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Download or read book 3 minutes pour comprendre les 50 l ments les plus r pandus en chimie written by Eric R Scerri and published by . This book was released on 2013-11-11 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Qu’il s’agisse de métaux mous comme le sodium, que l’on peut trancher au couteau, du prodigieux métal liquide qu’on appelle mercure, ou du gaz toxique baptisé chlore qui fut la première arme chimique au monde, cet ouvrage de vulgarisation intelligente vous aidera à connaître les 50 éléments chimiques les plus répandus, ainsi que les 68 autres éléments connus à ce jour, en deux pages, 300 mots et une image, soit 3 minutes pour tout comprendre ! Illustré de superbes dessins et de nombreux schémas explicatifs, vous trouverez également, au fil des pages, le portrait des grands chimistes qui ont transformé la connaissance scientifique et résolu le mystère de la vie elle-même.

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Download or read book The Screen in Surrealist Art and Thought written by Haim Finkelstein and published by Routledge. This book was released on 2017-07-05 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: An interrogation of the notion of space in Surrealist theory and philosophy, this study analyzes the manifestations of space in the paintings and writings done in the framework of the Surrealist Movement. Haim Finkelstein introduces the 'screen' as an important spatial paradigm that clarifies and extends the understanding of Surrealism as it unfolds in the 1920s, exploring the screen and layered depth as fundamental structuring principles associated with the representation of the mental space and of the internal processes that eventually came to be linked with the Surrealist concept of psychic automatism. Extending the discussion of the concepts at stake for Surrealist visual art into the context of film, literature and criticism, this study sheds new light on the way 'film thinking' permeates Surrealist thought and aesthetics. In early chapters, Finkelstein looks at the concept of the screen as emblematic of a strand of spatial apprehension that informs the work of young writers in the 1920s, such as Robert Desnos and Louis Aragon. He goes on to explore the way the spatial character of the serial films of Louis Feuillade intimated to the Surrealists a related mode of vision, associated with perception of the mystery and the Marvelous lurking behind the surfaces of quotidian reality. The dialectics informing Surrealist thought with regard to the surfaces of the real (with walls, doors and windows as controlling images), are shown to be at the basis of Andr?reton's notion of the picture as a window. Contrary to the traditional sense of this metaphor, Breton's 'window' is informed by the screen paradigm, with its surface serving as a locus of a dialectics of transparency and opacity, permeability and reflectivity. The main aesthetic and conceptual issues that come up in the consideration of Breton's window metaphor lay the groundwork for an analysis of the work of Giorgio de Chirico, Ren?agritte, Max Ernst, Andr?asson, and Joan Mir?he concluding chapter consi

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