Download or read book A Comprehensive Study of Concerts in the 18th Century written by Edna Mae Gomberg and published by . This book was released on 1943 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and the Benefit Performance in Eighteenth Century Britain written by Matthew Gardner and published by Cambridge University Press. This book was released on 2019-10-31 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reveals how the musical benefit allowed musicians, composers, and audiences to engage in new professional, financial, and artistic contexts.
Download or read book Early Concert Life in America 1731 1800 written by Oscar George Theodore Sonneck and published by Forgotten Books. This book was released on 2015-06-26 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Early Concert-Life in America (1731-1800) With this book I attempt to lay the historical foundations of one important side of our country's musical life. Intended as a source-book, it is addressed to those seriously interested in musical history and it is cast in a form peculiar to source-books, which necessarily resemble mosaics and - mosaics are not to everybody's taste. While I have taken pains to leave as little dust as possible on these pages, I fear that they lack that literary brilliancy which makes, at first reading, even a poor book attractive. Those sterner critics who will take issue with me on that score I beg to remember how very difficult a task it is to turn a virgin-forest into a garden. On the other hand, as this work is addressed to the student more than to the amateur, his familiarity with the history of music in Europe was taken for granted. Therefore European conditions were discussed only where I disagreed with current doctrines, where a European background was necessary for the proper historical perspective, or, where danger-signals might be helpful. References to early opera in America were kept as brief as possible because I hope to complete a comprehensive essay on this subject before long. For the same reason, other topics, bearing indirectly on our early concert life, were kept in the background. Similarly, biographical and bibliographical data were included in so far only as they seemed called for or affected the biographical notes given in the index to my Bibliography of Early Secular American Music. In order to preserve as much of the eighteenth century flavor as possible, names have been spelled as they appeared in my sources and only, when it would have been cruel to let the reader wrestle with the printer's devil, have I adopted the form now commonly used. Probably it will also prevent confusion if I remark that, as a rule and for obvious reasons, not the earliest announcements but those nearest to the date fixed for the concert have been quoted. The data on concerts given in our country until 1750 have been published in form of a separate article in the New Music Review, 1906. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Download or read book Concert Life in Eighteenth Century Britain written by Susan Wollenberg and published by Routledge. This book was released on 2017-07-05 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.
Download or read book A Handbook for Studies in 18th century English Music written by Michael Burden and published by . This book was released on 1987 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and Culture in Eighteenth Century Europe written by Enrico Fubini and published by University of Chicago Press. This book was released on 1994-08-15 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book collects key writings about eighteenth century music . It brings together for the first time in one place, a wide selection of essential documents not only about music theory and practice, but about the historical, philosophical, aesthetic, ideological, and literary debates which held sway during a century when musical thought and criticism gained a privileged position in the culture of Europe. Enrico Fubini offers a sampling of English, French, German, and Italian writings on topics ranging from Enlightenment rationalism and the theories of harmony to German musical culture and the polemics on J. S. Bach. Organized by topic and historical period these selections go beyond writings dealing exclusively with specific musical works to larger issues of theory and the reception of musical ideas in the culture at large. The selections are from books, journals, newspapers, pamphlets, and letters; the contributors include Diderot, Rousseau, Voltaire, Grimm, Alfieri, Rameau, Quantz, Gluck, Tartini, Leopold and W. A. Mozart, and C. P .E. Bach. Many are translated here for the first time. With general and chapter introductions, restored footnotes, and other valuable annotations, and a biographical appendix, this anthology will interest music scholars, students, and teachers.
Download or read book Concert Life in Eighteenth century Britain written by Susan Wollenberg and published by Routledge. This book was released on 2004 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.
Download or read book Concert Life in London from Mozart to Haydn written by Simon McVeigh and published by Cambridge University Press. This book was released on 2006-11-02 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a detailed investigation of a lively and innovative period in London's cultural life.
Download or read book The Classical Era written by Professor Neal Zaslaw and published by Springer. This book was released on 2016-07-14 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the series examining the development of music in specific places during particular times, this book looks at the classical period, in Europe and America, from Vienna and Salzburg to the Iberian courts and Philadelphia.
Download or read book The Concerto and London s Musical Culture in the Late Eighteenth Century written by Thomas B. Milligan and published by . This book was released on 1983 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book George Smart and Nineteenth century London Concert Life written by John Carnelley and published by Boydell & Brewer. This book was released on 2015 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full length study of Sir George Thomas Smart (1776-1867), musical animateur and early champion of the music of Beethoven
Download or read book The Rise of Musical Classics in Eighteenth century England written by William Weber and published by Oxford University Press, USA. This book was released on 1992 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: The English invented the idea of the musical classics. Eighteenth-century England was the first place where old musical works were performed regularly and reverentially, and where a collective notion of such works--'ancient music'--first appeared. This is the first book to explore the formation of musical 'classics' in regard to repertory and social context. It examines the performance of old music in eighteenth-century England, from the interest in music of the Elizabethan period at the beginning of the century, through the performance of works by Henry Purcell, Arcangelo Corelli, and other English and Italian composers, and the development of festivals that featured choral-orchestral works of Purcell and Handel. It concludes with the establishment of the Concert of Antient Music in 1776, where the traditions of performing old works came together as a self-conscious canon focused upon the work of Handel. The book examines closely the political and social reasons for these developments. In addition, it shows how they laid the groundwork for the classical-music tradition of the nineteenth century.
Download or read book The Symphonic Repertoire Volume II written by A. Peter Brown and published by Indiana University Press. This book was released on 2024-03-29 with total page 745 pages. Available in PDF, EPUB and Kindle. Book excerpt: Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume II The First Golden Age of the Viennese Symphony Haydn, Mozart, Beethoven, and Schubert Volume II considers some of the best-known and most universally admired symphonies by Haydn, Mozart, Beethoven, and Schubert, who created what A. Peter Brown designates as the first golden age of the Viennese symphony during the late 18th and first three decades of the 19th century. The last two dozen symphonies by Haydn, half dozen by Mozart, and three by Schubert, together with Beethoven's nine symphonies became established in the repertoire and provided a standard against which every other symphony would be measured. Most significantly, they imparted a prestige to the genre that was only occasionally rivaled by other cyclic compositions. More than 170 symphonies from this repertoire are described and analyzed in The First Golden Age of the Viennese Symphony, the first volume of the series to appear.
Download or read book The Eighteenth Century French Cantata written by David Tunley and published by Oxford University Press. This book was released on 1997 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book, first published in 1974, has become the classic study of one of the most popular musical forms in early eighteenth-century France. It not only documents and examines a considerable repertoire for the first time, but it also places the genre in the wider context of both French and Italian baroque musical styles.
Download or read book The Classical Era written by Neal Zaslaw and published by Palgrave Macmillan. This book was released on 1989 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the series examining the development of music in specific places during particular times, this book looks at the classical period, in Europe and America, from Vienna and Salzburg to the Iberian courts and Philadelphia.
Download or read book Nineteenth century Music written by Jon W. Finson and published by Upper Saddle River, N.J. : Prentice Hall. This book was released on 2002 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: This up-to-date view of nineteenth-century classical music places a strong emphasis on the history of opera and on schematic representations of musical structure and form. The book presents a highly concise survey of nineteenth-century music tailored for the increasingly limited amount of time available to readers for the study of any one period, and focuses specifically on the central repertory heard today in the concert hall and at the opera house. The volume provides an overview and background information on nineteenth-century music including the Viennese ascendancy, musical drama in the first part of the nineteenth century, the styling of the avant-garde, operatic development from mid century, the life of the concert hall after mid century, the diversity of nationalism and the new language at century's end. For musicians and music lovers interested in an introduction to classical music.
Download or read book Music Making in North East England during the Eighteenth Century written by and published by Routledge. This book was released on 2017-07-05 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: The north-east of England in the eighteenth century was a region where many different kinds of musical activity thrived and where a wide range of documentation survives. Such activities included concert-giving, teaching, tuning and composition, as well as music in the theatre and in church. Dr Roz Southey examines the impulses behind such activities and the meanings that local people found inherent in them. It is evident that music could be perceived or utilized for extremely diverse purposes; as entertainment, as a learned art, as an aid to piety, as a profession, a social facilitator and a support to patriotism and nationalism. Musical societies were established throughout the century, and Southey illustrates the social make-up of the members, as well as the role of Gentlemen Amateurs in the organizing of concerts, and the connections with London and other centres. The book draws upon a rich selection of source material, including local newspapers, council and ecclesiastical records, private papers and diaries and accounts of local tradesman, as well as surviving examples of music composed in the area by Charles Avison, Thomas Ebdon and John Garth of Durham, amongst many others. Charles Avison's importance is focused upon particularly, and his Essay on Musical Expression is considered alongside other contemporary writings of lesser fame. Southey provides a fascinating insight into the type and social class of audiences and their influence on the repertoire performed. The book moves from a consideration of music being used as a 'fashion item', evidenced by the patronage of 'big name' soloists from London and abroad, to fiddlers, ballad singers, music at weddings, funerals, public celebrations, and music for marking the events of the American War of Independence and the French Revolutionary Wars. It can be seen, therefore, that the north east was an area of important musical activity, and that the music was always interwoven into the political, economic, religious and commercial fabric of eighteenth-century life.
