Download or read book A Correspondence of Renaissance Musicians written by Bonnie J. Blackburn and published by . This book was released on 1991 with total page 1128 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book comprises an edition of the Spataro Correspondence, so called after its main author, the Bolognese music theorist Giovanni Spataro (c. 1459-1541). Spataro's main correspondents were Giovanni del Lago and Pietro Aaron. The 110 letters, which survive in the Biblioteca ApostolicaVaticana and the Bibliotheque Nationale, offer a vivid insight into the intellectual world of a group of sixteenth-century music theorists and performing musicians living in Italy. With this edition an important body of source material now becomes readily available. Each letter appears in its entirety in the original Italian, with a full English summary, commentary, and notes. A reference section includes a biographical dictionary and explanatory notes on problematic terms.
Download or read book Reading Renaissance Music Theory written by Cristle Collins Judd and published by Cambridge University Press. This book was released on 2000-11-30 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: Enth. u.a. "The polyphony of Heinrich Glarean's 'Dodecachordon'" (S. 115-176).
Download or read book Music and Riddle Culture in the Renaissance written by Katelijne Schiltz and published by Cambridge University Press. This book was released on 2015-04-23 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: The culture of the enigmatic from Classical Antiquity to the Renaissance -- Devising musical riddles in the Renaissance -- The reception of the enigmatic in music theory -- Riddles visualised.
Download or read book Music Education in the Middle Ages and the Renaissance written by Susan Forscher Weiss and published by Indiana University Press. This book was released on 2010-07-16 with total page 424 pages. Available in PDF, EPUB and Kindle. Book excerpt: What were the methods and educational philosophies of music teachers in the Middle Ages and the Renaissance? What did students study? What were the motivations of teacher and student? Contributors to this volume address these topics and other -- including gender, social status, and the role of the Church -- to better understand the identities of music teachers and students from 650 to 1650 in Western Europe. This volume provides an expansive view of the beginnings of music pedagogy, and shows how the act of learning was embedded in the broader context of the early Western art music tradition.
Download or read book Musical Theory in the Renaissance written by CristleCollins Judd and published by Routledge. This book was released on 2017-07-05 with total page 631 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays draws together recent work on historical music theory of the Renaissance. The collection spans the major themes addressed by Renaissance writers on music and highlights the differing approaches to this body of work by modern scholars, including: historical and theoretical perspectives; consideration of the broader cultural context for writing about music in the Renaissance; and the dissemination of such work. Selected from a variety of sources ranging from journals, monographs and specialist edited volumes, to critical editions, translations and facsimiles, these previously published articles reflect a broad chronological and geographical span, and consider Renaissance sources that range from the overtly pedagogical to the highly speculative. Taken together, this collection enables consideration of key essays side by side aided by the editor‘s introductory essay which highlights ongoing debates and offers a general framework for interpreting past and future directions in the study of historical music theory from the Renaissance.
Download or read book Music of the Renaissance written by Laurenz Lütteken and published by Univ of California Press. This book was released on 2019-02-12 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Where previous accounts of the Renaissance have not fully acknowledged the role that music played in this decisive period of cultural history, Laurenz Lütteken merges historical music analysis with the analysis of the other arts to provide a richer context for the emergence and evolution of creative cultures across civilizations. This fascinating panorama foregrounds music as a substantial component of the era and considers musical works and practices in a wider cultural-historical context. Among the topics surveyed are music's relationship to antiquity, the position of music within systems of the arts, the emergence of the concept of the musical work, as well as music's relationship to the theory and practice of painting, literature, and architecture. What becomes clear is that the Renaissance gave rise to many musical concepts and practices that persist to this day, whether the figure of the composer, musical institutions, and modes of musical writing and memory.
Download or read book Tactus Mensuration and Rhythm in Renaissance Music written by Ruth I. DeFord and published by Cambridge University Press. This book was released on 2015-04-23 with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ruth I. DeFord offers new insights on Renaissance theories of rhythm and their application to the analysis and performance of music.
Download or read book The Science and Art of Renaissance Music written by James Haar and published by Princeton University Press. This book was released on 2014-07-14 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music. In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Download or read book Secular Renaissance Music written by Sean Gallagher and published by Routledge. This book was released on 2017-07-05 with total page 689 pages. Available in PDF, EPUB and Kindle. Book excerpt: Secular music of the fifteenth and sixteenth centuries encompasses an extraordinarily wide range of works and practices: courtly love songs, music for civic festivities, instrumental music, entertainments provided by minstrels, the unwritten traditions of solo singing, and much else. This collection of essays addresses many of these practices, with a focus on polyphonic settings of vernacular texts, examining their historical and stylistic contexts, their transmission in written and printed sources, questions of performance, and composers approaches to text setting. Essays have been selected to reflect the wide range of topics that have occupied scholars in recent decades, and taken together, they point to the more general significance of secular music within a broad complex of cultural practices and institutions.
Download or read book Renaissance Music written by Kenneth Kreitner and published by Routledge. This book was released on 2017-07-05 with total page 545 pages. Available in PDF, EPUB and Kindle. Book excerpt: We know what, say, a Josquin mass looks like?but what did it sound like? This is a much more complex and difficult question than it may seem. Kenneth Kreitner has assembled twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history.
Download or read book Papal Music and Musicians in Late Medieval and Renaissance Rome written by Richard Sherr and published by Clarendon Press. This book was released on 1998-05-21 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book collects twelve of the papers given at a conference held at the Library of Congress, Washington D.C., on 1-3 April 1993, in conjunction with the exhibition `Rome Reborn: The Vatican Library and Renaissance Culture'. A group of distinguished scholars considered music in medieval and Renaissance Rome. The volume presents a series of wide-ranging and original treatments of music written for and performed in the papal court from the fourteenth to the sixteenth century. New discoveries are offered which force a radical reevaluation of the Italian papal court as a musical centre during the Great Schism. A series of motets for various popes are subject to close analysis. New interpretations and information are offered concerning the repertory of the papal chapel in the fifteenth and sixteenth centuries, the institutional life of the papal singers, and the individual biographies of singers and composers. Thought-provoking, even controversial, evaluations of the music of composers connected with, or thought to be connected with, Rome and the papal court, such as Ninot le Petit, Josquin, and Palestrina round out the volume.
Download or read book Patrons and Musicians of the English Renaissance written by David C. Price and published by Cambridge University Press. This book was released on 1981-02-05 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author examines the secular music of the late Renaissance period primarily through families of varying importance.
Download or read book Revisiting the Music of Medieval France written by Manuel Pedro Ferreira and published by Taylor & Francis. This book was released on 2023-05-31 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources. The first essay is a tour-de-force of detective work: an odd E-flat in two 16th-century antiphoners leads to the identification of a Gregorian responsory as a Gallican version of a seventh-century Hispanic melody. The second rediscovers a long-forgotten hypothesis concerning the microtonal character of some French 11th-century neumes. In the paper "Is it polyphony?" an even riskier hypothesis is arrived at: Do the origins of Aquitanian free organum lie on the instrumental accompaniment of newly composed devotional versus? The Cistercian attitude towards polyphonic singing, mirrored in musical sources kept in peripheral nunneries, is the subject of the following essay. The intellectual and sociological nature of the Parisian motet is the central concern of the following two essays, which, after a survey of concepts of temporality in the trouvère and polyphonic repertories, establish it as the conceptual foundation of subsequent European schools of composition. It is possible then to assess the real originality of Philippe de Vitry and his Ars nova, which is dealt with in the following chapter. A century later, the role of Guillaume Dufay in establishing a chord-based alternative to contrapuntal writing is laboriously put into evidence. Finally, an informative synthesis is offered concerning the mathematical underpinnings of musical composition in the Middle Ages.
Download or read book Tactus Mensuration and Rhythm in Renaissance Music written by Ruth I. DeFord and published by Cambridge University Press. This book was released on 2015-04-23 with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ruth I. DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c.1420 to c.1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each other to offer new interpretations of the writings of Renaissance music theorists. In the first part, DeFord presents the theoretical evidence, introduces the manuscript sources and explains the contradictions and ambiguities in tactus theory. The second part uses theory to analyse some of the best known repertories of Renaissance music, including works by Du Fay, Ockeghem, Busnoys, Josquin, Isaac, Palestrina, and Rore, and to shed light on composers' formal and expressive uses of rhythm. DeFord's conclusions have important implications for our understanding of rhythm and for the analysis, editing, and performance of music during the Renaissance period.
Download or read book St Anne in Renaissance Music written by Michael Alan Anderson and published by Cambridge University Press. This book was released on 2014-05-12 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michael Alan Anderson explores the political implications of music devoted to St Anne in the fifteenth and early sixteenth centuries.
Download or read book Essays on Renaissance Music in Honour of David Fallows written by Fabrice Fitch and published by Boydell Press. This book was released on 2011 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: New articles on du Fay and Desprez, on sacred and secular music, and reception history, form a fitting tribute to one of the field's foremost scholars. This volume celebrates the work of David Fallows, one of the most influential scholars in the field of medieval and Renaissance music. It draws together articles by scholars from around the world, focusing on key topics to which Fallows has contributed significantly: the life and works of Guillaume Du Fay and of Josquin Desprez, archival studies and biography, sacred and secular music of the late mediaeval and Renaissance period, and reception history. Studies include major archival discoveries concerning the identity of the composer Fremin Caron; a reconsideration of the authorship of works within the Josquin canon, notably Mille regretz and Absalon fili mi; a freshlook at key works from Du Fay's youth and early maturity; accounts of newly discovered sources and works; and an appraisal of David Fallows' contribution to the early music performance movement by Christopher Page, former directorof Gothic Voices. The collection also includes two newly published compositions dedicated to the honorand. Fabrice Fitch teaches at the Royal Northern College of Music; Jacobijn Kiel is an independent scholar. Contributors: Rob C. Wegman, Jane Alden, Bonnie J. Blackburn, Honey Meconi, Gianluca D'Agostino, Andrew Kirkman, Jaap van Benthem, Margaret Bent, James Haar, Alenjandro Enrique Planchart, Jesse Rodin, Lorenz Welker, Kinuho Endo, Joshua Rifkin, Thomas Schmidt-Beste, Richard Sherr, Peter Wright, Fabrice Fitch, Tess Knighton, Warwick Edwards, Adam Knight Gilbert, Markus Jans, Oliver Neighbour, Anthony Rooley, Keith Polk, John Milsom, Jeffrey J. Dean, EricJas, Peter Gülke, Iain Fenlon, Barbara Haggh, Dagmar Hoffmann-Axthelm, Leofranc Holford-Strevens, Andrea Lindmayr-Brandl, Esperanza Rodríguez-García, Eugeen Schreurs, Reinhard Strohm
Download or read book Music and Culture in Late Renaissance Italy written by Iain Fenlon and published by Oxford University Press. This book was released on 2002-12-05 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the role of music in the cultural, religious, and political upheavals of late Renaissance Italy, revealing how musical activity of all kinds was instrumentalized by those in power. Italian culture did not lose its vigour after 1530, but underwent a transformation.
