Download or read book Catalogue of Printed Music in the Library of the Royal College of Music London written by Royal College of Music (Great Britain) and published by . This book was released on 1909 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum written by British Museum. Department of Printed Books and published by . This book was released on 1912 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum A K v 2 L Z and First supplement written by British Museum. Department of Printed Books and published by . This book was released on 1912 with total page 788 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Allen A Brown Collection of Music in the Public Library of the City of Boston written by Boston Public Library. Allen A. Brown Collection of Music and published by . This book was released on 1912 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The War of the Nations written by William Le Queux and published by . This book was released on 1916 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Musical News and Herald written by and published by . This book was released on 1913 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The War of the Nations written by and published by . This book was released on 1916 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Harvest Home A Comic Opera etc written by Charles Dibdin and published by . This book was released on 1787 with total page 38 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Catalogue of Printed Music in the British Library to 1980 written by British Library. Department of Printed Books and published by . This book was released on 1981 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of music instrumental and vocal etc 1852 written by and published by . This book was released on 1852 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Operas of Giacomo Meyerbeer written by Robert Ignatius Letellier and published by Fairleigh Dickinson Univ Press. This book was released on 2006 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: But these operas are far more than imitations: they show an apprehension of convention and genre that is nothing less than a dismantling of accepted formulas, and a highly original reconstruction of them."--Jacket.

Download or read book Musical News written by and published by . This book was released on 1913 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music Entries at Stationers Hall 1710 1818 written by Michael Kassler and published by Routledge. This book was released on 2016-04-29 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.

Download or read book The International Cyclopedia of Music and Musicians written by Oscar Thompson and published by . This book was released on 1975 with total page 2506 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A favorite Overture for the Pianoforte etc No 1 written by John Gildon and published by . This book was released on 1815 with total page 6 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Liberty Hall or the Test of Good Fellowship a Comic Opera etc written by Charles Dibdin and published by . This book was released on 1785 with total page 46 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Giacomo Meyerbeer written by Marco Clemente Pellegrini and published by Cambridge Scholars Publishing. This book was released on 2008-10-01 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Guide has resulted from years of research on the papers and music of Giacomo Meyerbeer, and aims to provide a bibliographical aid and point of reference for further research. The first part presents the private papers connected to the composer and his principal librettist, Eugène Scribe—both archival and printed, with working papers and correspondence, as found in Berlin, Paris and some of the famous libraries of the world. The body of Part 2 draws together all the known resources on Meyerbeer's life and historical reputation—from full scale biographies and entries in reference books, through critical discussions to website resources to records of symposia. The third part provides material about his background with its unique mixture of Jewish and Prussian elements, the powerful role of the city of Berlin in his life and work. The fourth part lists bibliographic material for Meyerbeer's music, looking at his operas, grouped as German, Italian and French, with each individual entry providing a record of the scores available, both modern and historical, the various arrangements made from the operas during the heyday of their popularity, reviews of modern performances, discography, and bibliography of studies and publications pertinent to the wider cultural and historical contexts of the works. The next two sections constitute an extended record of material pertinent to the contemporaries of Meyerbeer. In the fifth section are select bibliographies of composers, authors, artists, performers, politicians, those who played some part in the composer's life, or anyone of significance in his wider contemporary circumstances. This is continued in the sixth part where the cultural and aesthetic elements of the composer's milieu, or life in the theatre during seventy years of the nineteenth century, are listed. The seventh part adds a bibliography of social and historical background, where the incidental issues of Judaism in nineteenth-century Europe, and the wider political, historical and geographical circumstances of Meyerbeer's life, his relentless travelling, and closely recorded experiences in Germany, France, Italy, Belgium, England, and Austria. The eighth section provides a thematic key to this extensive material. Part 9 provides an extended tripartite series of lists of the published scores, arrangements and some special studies of Meyerbeer over the period 1820 to 2005—in alphabetical, chronological and thematic ordering. The last two sections furnish the modern equivalent of this record of Meyerbeer and his compositions, showing in Part 11 the list of performances of his operas since the Second World War, and in Part 12, listing the recordings of the operas, both commercial and private, for the same period. The thirteenth and last section is iconographical, pictures that represent an interesting survey of the popular response to Meyerbeer in the 19th century.