Download or read book 20 years of independent cinema written by Carlos Augusto Dauzacker Brandão and published by Autografia. This book was released on 2021-07-30 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: Every January, from 1996 to 2016, while I was suffering with summer in Rio I received snowy news from the Sundance Festival through Carlos Brandão and his partner Myrna. In those 20 years, Carlos and Myrna were my main source of information about independent world cinema. It is a great joy to see all this material gathered in a book. Carlos was a passionate researcher and, along with Myrna, an experienced reporter. Their interviews and reports on films and directors that have passed through Sundance have the mark of someone who saw everything up close. And knew how to tell it. Carlos Alberto Mattos – Film Critic When Robert Redford founded the nonprofit Sundance Institute in 1981, the intense creativity of American independent cinema in the 70’s was too distant. The Festival came to redefine the characteristics of a cinema that was becoming more conservative and less daring, as a reflection of the Reagan years. Betting on risk and dissonant and plural voices, Sundance knew how to reveal innovative directors and organize “Script Development Programs” in different parts of the world, starting with Brazil. The geopolitics of independent cinema would never be the same. Sundance marked the resumption of Brazilian Cinema after the disastrous government of President Collor. It was one of the first international festival to embrace our cinematography at that time and few critics and journalists followed this movement as closely as Carlos Augusto Brandão. With his inseparable Myrna, Carlos foresaw what was still under construction. He covered the Festival from the start, collecting precious interviews from young new-comers. I cannot remember Sundance without thinking about Carlos, his remarks and always relevant and sensitive questions, publishing stories that dimensioned the revival of Brazilian Cinema. These testimonies comprise this precious "20 Years of Independent Cinema". The interviews gathered here tell not only the story of the renaissance of independent cinema in different latitudes, but also speak of the intense passion that Carlos had for cinema. His texts make him both a witness and co-author of a cinema in transformation. Walter Salles – Film-Maker
Download or read book The History of Independent Cinema written by Phil Hall and published by Bearmanor Media. This book was released on 2009 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the flickering silent images of the nickelodeon to the roaring vibrancy of today's digital video productions, independent cinema has always challenged the way films are created, released and viewed. The History of Independent Cinema presents an extraordinary journey that revisits the innovative men and women who stood up to the status quo and brought revolutionary new ideas and technologies to the motion picture world. The History of Independent Cinema celebrates the pioneers who introduced color, sound, widescreen projection and videography to the filmmaking process. You will meet the brave individuals who tore down racial and gender barriers behind the camera, challenged censorship taboos imposed on film production, formulated new strategies for film distribution, and created many of the greatest movies ever made. Spanning the full spectrum of the U.S. film experience, The History of Independent Cinema is a tribute to the legendary filmmakers and landmark films that reshaped - and continue to reshape - American popular culture.
Download or read book Party in a Box written by Lory Smith and published by Gibbs Smith Publishers. This book was released on 1999 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This behind-the-scenes glimpse of the prestigious Sundance Film Festival is written by one of the co-founders of the festival. Party in a Box includes insights and comments from some of the most innovative filmmakers of the past 20 years.
Download or read book Contemporary American Independent Film written by Chris Holmlund and published by Psychology Press. This book was released on 2005 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology addresses the salient aesthetic, ideological and economic determinants of independent American cinema over the past three decades.
Download or read book Hope for Film written by Ted Hope and published by Catapult. This book was released on 2014-05-19 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Essential for the aspiring filmmaker,” this is an inspiring, tell-all look at the independent film business from one of the industry’s most passionate supporters (Todd Solondz, director of Welcome to the Dollhouse) Hope for Film captures the rebellious punk spirit of the indie film boom in 1990s New York City and its collapse two decades later to its technology-fueled regeneration and continuing streaming-based evolution. Ted Hope, whose films have garnered 12 Oscar nominations, draws from his own personal experiences working on the early films of Ang Lee, Eddie Burns, Alan Ball, Todd Field, Hal Hartley, Michel Gondry, Nicole Holofcener, and Todd Solondz, as well as his tenures at the San Francisco Film Society, Fandor, and Amazon Studios, taking readers through the decision-making process that brought him the occasional failure as well as much success. Whether navigating negotiations with studio executives over final cuts or clashing with high-powered CAA agents over their clients, Hope offers behind-the-scenes stories from the wild and often heated world of “specialized” cinema--where art and commerce collide. As mediator between these two opposing interests, Hope offers his unique perspective on how to make movies while keeping your integrity intact and how to create a sustainable business enterprise out of that art while staying true to yourself. Against a backdrop of seismic changes in the independent film industry, from corporate co-option to the rise of social media and the streaming giants, Hope for Film provides not only an entertaining and intimate ride through the business of arthouse movies over the last decades, but also hope for its future. “There is nobody in the independent film world quite like Ted Hope. His wisdom and heart shine through every page.” —Ang Lee, Academy Award winning director of Brokeback Mountain
Download or read book American Independent Cinema written by Geoff King and published by Bloomsbury Publishing. This book was released on 2014-09-08 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.
Download or read book Dark Matter written by Michael Winterbottom and published by Bloomsbury Publishing. This book was released on 2021-10-07 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Sight & Sound Book of the Year "Eye-opening and addictively readable." Total Film Who and what decides if a film gets funded? How do those who control the purse strings also determine a film's content and even its message? Writing as the director of award-winning feature films including Welcome to Sarajevo, 24 Hour Party People and The Road to Guantanamo as well as the hugely popular The Trip series, Michael Winterbottom provides an insider's view of the workings of international film funding and distribution, revealing how the studios that fund film production and control distribution networks also work against a sustainable independent film culture and limit innovation in filmmaking style and content. In addition to reflecting upon his own filmmaking career, featuring critical and commercial successes alongside a 'very long list' of films that didn't get made, Winterbottom also interviews leading contemporary filmmakers including Lynne Ramsay, Mike Leigh, Ken Loach, Asif Kapadia and Joanna Hogg about their filmmaking practice. The book closes with a vision of how the contemporary filmmaking landscape could be reformed for the better with fairer funding and payment practices allowing for a more innovative and sustainable 21st century industry.
Download or read book Spike Mike Slackers Dykes written by John Pierson and published by University of Texas Press. This book was released on 2014-04-15 with total page 491 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A fast-moving account of the era bookended by Stranger Than Paradise and Pulp Fiction . . . [a] Baedeker of off-Hollywood where all roads lead to Park City.” —Interview The legendary figure who launched the careers of Spike Lee, Michael Moore, and Richard Linklater offers a no-holds-barred look at the deals and details that propel an indie film from a dream to distribution. At the epicenter of the industry in the 1980s and ’90s, John Pierson reveals what it took to launch such films as Stranger Than Paradise, Clerks, She’s Gotta Have It, and Roger and Me. A chronicle of a remarkable decade for the American independent low-budget film, Spike, Mike, Slackers & Dykes also celebrates the nearly two dozen first-time filmmakers whom Pierson helped make a name for themselves and the hundred others whose success stories he observed at close quarters. “John Pierson has faithfully chronicled the American independent scene. He was there, he knows.” —Spike Lee “Sly, knowledgeable, deeply entertaining . . . You couldn’t do much better than to hop aboard this ten-year wild ride. Grade: A.” —Entertainment Weekly “The most contentiously witty and revealing view of off-Hollywood around.” —Rolling Stone “Mr. Pierson, who has lived, breathed, and hunted film for most of his adult life, covers his territory with urgency and conviction, and his single-mindedness is ravishing.” —The New York Times Book Review “Pierson’s prose is quick-moving and witty and reads like a Who’s Who of the off-Hollywood mavericks who make the movies we’d like to see but can’t always find.” —The Washington Post “A marvelously entertaining, educational, and caustic account of the rise of American independent filmmaking.” —The Globe and Mail
Download or read book US Independent Film After 1989 written by Claire Perkins and published by Edinburgh University Press. This book was released on 2015-02-27 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Looking beyond the directors and works that have branded indie discourse in the 1990s and 2000s, US Independent Film After 1989: Possible Films attends to a group of 20 texts that have not been so fully subsumed by existing critical and promotional rhetoric. Through individual studies of films including All the Real Girls, The Exploding Girl, Laurel Canyon, Jesus' Son, Old Joy, Primer and You Can Count on Me, leading cinema scholars consider how notions of indie practice, poetics and politics can be opened up to account for a larger body of work than the dominant canon admits. With particular attention to female directors, this innovative and comprehensive book explores the central tenets of indie scholarship while simultaneously emphasising the classifying processes that can limit it."--Quatrième de couverture.
Download or read book Fizzle written by Gerard Norman Gerard and published by iUniverse. This book was released on 2009-12 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fizzle is a compilation, a journal if you will, of events and snippets from my experience in the film industry for over forty years. There was no place to log the bumpy ride that led to the demise of the American Independent film movement, an industry that once sizzled. You might say this book is about the Fizzle of the Sizzle. It is wishful thinking on my behalf to believe this book will explain how the sharks got away with fleecing filmmakers, and why they will continue to do so. Indie filmmakers, unlike the dinosaurs, will reinvent themselves. The hope is that this journal might save a few schmucks who are as naive as I was when I made my first two films. The nightmare is that it might attract a new generation of scumbags who can learn how to screw filmmakers. Both scenarios will undoubtedly play out. To paraphrase Shaw in my sole disclaimer: I often quote myself, in order to spice things up a bit. Norman Gerard's tome is full of sound and fury. He's got an impassioned viewpoint about why it all went wrong. The time has come for someone to offer a bruising critique, to speak truths about the indie world that the media has largely either chosen to ignore, or missed while they fell in love with the colorful young characters and the so-called spirit of American indie cinema. Gerard would argue that spirit is more like a disease, that the so-called honesty of the American indie film movement masked essential business deceptions that would inevitably lead to the current disastrous landscape... Prepare for a rollicking ride through good times and bad, high art and low-lifes, auteurs and con artists. Gerard has them all in the pages of this book. If there were any money left for indie film productions, it might make a great film and it clearly won't be a studio-backed picture. It's got corrosive honesty, hard-hitting political implications, sleazy characters no major star would want to play, all topped off by a downbeat ending. There's one word for the spirit of this tome: It's truly INDEPENDENT. -- Steven Gaydos Variety, Executive Editor
Download or read book Independent Ed written by Edward Burns and published by Penguin. This book was released on 2015-01-29 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: An entertaining and inspirational memoir by one of the most prominent practitioners and evangelists of independent filmmaking, and the acclaimed writer, director, and actor (Saving Private Ryan, Friends with Kids, Entourage) whose first film—The Brothers McMullen—has become an indie classic. At the age of twenty-five, Ed Burns directed and produced his first film on a tiny $25,000 budget. The Brothers McMullen went on to win the Grand Jury Prize at the Sundance Film Festival in 1995, and established the working-class Irish American filmmaker as a talent to watch. In the twenty years since, Burns has made ten more films (She’s the One, Sidewalks of New York, and The Fitzgerald Family Christmas), while also acting in big budget Hollywood movies (Saving Private Ryan), hit television shows (Entourage and Mob City), and pioneering a new distribution network for indie filmmakers online and with TV’s On Demand service (“why open a film in twenty art houses when you can open in twenty million homes?”). Inspired by Burns’s uncompromising success both behind and in front of the camera, students and aspiring filmmakers are always asking Burns for advice. In Independent Ed, Burns shares the story of his two remarkable decades in a fickle business where heat and box office receipts are often all that matter. He recounts stories of the lengths he has gone to to secure financing for his films, starting with The Brothers McMullen (he told his father: “Shooting was the twelve best days of my life”). How he found stars on their way up—including Jennifer Aniston and Cameron Diaz—to work in his films, and how he’s adhered religiously to the dictum of writing what you know, working as if he was just starting out, and always “looking for the next twelve best days of my life.” Chronicling the struggles and the long hours as well as the heady moments when months of planning and writing come to fruition, Independent Ed is a must-read for movie fans, film students, and everyone who loves a gripping tale about what it takes to forge your own path in work and life.
Download or read book India s New Independent Cinema written by Ashvin Immanuel Devasundaram and published by Routledge. This book was released on 2016-06-10 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.
Download or read book American Independent Cinema written by Yannis Tzioumakis and published by Edinburgh University Press. This book was released on 2018-03-07 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comparative analysis of key Islamic ity platforms and their debates
Download or read book Fizzle written by Norman Gerard and published by iUniverse. This book was released on 2009-12-21 with total page 485 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fizzle is a compilation, a journal if you will, of events and snippets from my experience in the film industry for over forty years. There was no place to log the bumpy ride that led to the demise of the American Independent film movement, an industry that once sizzled. You might say this book is about the Fizzle of the Sizzle. It is wishful thinking on my behalf to believe this book will explain how the sharks got away with fleecing filmmakers, and why they will continue to do so. Indie filmmakers, unlike the dinosaurs, will reinvent themselves. The hope is that this journal might save a few schmucks who are as naive as I was when I made my first two films. The nightmare is that it might attract a new generation of scumbags who can learn how to screw filmmakers. Both scenarios will undoubtedly play out. To paraphrase Shaw in my sole disclaimer: I often quote myself, in order to spice things up a bit. Norman Gerards tome is full of sound and fury. Hes got an impassioned viewpoint about why it all went wrong. The time has come for someone to offer a bruising critique, to speak truths about the indie world that the media has largely either chosen to ignore, or missed while they fell in love with the colorful young characters and the so-called spirit of American indie cinema. Gerard would argue that spirit is more like a disease, that the so-called honesty of the American indie film movement masked essential business deceptions that would inevitably lead to the current disastrous landscape... Prepare for a rollicking ride through good times and bad, high art and low-lifes, auteurs and con artists. Gerard has them all in the pages of this book. If there were any money left for indie film productions, it might make a great film and it clearly won't be a studio-backed picture. Its got corrosive honesty, hard-hitting political implications, sleazy characters no major star would want to play, all topped off by a downbeat ending. Theres one word for the spirit of this tome: Its truly INDEPENDENT. -- Steven Gaydos Variety, Executive Editor
Download or read book The Independent Film Experience written by Kevin J. Lindenmuth and published by McFarland. This book was released on 2002-01-31 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: You see them on the video shelves, with titles such as Shadow Tracker, Psycho Girls, and The Blair Witch Project. Skeptically, perhaps, you rent one and slip it into the VCR. Hey, you think, this isn't so bad--sometimes actually quite good. Suddenly, you discover that there is a whole range of movies from filmmakers operating outside the studio system that have their own attractions that the big budget fare can't match. You have, of course, discovered the world of independent filmmaking. A fascinating group of independent film directors and producers, in interviews with the author, discuss their work and the state of the independent film industry at the end of the 20th century. Joe Bagnardi, Dennis Devine, Andrew Harrison, Jeff Leroy, Andrew Parkinson, Brett Piper, and 23 others cover such topics as the increased interest in independent films and how they are changing thanks to high-tech advances. These filmmakers vary widely in age, experience, formats and budgets--and choice of subject matter--but they all have a great passion for their work.
Download or read book Identity Nationhood and Bangladesh Independent Cinema written by Fahmidul Haq and published by Taylor & Francis. This book was released on 2022-07-08 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book analyses how independent filmmakers from Bangladesh have represented national identity in their films. The focus of this book is on independent and art house filmmakers and how cinema plays a vital role in constructing national and cultural identity. The authors examine post-2000 films which predominantly deal with issues of national identity and demonstrate how they tackle questions of national identity. Bangladesh is seemingly a homogenous country consisting 98% of Bengali and 90% of Muslim. This majority group has two dominant identities – Bengaliness (the ethno-linguistic identity) and Muslimness (the religious identity). Bengaliness is perceived as secular-modern whereas Muslimness is perceived as traditional and conservative. However, Bangladeshi independent and art house filmmakers portray the nationhood of the country with an enthusiasm and liveliness that exceeds these two categories. In addition to these categories, the authors add two more dimensions to the approach to discuss identity: Popular Religion and Transformation. The study argues that these identity categories are represented in the films, and that they both reproduce and challenge dominant discourses of nationalism. Providing a new addition to the discourse of contemporary national identity, the book will be of interest to researchers studying international film and media studies, independent cinema studies, Asian cinema, and South Asian culture, politics, and identity politics.
Download or read book Cinema of Outsiders written by Emanuel Levy and published by NYU Press. This book was released on 1999-09-01 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: A deep dive into the emergence and success of independent filmmaking in America A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness. Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."
