Download or read book A History of Music in Western Culture written by Mark Evan Bonds and published by Pearson. This book was released on 2010 with total page 704 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Music in Western Culture 3/e is based on the premise that the best way to convey the history of Western music is to focus squarely on the music. Organized around a carefully selected repertory of works, this text integrates the requisite names, dates, and concepts around specific compositions. Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition. Even more importantly, they will have a sound basis from which to explore other musical works and repertories. This text builds its narrative around the core repertory represented in the Anthology of Scores and the corresponding sets of compact discs.
Download or read book A History of Music in Western Culture written by Mark Evan Bonds and published by Pearson. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Music in Western Culture, 4/e is based on the premise that the best way to convey the history of Western music is to focus on specific works of music. The text is structured around a carefully selected repertory of music that reflects the development of the art form throughout time. Mark Evan Bonds helps readers gain a broad understanding of the nature of music, its role in society, and the ways in which these have changed over time. A History of Music in Western Culture challenges students to think critically about the nature of music and its past. Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition. -- Amazon.com.
Download or read book Music in Western Civilization written by Paul Henry Lang and published by W. W. Norton & Company. This book was released on 1997 with total page 1158 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive history of occidental music focuses on the function of music as an expression of the spirit and artistic life of each age.
Download or read book A History of Music in Western Culture written by and published by . This book was released on 2000 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Western Music written by Donald Jay Grout and published by . This book was released on 1996 with total page 862 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A History of Music in Western Culture written by and published by . This book was released on 2006 with total page 701 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Tonality in Western Culture written by Richard Norton and published by Penn State University Press. This book was released on 1984 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book initiates "the first critical appraisal of the whole of Western tonal consciousness, from the discoveries of Pythagoras to the latest popular song." While tonality has been unwittingly championed as the product of the bourgeois age in Europe and America from 1600 to 1900, Norton states, key-centered music is understood here merely to exhibit components of an encompassing sonic expressivity as durable as any language. The author analyzes fundamental components of Western tonal phenomena that have persisted in music from ancient Jewish cantillation to the so-called atonal procedures of the Schoenberg school and beyond. Norton isolates the role of traditional music theory in the creation of models that attempted to explain tonality solely in terms of the concretized and limited objectivity of the musical score. The author evaluates and discards those features of logical positivism, scientific empiricism, idealism, and vitalism that in his view have encumbered virtually all speculation on tonality. With this negation, his aim is to restore the composer as a creator subject to his own sonic object. The book's approach is particularly indebted to the thought of Theodor Adorno, the member of the Frankfurt School of critical theorists that Norton finds most capable of suggesting an authentic dialectic of tonality. The author interprets the activities of both theorists and composers from various periods within the context of their mutual and conflicting historical interests. Ranging through the fields of physics, acoustics, psychology, sociology, economics, and historical musicology and criticism, Norton demonstrates that the cognitive abilities and disabilities of humans as tonal hearers form a necessary ground for understanding the remarkable vitality of tonality as historical process. Current theories of human tonal activity are hopelessly limited, the book concludes, however self-preserving they have become through the sanction of academic respectability. In short, tonal science, as it is commonly practiced, is not tonal truth. In its place the author urges a thoroughgoing critique of the language and methodology of contemporary tonal speculation, an abandonment of its confining sphere of interest, and a new and liberating approach to tonal consciousness that incorporates all relevant data of human sonic cognition. This approach assumes that tonality is not merely the result of the physical unfolding of natural appearance--the overtone series that so enchanted Rameau, Schenker, Hindemith, and others--and the submission of composers to its assumed authority. Tonality is, rather, Norton contends, a decision made against the chaos of pitch and for the human potential to create works of music that speak with integrity and beauty, that as aesthetic creations neither lag behind nor rush ahead of human enjoyment and understanding.
Download or read book Western Music and Its Others written by Georgina Born and published by Univ of California Press. This book was released on 2000 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: "[Western Music and Its Others] will be taken as an important book signalling a new turn within the field. It takes the best features of traditional, rigorous scholarship and brings these to bear upon contemporary, more speculative questions. The level of theoretical sophistication is high. The studies within it are polemical and timely and of lasting scholarly value."--Will Straw, co-editor of Theory Rules: Art as Theory/ Theory and Art "The great value of this collection lies in the wealth of questions that it raises--questions that together crystallize the recent concerns of musicology with force and clarity. But it also lies in the authors' resistance to the easy 'postmodernist' answers that threaten to turn new musicology prematurely grey. The editors' comprehensive, intellectually adventurous introduction exemplifies the sort of eager yet properly skeptical receptivity to scholarly innovation that fosters lasting disciplinary reform. It alone is worth the price of the book." --Richard Taruskin, author of Stravinsky and the Russian Traditions: A Biography of the Works Through " Mavra" "When cultural-studies methods first appeared in musicology 15 years ago, they triggered a storm of polemics that sometimes overshadowed the important issues being raised. As the canon wars recede, however, scholars are finding it possible to focus on the concerns that led them to cultural criticism in the first place: the study of music and its political meanings. Western Music and Its Others brings together leading musicologists, ethnomusicologists, and specialists in film and popular music to explore the ways European and North American musicians have drawn on or identified themselves in tension with the musical practices of Others. In a series of essays ranging from examination of the Orientalist tropes of early 20th-century Modernists to the tangled claims for ownership in today's World Music, the authors in this collection greatly advance both our knowledge of specific case studies and our intellectual awareness of the complexity and urgency of these problems. A timely intervention that should help push music studies to the next level." --Susan McClary, author of Conventional Wisdom: The Content of Musical Form (2000) "This collection provides a sophisticated model for using theory to interrogate music and music to interrogate theory. The essays both take up and challenge the dominance of notions of representation in cultural theory as they explore the relevance of the concepts of hybridity and otherness for contemporary art music. Sophisticated theory, erudite scholarship and a very real appreciation for the specificities of music make this a powerful and important addition to our understanding of both culture and music." --Lawrence Grossberg, author of Dancing in Spite of Myself
Download or read book Popular Musics of the Non Western World written by Peter Manuel and published by Oxford University Press, USA. This book was released on 1988 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emphasizing stylistic analysis and historical development, this unique book is the first to examine all major non-Western music styles, from reggae and salsa to the popular musics of non-Western Europe, Asia, Africa, and the Middle East.
Download or read book A History of Western Music written by Donald Jay Grout and published by . This book was released on 1993 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Locating East Asia in Western Art Music written by Yayoi Uno Everett and published by Wesleyan University Press. This book was released on 2004-02-12 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does a piece of music embody the sound of a different culture?
Download or read book Music in the Western World written by Piero Weiss and published by Schirmer Books. This book was released on 2008 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pt. 1. The heritage of antiquity -- pt. 2. The Middle Ages -- pt. 3. The Renaissance -- pt. 4. The Baroque -- pt. 5. The pre-classical period -- pt. 6. The classical period -- pt. 7. The later nineteenth century : romanticism and other preoccupations -- pt. 8. The twentieth century -- pt. 9. The recent, past, and the present.
Download or read book History of Music in Western Culture written by Mark Evan Bonds PhD and published by Pearson Higher Ed. This book was released on 2013-01-23 with total page 689 pages. Available in PDF, EPUB and Kindle. Book excerpt: Learn the History of Music, through Music. A History of Music in Western Culture, 4/e is based on the premise that the best way to convey the history of Western music is to focus on specific works of music. The text is structured around a carefully selected repertory of music that reflects the development of the art form throughout time. Mark Evan Bonds helps readers gain a broad understanding of the nature of music, its role in society, and the ways in which these have changed over time. A History of Music in Western Culture challenges students to think critically about the nature of music and its past. Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition. Students will have a sound basis from which to explore other musical works. This text builds its narrative around the core repertory represented in the Anthology of Scores and the corresponding sets of compact discs. Learning Goals Upon completing this book, students will be able to: Grasp the evolution of musical style and music's changing uses within the Western tradition. Have a sound basis from which to explore other musical works. Gain a better understanding of the nature of music NOTE: MySearchLab does not come automatically packaged with this text. To purchase the text with MySearchLab, order the package ISBN: 0205940730 / 9780205940738 History of Music in Western Culture Plus MySearchLab with Pearson eText - Access Card Package Package consists of: 0205239927 / 9780205239924 MySearchLab with Pearson eText -- Valuepack Access Card 0205867227 / 9780205867226 History of Music in Western Culture
Download or read book The Oxford History of Western Music Music in the Nineteenth Century written by Richard Taruskin and published by Oxford University Press. This book was released on 2009-08-27 with total page 840 pages. Available in PDF, EPUB and Kindle. Book excerpt: The universally acclaimed and award-winning Oxford History of Western Music is a magisterial five-volume survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time, Richard Taruskin.Now this renowned work is available in paperback - both as a set and (for the first time) individually. This volume examines the music of the nineteenth century, ranging from Schubert and Berlioz to Wagner, Verdi, and Brahms. Taking a critical perspective, Taruskin sets the details of music, thechronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. He combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporariesheard and understood it. He also describes how the context of each stylistic period - key cultural, historical, social, economic, and scientific events - influenced and directed compositional choices.Attractively illustrated and laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this volume is essential reading for anyone who wishes to understand nineteenth-centurymusic.
Download or read book Music in the Nineteenth Century written by Walter Frisch and published by Western Music in Context: A No. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth-century music in its cultural, social, and intellectual contexts. Music in the Nineteenth Century examines the period from the Congress of Vienna in 1815 to the advent of Modernism in the 1890s. Frisch traces a complex web of relationships involving composers, performers, publishers, notated scores, oral traditions, audiences, institutions, cities, and nations. The book's central themes include middle-class involvement in music, the rich but elusive concept of Romanticism, the cult of virtuosity, and the ever-changing balance between musical and commercial interests. The final chapter considers the sound world of nineteenth-century music as captured by contemporary witnesses and early recordings. Western Music in Context: A Norton History comprises six volumes of moderate length, each written in an engaging style by a recognized expert. Authoritative and current, the series examines music in the broadest sense--as sounds notated, performed, and heard--focusing not only on composers and works, but also on broader social and intellectual currents.
Download or read book Recorded anthology for A history of music in western culture written by Naxos and published by Prentice Hall. This book was released on 2003-09-08 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music after the Fall written by Tim Rutherford-Johnson and published by Univ of California Press. This book was released on 2017-02-01 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: "...the best extant map of our sonic shadowlands, and it has changed how I listen."—Alex Ross, The New Yorker "...an essential survey of contemporary music."—New York Times "…sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound."—The Wire 2017 Music Book of the Year—Alex Ross, The New Yorker Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.
