Download or read book A Hurrian Musical Score from Ugarit written by Marcelle Duchesne-Guillemin and published by . This book was released on 1984 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Hurrian Musical Score from Ugarit written by and published by . This book was released on 1984 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Four Texts from the Temple Library of Nippur written by Richard Dumbrill and published by Lulu.com. This book was released on with total page 21 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ugarit Forschungen written by and published by . This book was released on 2013 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music in Religious Cults of the Ancient Near East written by John Arthur Smith and published by Routledge. This book was released on 2020-11-09 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in Religious Cults of the Ancient Near East presents the first extended discussion of the relationship between music and cultic worship in ancient western Asia. The book covers ancient Israel and Judah, the Levant, Anatolia, Mesopotamia, Elam, and ancient Egypt, focusing on the period from approximately 3000 BCE to around 586 BCE. This wide-ranging book brings together insights from ancient archaeological, iconographic, written, and musical sources, as well as from modern scholarship. Through careful analysis, comparison, and evaluation of those sources, the author builds a picture of a world where religious culture was predominant and where music was intrinsic to common cultic activity.
Download or read book The Songs of Ascents written by David C. Mitchell and published by Campbell Publishers. This book was released on 2015-03-01 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Codes hidden for 3,000 years unveil the origin of the fifteen Songs of Ascents. Mysterious marks in medieval manuscripts disclose the lost temple song. Rabbinic traditions reveal the place of the ark of the covenant. And the secret message of the Book of Psalms is laid bare. Question: What do you get when you cross a period-performance Director of Music with a specialist on the Psalms? Answer: The ultimate book on the Psalms in Temple worship. In this book, I wear both my hats to show how these Psalms were sung in ancient Israel. Want to know more? It’s all here in the largest book ever written on the Songs of Ascents, with 27 pictures, 14 tables, and 29 musical examples. REVIEWS David Mitchell’s Songs of Ascents is a fresh direction in the study of the Psalms. The Psalms of Ascents, he argues, were composed not only for Solomon’s Temple but actually for its dedication; yet they represent also a coherent collection, with shared themes and a progression of thought. Drawing on his musical knowledge, he also shows how they may have been sung, here adapting and developing the theories of Suzanne Haïk-Vantoura about the meaning of the Masoretic cantillation signs. John Barton, FBA, Oriel & Lang Professor of the Interpretation of Holy Scripture, Oriel College, Oxford The Songs of Ascents establishes a long-overdue link between the worlds of Biblical Studies and Near Eastern Archaeomusicology. Mitchell addresses the issue with great competence and meticulousness. He has combined researches on both church and synagogue musical traditions, and depicts a credible picture of how the psalms would have been sung in ancient Jerusalem. Richard Dumbrill, Professor of Near Eastern Archaeomusicology, University of London David Mitchell takes just one collection of fifteen psalms to recreate a scholarly and engaging account which brings together, in an original but careful way, the disciplines of the Hebrew language, psalmody, and music. For anyone interested in how the psalms functioned as ancient Temple Songs, and how this might apply to our appreciation of them in synagogues and churches today, this book is an absolute gem. Susan Gillingham, Professor of the Hebrew Bible, Worcester College, Oxford Since the publication of Suzanne Haȉk-Vantoura’s La musique de la Bible révélée in 1976 the quest to identify a musical interpretation of the Masoretic cantillation marks in the poetic biblical books has acquired some impetus. David Mitchell, combining musical expertise and biblical scholarship, has made in this monograph a significant contribution to this on-going quest. He identifies a persuasive chain of tradition which could support the view that the cantillations are a genuine representation of a musical tradition known to the Masoretes, but subsequently lost. Building on Haȉk-Vantoura’s work, and using as a test case the Gregorian tonus peregrinus for Psalm 114 (whose melody is echoed in both Sephardic and Ashkenazi melodies for the same Psalm), he provides a musical understanding of the cantillations which transfers into explicit musical directions (which he reproduces) for each of the Psalms of Ascents. This study deserves to be taken very seriously indeed. Dr Alastair Hunter, Glasgow University. Society of Old Testament Studies Book Review 2016 David Mitchell’s book contains a broad range of explorations of these fifteen psalms, which betrays engagement with many pertinent questions about the Psalms, worship in the Jerusalem Temples, and ancient music. Mitchell’s reading is thorough and eclectic, his thinking is imaginative and novel, and his writing engaging and thought-provoking….This is an enjoyable book for a musician and Psalms scholar. Dr Megan Daffern, Chaplain, Jesus College, Oxford. Expository Times Book Review 2017 This study, in a unique combination of psalter exegesis, historical localization, and music-historical observations, reveals the thesis that Psalms 120-134 were redacted between 975 and 959 BC for the consecration of Solomon’s Temple on 15 Ethanim (Tishri) 959 BC, and that one of each of these 15 psalms was sung during the Succoth festival on the 15 steps of the Temple of Jerusalem. The author proposes that the poets of these psalms were David (for Ps. 122, 124, 131, and 133), Solomon (for Psalm 127), and, by virtue of its Aramaic coloring, Jeduthun and the Merarite Levites (Ps. 120, 121, 123, 125, 126, 130, and 132). In these attributions, and in the reconstruction of the original chant, Mitchell draws on the masoretic cantillation, on rabbinic and early Christian sources on psalmody, on ancient oriental representations of musicians and instruments, and also on gematria. Professor Markus Witte, Lehrstuhl für Exegese und Literaturgeschichte des Alten Testaments, Humboldt-Universität, Berlin. Zeitschrift für die alttestamentlichen Wissenschaft Book Review, June 2017
Download or read book Music in Ancient Israel Palestine written by Joachim Braun and published by Wm. B. Eerdmans Publishing. This book was released on 2002 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contains the first study of the musical culture of ancient Israel/Palestine based primarily on the archaeological record. Noted musicologist Joachim Braun explores the music of the Holy Land region of the Middle East, tracing its form and development from its beginning in the Stone Age to the fourth century A.D. This is not a study of music in the Bible or music in biblical times but a unique, in-depth investigation of the historical periods and cultures that influenced the music of the region and its people. Braun combines significant archaeological findings -- musical instruments, terra cotta and metal figures, etched stone illustrations, mosaics -- with evidence drawn from written (mainly biblical) texts and anthropological, sociological, and linguistic sources. The portrait Braun assembles of this past musical world is both fascinating and innovative, suggesting a reconsideration of many views long accepted by tradition. Enhanced with numerous illustrations and photographs that bring the archaeological evidence to life, this exceptional work will be a valued resource for scholars, students, and general readers interested in the history of music, biblical studies, Jewish studies, and the cultures of the ancient Near East.
Download or read book A Compendium of Musical Instruments and Instrumental Terminology in the Bible written by Yelena Kolyada and published by Routledge. This book was released on 2014-12-18 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'A Compendium of Musical Instruments and Instrumental Terminology in the Bible' draws on extensive historical research, comparative linguistic analysis and musical study to offer the first compilation of its kind. The volume examines the entire range of musical instruments in the Bible - stringed, wind and percussion - drawing on ancient and modern translations of the Bible and the works of rabbinic teachers, Church Fathers and medieval, renaissance and contemporary scholars. The book offers a historical survey of Hebrew instrumental music - its origins and links with neighbouring cultures, the role of instruments in the religious, social, public and private life of ancient Israel, and the system of musical education - and explores the understanding of Hebrew musical instruments in post-biblical times. This comprehensive volume will be invaluable to musicologists, archaeologists, theologians, historians, philologists and Bible translators, as well as general readers in the subject.
Download or read book The Archaeomusicology of the Ancient Near East written by Richard J. Dumbrill and published by Trafford Publishing. This book was released on 2005 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'This volume is a massive leap forward over any previous synthesis of the subject and includes at the very minimum so much information that its academic and scientific value is self evident. The freshness and profundity of Dumbrill's approach to the subject exceeds anything attempted before. 'The mythology of ancient Mesopotamia proves readable as tonal allegory when its numerology is decoded as tuning theory. By the third millennium BC both pentatonic and heptatonic tunings were quantified throughout the entire 12-tone gamut. Richard Dumbrill has documented the massive empirical experience with strings and pipes that makes this early musicalization of the universe believable.' The volume consists in 4 parts with foreword by Prof. Ernest McClain. The first is about the decipherment, translation and interpretation of the few theoretical cuneiform texts dating from the Old Babylonian period, about 2000 BC, to Neo Assyrian up to the mid first millennium BC. Dumbrill undertakes comparative analyses and criticism of various interpretations having preceded his own and introduces new material. The second part is about the Hurrian hymns, the earliest music ever written, circa 1400 BC, and are produced in their integrality. Attempts to the interpretation of Hymn H.6 are compared and followed by Dumbrill's methodology and interpretation. Each fragment of the collection is analyzed separately. The part concludes with statistical analyses attempting at the reconstruction of some Hurrian rules of composition. The third part consists in the organology with relevant philology and is the largest collection of the Mesopotamian instrumentarium. The last part is a unique lexicon of all known Mesopotamian terminology, with quotation of texts in which the philology appears. The book had been previously published under the title of 'The Musicology and Organology of the Ancient Near East' and now appears under its new title.
Download or read book Al Kanfei Yonah written by Michael Stone and published by BRILL. This book was released on 2022-11-28 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: These volumes contain most of the papers of the late Jonas C. Greenfield written in English, with source and lexeme indexes, and is intended for scholars and students of the Ancient Near East, Aramaic, Hebrew Bible, Dead Sea Scrolls, and Semitic philology. Greenfield published numerous articles in a wide range of journals, some of them fairly inaccessible. He himself had begun to collect his papers, with the aim of revising and republishing them, when his sudden death intervened. It is the privilege of the editors, two close friends of Greenfield and one of his former students, to present this collection to the public. This collection shows the wealth, breadth, and creativity of Greenfield’s substantial scholarship, as well as his desire to collaborate with his colleagues in academic pursuits.The print edition is available as a set of two volumes (9789004121706).
Download or read book Listening to the Artifacts written by Theodore W. Burgh and published by A&C Black. This book was released on 2006-05-24 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Burgh examines the ways that music shaped the culture of ancient Israel/Palestine. >
Download or read book From Hittite to Homer written by Mary R. Bachvarova and published by Cambridge University Press. This book was released on 2016-03-10 with total page 691 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book takes a bold new approach to the prehistory of Homeric epic, arguing for a fresh understanding of how Near Eastern influence worked.
Download or read book Ancient Greek Music written by Stefan Hagel and published by Cambridge University Press. This book was released on 2009-12-17 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book endeavours to pinpoint the relations between musical, and especially instrumental, practice and the evolving conceptions of pitch systems. It traces the development of ancient melodic notation from reconstructed origins, through various adaptations necessitated by changing musical styles and newly invented instruments, to its final canonical form. It thus emerges how closely ancient harmonic theory depended on the culturally dominant instruments, the lyre and the aulos. These threads are followed down to late antiquity, when details recorded by Ptolemy permit an exceptionally clear view. Dr Hagel discusses the textual and pictorial evidence, introducing mathematical approaches wherever feasible, but also contributes to the interpretation of instruments in the archaeological record and occasionally is able to outline the general features of instruments not directly attested. The book will be indispensable to all those interested in Greek music, technology and performance culture and the general history of musicology.
Download or read book Mesopotamian Mathematics 2100 1600 BC written by Eleanor Robson and published by Oxford University Press. This book was released on 1999 with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mathematics was integral to Mesopotamian scribal culture: indeed, writing was invented towards the end of the fourth millennium B.C. for the express purpose of recording numericalatical information. The main body of this book is a mathematical and philological discussion of the two hundred technical constants, or "coefficients," found in early second millennium mathematics. Their names and mathematical functions are established, leading to improved interpretations of several large mathematical topics. The origins of many coefficients--and much of the more practical mathematics--are traced to late third millennium accounting and quantity surveying practices. Finally, the coefficients are used to examine some aspects of mathematics education in early Mesopotamia.
Download or read book A Cultural History of the Arabic Language written by Sharron Gu and published by McFarland. This book was released on 2013-10-11 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: This history of literary Arabic describes the evolution of Arabic poetry and prose in the context of music, ritual performance, the arts and architecture. The thousands-of-years-old language is perhaps more highly developed and refined than any other on earth. This book focuses on what is unique about Arabic compared to other major languages of the world (Greek, Latin, Hebrew, English and Spanish) and how the distinct characteristics of Arabic took shape at various points in its history. The book provides a cultural background for understanding social and political institutions and religious beliefs--more influenced by the rhythms and depths of poetic language than other cultures--in the Middle East today.
Download or read book private archives of Ugarit The A functional analysis written by Gregorio del Olmo Lete and published by Edicions Universitat Barcelona. This book was released on 2018-11-04 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first impression one gains from a summary overview of the epigraphic finds from the tell of Ras Shamra is one of an ancient city packed with written documentation: from the Royal Palace, with its huge archives, to everywhere in the center and around the northern and southern parts of the town, collections of texts were held in private archives. Any place that an archaeological sounding was made, a more or less significant set of written documents has been found. Ugarit, even more so than the great capital cities of Mesopotamia and Anatolia, appears in this regard to be a paradigm of the triumph of writing as a decisive instrument in the cultural and economic development of the ancient Near East. Indeed, with its twelve public and private archives, Ugarit could rightly be labeled “the endless archive”.
Download or read book Towards a Global Music History written by Mark Hijleh and published by Routledge. This book was released on 2018-12-07 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do we explain the globalized musical world in which we find ourselves in the early 21st century and how did we arrive here? This extraordinary book outlines an understanding of the human musical story as an intercultural—and ultimately a transcultural—one, with travel and trade as the primary conditions and catalysts for the ongoing development of musical styles. Starting with the cultural and civilizational precedents that gave rise to the first global trading and travel network in both directions across the Afro-Eurasian Old World Web in the form of the Silk Road, the book proceeds to the rise of al-Andalus and its influence on Europe through the Iberian peninsula before considering the fusion of European, African and indigenous musics that emerged in the Americas between c1500-1920 as part of Atlantic culture and the New World Web, as well as the concurrent acceleration of globalism in music through European empires and exoticism. The book concludes by examining the musical implications of our current Age of Instantaneous Exchange that technology permits, and by revisiting the question of interculturality and transculurality in music.
