Download or read book Foundations of Musical Grammar written by Lawrence Michael Zbikowski and published by Oxford University Press. This book was released on 2017 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: How is it that humans are able to organize seemingly random sounds into the captivating sonic structures we call music? In this volume, Lawrence M. Zbikowski argues that humans' unique ability to correlate sounds with dynamic processes provides the basis for the construction of meaningful musical utterances - that is, a foundation for musical grammar. Building on a framework for grammar developed by cognitive linguists over the past three decades and the pathbreaking research set out in his earlier book, Conceptualizing Music (OUP 2002), Zbikowski explains how the ability to draw analogies between widely differing domains allowing humans to connect sequences of musical sounds with emotion processes, physical gestures, and the steps of dance. He shows how these connections underpin an evocative movement from a cantata by J.S. Bach, guide our understanding of gestural choreographies by Fred Astaire and Charlie Chaplin, and frame connections between movement and music in French courtly dance and the Viennese waltz. Through thorough surveys of research in cognitive science and careful analyses of works by composers ranging from Bach, Brahms, and Schubert to Jerome Kern, Zbikowski explores the unique resources for communication offered by music and examines how these differ from those of language. Foundations of Musical Grammar is sure to be an instant - and enticingly controversial - classic within the evolving literature addressing the many complex intersections of music and language. -- from dust jacket.

Download or read book A Grammar of Music written by Thomas Busby and published by . This book was released on 1818 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A grammar of music to which are prefixed observations explanatory of the properties and powers of music as a science etc written by Thomas Busby and published by . This book was released on 1818 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A grammar of music written by Carl Th Kühne and published by . This book was released on 1880 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Grammar of Music written by Thomas Busby and published by . This book was released on 1818 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Grammar of Music written by Thomas Busby and published by Forgotten Books. This book was released on 2017-07-14 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from A Grammar of Music: To Which Are Prefixed Observations Explanatory of the Properties and Powers of Music as a Science; And of the General Scope and Object of the Work Had not Dr. O.'s respectable Ivor]; (respectable as the first production of the kind) proved deficient in some material points, and, perhaps, too dry and anti quated in its plan and style, to, be inviting to juvenile readers, this undertaking had been unnecessary. The former perform ance, however, is entitled to the praise of having opened a new door to musical intelligence; and, by realizing much, has shewn how much more might be efl'ected. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Download or read book A Grammar of Music Second edition written by Thomas BUSBY and published by . This book was released on 1826 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Practical Grammar of Music Etc With Musical Notes written by W. HARKER (Writer on Music.) and published by . This book was released on 1830 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music Language and the Brain written by Aniruddh D. Patel and published by Oxford University Press. This book was released on 2010-06-01 with total page 526 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first comprehensive study of the relationship between music and language from the standpoint of cognitive neuroscience, Aniruddh D. Patel challenges the widespread belief that music and language are processed independently. Since Plato's time, the relationship between music and language has attracted interest and debate from a wide range of thinkers. Recently, scientific research on this topic has been growing rapidly, as scholars from diverse disciplines, including linguistics, cognitive science, music cognition, and neuroscience are drawn to the music-language interface as one way to explore the extent to which different mental abilities are processed by separate brain mechanisms. Accordingly, the relevant data and theories have been spread across a range of disciplines. This volume provides the first synthesis, arguing that music and language share deep and critical connections, and that comparative research provides a powerful way to study the cognitive and neural mechanisms underlying these uniquely human abilities. Winner of the 2008 ASCAP Deems Taylor Award.

Download or read book A Musical Grammar in Four Parts written by John Wall Callcott and published by . This book was released on 1809 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Grammar of Music written by Thomas Busby and published by . This book was released on 2013 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Grammar of Music written by T. Busby and published by . This book was released on 1818 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Musical Grammar in Four Parts written by John Wall Callcott and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic work on music theory and composition first appeared in the late 18th century and has remained a popular resource for composers and musicians ever since. The book provides an in-depth analysis of the essential elements of music, including melody, harmony, and rhythm. It is a must-read for anyone interested in the theory and practice of music composition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Download or read book A Musical Grammar in Four Parts written by John Wall Callcott and published by . This book was released on 1809 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Musical Grammar in Four Parts written by John Wall Callcott and published by Nabu Press. This book was released on 2014-02 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ A Musical Grammar, In Four Parts: I. Notation, II. Melody, III. Harmony, IV. Rhythm 3 John Wall Callcott R. Birchall, 1817 Music; Instruction & Study; Theory; Music; Music / Instruction & Study / Theory

Download or read book A Grammar of Musical Harmony the Substance of Lectures Delivered in St Martin s Hall and the Training Institutions of the National Society written by John Pyke Hullah and published by . This book was released on 1852 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music and Sentiment written by Charles Rosen and published by Yale University Press. This book was released on 2010-06-29 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does a work of music stir the senses, creating feelings of joy, sadness, elation, or nostalgia? Though sentiment and emotion play a vital role in the composition, performance, and appreciation of music, rarely have these elements been fully observed. In this succinct and penetrating book, Charles Rosen draws upon more than a half century as a performer and critic to reveal how composers from Bach to Berg have used sound to represent and communicate emotion in mystifyingly beautiful ways.Through a range of musical examples, Rosen details the array of stylistic devices and techniques used to represent or convey sentiment. This is not, however, a listener’s guide to any “correct” response to a particular piece. Instead, Rosen provides the tools and terms with which to appreciate this central aspect of musical aesthetics, and indeed explores the phenomenon of contradictory sentiments embodied in a single motif or melody. Taking examples from Chopin, Schumann, Wagner, and Liszt, he traces the use of radically changing intensities in the Romantic works of the nineteenth century and devotes an entire chapter to the key of C minor. He identifies a “unity of sentiment” in Baroque music and goes on to contrast it with the “obsessive sentiments” of later composers including Puccini, Strauss, and Stravinsky. A profound and moving work, Music and Sentiment is an invitation to a greater appreciation of the crafts of composition and performance.