey of the 56 dances extant to music by J.B. Lully with their airs and some of the more virtuosic, theatrical step-units in notation; Louis P�cour's ballroom dance Aimable Vainqueur (1701 in six pages of dance notation with a five-part score of Andr� Campra's music from Hesione (1700)and an updated bibliography.
Download or read book Jan Dismas Zelenka written by Janice B. Stockigt and published by Oxford : Oxford University Press. This book was released on 2000 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jan Dismas Zelenka, the brilliant but elusive contemporary of Bach, musically served the Catholic chapel of the dazzling Dresden court during the first half of the eighteenth century. Research has uncovered biographical information, and reveals the remarkable music of a major figure of the Baroque era.
Download or read book The Early Tudor Court and International Musical Relations written by Theodor Dumitrescu and published by Routledge. This book was released on 2017-07-05 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.
Download or read book Music and Ceremony at the Court of Charles V written by Mary Tiffany Ferer and published by Boydell Press. This book was released on 2012 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Music and Ceremony' reconstructs musical life at the court of Charles V, examining the compositions which emanated from the court, the ordinances which prescribed ritual and ceremony, and the Emperor's prestigious chapel which reflected his power and influence.
Download or read book Music at the Aragonese Court of Naples written by Allan W. Atlas and published by Cambridge University Press. This book was released on 2008-10-30 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book deals with various aspects of musical life at the Aragonese court of Naples, from its establishment in 1442 to its demise in the opening years of the sixteenth century. An opening chapter gives a general historical-cultural background of the court. The author then discusses the royal chapel and its most important members, as well as other important musicians who were in Naples but who had no known ties with the court in an official sense. He goes on to describe the various types of secular music at the court and the music manuscripts compiled in and around Naples. The importance of the book lies in its attempt to synthesize all that is known about music at Naples - both from discovered archival sources and from the scholarly literature of specialized studies. The second part of the book contains a collection of 18 pieces, edited from Neapolitan manuscripts, which illustrate the earlier chapter on the repertory.
Download or read book Empress Marie Therese and Music at the Viennese Court 1792 1807 written by John A. Rice and published by Cambridge University Press. This book was released on 2003-07-24 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a study of the musical activities of Empress Marie Therese, one of the most important patrons in the Vienna of Haydn and Beethoven. Building on extensive archival research, including many documents published here for the first time, John A. Rice describes Marie Therese's activities as commissioner, collector and performer of music, and explores the rich and diverse musical culture that she fostered at court. This book, which will be of interest to musicologists, historians of artistic patronage and taste, and practitioners of women's studies, elucidates this remarkable woman's relations with a host of professional musicians, including Haydn, and argues that she played a significant and hitherto unsuspected role in the inception of one of the era's greatest masterpieces, Beethoven's Fidelio. Other composers discussed include Domenico Cimarosa, Joseph Eybler, Michael Haydn, Johann Simon Mayr, Ferdinando Paer, Antonio Salieri, Joseph Weigl and Paul Wranitzky.
Download or read book In the Court of King Crimson written by Sid Smith and published by Helter Skelter Publishing. This book was released on 2001 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rapturous highs and acrimonious lows of life in the Court of King Crimson.
Download or read book Music at Court written by Christopher Hogwood and published by . This book was released on 1977 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Storming the Court written by Brandt Goldstein and published by Simon and Schuster. This book was released on 2006-12-12 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: Subtitle in hardcover printing: How a band of Yale law students sued the President--and won.
Download or read book Papal Music and Musicians in Late Medieval and Renaissance Rome written by Richard Sherr and published by Clarendon Press. This book was released on 1998-05-21 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book collects twelve of the papers given at a conference held at the Library of Congress, Washington D.C., on 1-3 April 1993, in conjunction with the exhibition `Rome Reborn: The Vatican Library and Renaissance Culture'. A group of distinguished scholars considered music in medieval and Renaissance Rome. The volume presents a series of wide-ranging and original treatments of music written for and performed in the papal court from the fourteenth to the sixteenth century. New discoveries are offered which force a radical reevaluation of the Italian papal court as a musical centre during the Great Schism. A series of motets for various popes are subject to close analysis. New interpretations and information are offered concerning the repertory of the papal chapel in the fifteenth and sixteenth centuries, the institutional life of the papal singers, and the individual biographies of singers and composers. Thought-provoking, even controversial, evaluations of the music of composers connected with, or thought to be connected with, Rome and the papal court, such as Ninot le Petit, Josquin, and Palestrina round out the volume.
