Download or read book American Sublime written by Andrew Wilton and published by . This book was released on 2002 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published to accompany a major transatlantic exhibition, a tribute to U.S. landscape painting features more than one hundred works by the Hudson River School artists, complemented by three gatefolds, artist biographies, and essays on American landscape painting in the context of international traditions and national identity. (Fine Arts)
Download or read book Nature and Culture American Landscape and Painting 1825 1875 With a New Preface written by Barbara Novak Altschul Professor of Art History Barnard College and Columbia University (Emerita) and published by Oxford University Press, USA. This book was released on 2007-01-05 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this richly illustrated volume, featuring more than fifty black-and-white illustrations and a beautiful eight-page color insert, Barbara Novak describes how for fifty extraordinary years, American society drew from the idea of Nature its most cherished ideals. Between 1825 and 1875, all kinds of Americans--artists, writers, scientists, as well as everyday citizens--believed that God in Nature could resolve human contradictions, and that nature itself confirmed the American destiny. Using diaries and letters of the artists as well as quotes from literary texts, journals, and periodicals, Novak illuminates the range of ideas projected onto the American landscape by painters such as Thomas Cole, Albert Bierstadt, Frederic Edwin Church, Asher B. Durand, Fitz H. Lane, and Martin J. Heade, and writers such as Ralph Waldo Emerson, Henry David Thoreau, and Frederich Wilhelm von Schelling. Now with a new preface, this spectacular volume captures a vast cultural panorama. It beautifully demonstrates how the idea of nature served, not only as a vehicle for artistic creation, but as its ideal form. "An impressive achievement." --Barbara Rose, The New York Times Book Review "An admirable blend of ambition, elan, and hard research. Not just an art book, it bears on some of the deepest fantasies of American culture as a whole." --Robert Hughes, Time Magazine
Download or read book Nordic Landscape Painting in the Nineteenth Century written by Torsten Gunnarsson and published by Yale University Press. This book was released on 1998-01-01 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study identifies and analyzes the different types of landscape painting that dominated the Scandinavian countries in the 19th century. The author shows how the wilderness became a symbol of Nordic strength, as well as a counter-image to industrialization and European urban culture.
Download or read book 19th Century American Landscape written by Metropolitan Museum of Art (New York, N.Y.) and published by . This book was released on 1972 with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Hudson River to Niagara Falls written by Samuel Dorsky Museum of Art and published by SUNY Press. This book was released on 2009-07-23 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stunning selection of paintings by Thomas Cole, Asher B. Durand, John W. Casilear, George Inness, and others, depicting landscapes, historic sites, natural wonders, and waterways of New York State.
Download or read book Aesthetic Transcendentalism in Emerson Peirce and Nineteenth Century American Landscape Painting written by Nicholas Guardiano and published by Lexington Books. This book was released on 2016-12-21 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aesthetic Transcendentalism is a philosophy endorsing the qualitative and creative aspects of nature. Theoretically it argues for a metaphysical dimension of nature that is aesthetically real, pluralistic, and prolific. It directs our attention to the rich complexity of immediate experience, the possibility of discovering new aesthetic features about the world, and the transformative potential of art as an organic expression. This book presents the philosophy in its relationship to its historical roots in the philosophic and artistic traditions of nineteenth-century North America. In this multidisciplinary study, Nicholas L. Guardiano brings together a philosophic and literary figure in Ralph Waldo Emerson, the scientifically minded philosopher Charles S. Peirce, and the plastic arts in the form of American landscape painting. Guardiano evaluates this constellation of philosophers and artists in global perspective as it relates to other historical theories of metaphysics and aesthetics, while simultaneously performing a cultural analysis that identifies an essential feature of the American mind. Aesthetic Transcendentalism thus possesses abiding significance for our vital interactions with nature, daily experiences, and contemplations of great works of art. Aesthetic Transcendentalism in Emerson, Peirce, and Nineteenth-Century American Landscape Painting will be of interest to scholars of American philosophy and American art history, especially specialists of Charles S. Peirce, Ralph Waldo Emerson, and the Hudson River School painters. It will also appeal to philosophers working on systematic metaphysical theories of nature.
Download or read book The American Landscapes of Asher B Durand 1796 1886 written by Asher Brown Durand and published by Fundacion Juan March. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The exhibition of works by Asher B. Durand (1796-1886) will be the first ever in Spain and Europe devoted to this 19th-century painter and founder of the American landscape painting school, that would soon become known as the Hudson River School. Through an important selection of 140 works-oils, drawings, and prints (Durand being a pioneer in the latter)-spanning his entire artistic career, the exhibition will reveal his genius as a landscape painter as well as the other themes he treated during his long career: portraits, genre scenes, and bucolic American landscapes. The exhibition will also include a small selection of paintings by Durand's fellow artists and followers. The majority of the works are being loaned by the New York Historical Society, which holds the most important collection of Durand's works. The project is being overseen by Dr. Linda S. Ferber, N-YHS curator and renowned expert on Durand, with the collaboration of noted scholars on Durand and 19th-century American art: Dr. Barbara Novak, Dr. Barbara Dayer Gallati, Dr. Rebecca Bedell, Dr. Roberta Olson, Dr. Marilyn Kushner, and Dr. Kimberly Orcutt.
Download or read book The Anatomy of Nature written by Rebecca Bedell and published by Princeton University Press. This book was released on 2024-05-14 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illuminating account of the interplay between science, religion, and nature in nineteenth-century landscape painting Geology was in vogue in nineteenth-century America. People crowded lecture halls to hear geologists speak, and parlor mineral cabinets signaled social respectability and intellectual engagement. This was also the heyday of the Hudson River School, and many prominent landscape painters avidly studied geology. Thomas Cole, Asher Durand, Frederic Church, John F. Kensett, William Stanley Haseltine, Thomas Moran, and other artists read scientific texts, participated in geological surveys, and carried rock hammers into the field to collect fossils and mineral specimens. As they crafted their paintings, these artists drew on their geological knowledge to shape new vocabularies of landscape elements resonant with moral, spiritual, and intellectual ideas. Rebecca Bedell contributes to current debates about the relationship among art, science, and religion by exploring this phenomenon. She shows that at a time when many geologists sought to disentangle their science from religion, American artists generally sidestepped the era's more materialist science, particularly Darwinism. They favored a conservative, Christianized geology that promoted scientific study as a way to understand God. Their art was both shaped by and sought to preserve this threatened version of the science. And, through their art, they advanced consequential social developments, including westward expansion, scenic tourism, the emergence of a therapeutic culture, and the creation of a coherent and cohesive national identity. This major study of the Hudson River School offers an unprecedented account of the role of geology in nineteenth-century landscape painting. It yields fresh insights into some of the most influential works of American art and enriches our understanding of the relationship between art and nature, and between science and religion, in the nineteenth century. It will draw a broad audience of art historians, Americanists, historians of science, and readers interested in the American natural landscape.
Download or read book Impressionism and the Modern Landscape written by James H. Rubin and published by Univ of California Press. This book was released on 2008-04-03 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The examples convey not only these major themes but also the painters' belief in the progress of civilization through science and industry. The book thus expands the scope of Impressionist celebrations of modernity to include what might be called Impressionism's "other landscape" and proposes that in the Impressionists' effort to forge a modern landscape art, those signs of modernity defined their vision most clearly."--BOOK JACKET.
Download or read book Art Wars written by Rachel N. Klein and published by University of Pennsylvania Press. This book was released on 2020-07-17 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of three controversies that illuminate the changing cultural role of art exhibition in the nineteenth century From the antebellum era through the Gilded Age, New York City's leading art institutions were lightning rods for conflict. In the decades before the Civil War, art promoters believed that aesthetic taste could foster national unity and assuage urban conflicts; by the 1880s such hopes had faded, and the taste for art assumed more personal connotations associated with consumption and domestic decoration. Art Wars chronicles three protracted public battles that marked this transformation. The first battle began in 1849 and resulted in the downfall of the American Art-Union, the most popular and influential art institution in North America at mid-century. The second erupted in 1880 over the Metropolitan Museum's massive collection of Cypriot antiquities, which had been plundered and sold to its trustees by the man who became the museum's first paid director. The third escalated in the mid-1880s and forced the Metropolitan Museum to open its doors on Sunday—the only day when working people were able to attend. In chronicling these disputes, Rachel N. Klein considers cultural fissures that ran much deeper than the specific complaints that landed protagonists in court. New York's major nineteenth-century art institutions came under intense scrutiny not only because Americans invested them with moral and civic consequences but also because they were part and parcel of explosive processes associated with the rise of industrial capitalism. Elite New Yorkers spearheaded the creation of the Art-Union and the Metropolitan, but those institutions became enmeshed in popular struggles related to slavery, immigration, race, industrial production, and the rights of working people. Art Wars examines popular engagement with New York's art institutions and illuminates the changing cultural role of art exhibition over the course of the nineteenth century.
Download or read book Nature and Culture written by Barbara Novak and published by Oxford University Press, USA. This book was released on 2007-01 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this illustrated volume, including a number of stunning color prints, the author explains that for fifty extraordinary years, American society bestowed in the idea of Nature its most cherished ideals. Between 1825 and 1875 all kinds of Americans, artists, writers, scientists, as well as everyday citizens, believed that God in Nature could resolve human contradictions, and that nature itself confirmed the American destiny. During these years Nature, God, and Man converged to become a trinity, and it was through the landscape painters, the leaders of this intellectual movement, that the nation was reminded of divine benevolence "by keeping before their eyes the mountains, trees, forests, and lakes." Using diaries and letters of the artists as well as quotes from literary texts, journals, and periodicals, the author illuminates the range of ideas projected on to the American landscape by painters such as Thomas Cole, Albert Bierstadt, Frederic Edwin Church, Asher B. Durand, Fitz Hugh Lane, and Martin J. Heade, and writers such as Ralph Waldo Emerson, Henry David Thoreau, William Wordsworth, Theodore Rousseau, and Frederich Wilhelm Schelling. Adding a new dimension to the discussion of nature's influence on the American mind, she explains how religion, philosophy, science, and literatrue served as the support system for the idea of God in Nature. She shows that the idea of nature as a national vested interest was invaluable to a young expanding nation, but ultimately this essentially monolithic view collapsed from within, undermined by the Civil War, Darwinism, and a burgeoning technological landscape. Taking American landscape painting in its golden era as a product of society, she examines the cultural background of paintings as an index to their intrinsic meaning. She explains, for example, how new discoveries in science were made consonant with Deity, how religion itself permeated nature with the idea of Creation, and how the landscape artists were given the task of providing the images of nature that became the national iconography. She goes on to demonstrate how American landscapists, handling rocks, clouds, plants, and other natural elements, paralleled and diverged from scientific developments, and also how the landscapists who accompanied explorers on their westward expeditions related to their scientific colleagues. With a new introduction, this volume encompasses a vast cultural panorama. It demonstrates how the influence of the nature served, not only as a vehicle for artistic creation, but as its ideal form.
Download or read book Within the Landscape written by Phillip Earenfight and published by Trout Gallery of Dickinson College. This book was released on 2005 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the nineteenth century, American artists, writers, and philosophers collaborated in the formation of a culture devoted to the country's natural splendors and the meanings these might harbor for its citizens. Arguably, the earliest and most influential of such pictorial and literary mergings took place in the Hudson River School, the subject of the essays gathered in this volume from the Trout Gallery of Dickinson College. The artists and writers discussed in this anthology range from Thomas Cole, the founder of the Hudson River School, to Stanford Gifford and Washington Irving. After an introduction to American landscape, the essays treat notions of divine presence in nature, the spread of imagery through prints, and the transformation of the Catskills into "a resort and a refuge." Offering innovative scholarship in accessible language, Within the Landscape lends itself to use as a textbook in courses on nineteenth-century American art and culture.
Download or read book The Cultured Canvas written by Nancy Siegel and published by Becoming Modern: New Nineteent. This book was released on 2011 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: A state-of-the-field collection opening new vistas in the study of nineteenth-century American landscapes
Download or read book Narrating the Landscape written by Matthew N. Johnston and published by University of Oklahoma Press. This book was released on 2016-04-14 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: The American nineteenth century saw a largely rural nation confined to the Eastern Seaboard conquer a continent and spawn increasingly dense commercial metropolises. This time of unprecedented territorial and economic growth has long been thought to find its most sweeping visual equivalent in the period’s landscape paintings. But, as Matthew N. Johnston shows, the age’s defining features were just as clearly captured in, and motivated by, visual material mass-produced through innovations in printing technology. Illustrated railroad and steamboat guidebooks, tourist literature, reports of geological surveys, ethnographic studies: all of these new print vehicles brought new meanings to the interplay of time, space, and place as American continental expansion peaked. Instrumental to that project of national and industrial growth, these commercial and scientific publications introduced readers, travelers, and citizens to a changing North American landscape made more accessible by new travel routes blazed between 1825 and 1875. More fundamentally, as Johnston shows in his nuanced analysis, by simulating new temporal frameworks through their presentation of landscape, these print materials established new models of consumption and new kinds of knowledge critical to expansion. Johnston relates these sources to traditional art historical subjects—the landscapes of the Hudson River school, luminist paintings by John Kensett and William Trost Richards, Native portraits painted by George Catlin, and photographs by Timothy O’Sullivan—to show how key discourses associated with expansion shifted away from picturesque strategies pairing imagery and narrative toward entirely new forms that gave temporal structure to viewers’ experience of an emerging modernity. Revealing the crucial role of print and visual culture in shaping the nineteenth-century United States, Narrating the Landscape offers fresh insight into the landscapes Americans beheld and imagined in this formative era.
Download or read book The Making of the American Landscape written by Michael P. Conzen and published by Routledge. This book was released on 2014-06-03 with total page 805 pages. Available in PDF, EPUB and Kindle. Book excerpt: The only compact yet comprehensive survey of environmental and cultural forces that have shaped the visual character and geographical diversity of the settled American landscape. The book examines the large-scale historical influences that have molded the varied human adaptation of the continent’s physical topography to its needs over more than 500 years. It presents a synoptic view of myriad historical processes working together or in conflict, and illustrates them through their survival in or disappearance from the everyday landscapes of today.
Download or read book Emerson s Nature and the Artists written by Tyler Green and published by National Geographic Books. This book was released on 2021-10-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illustrated by classic American paintings and photographs, and accompanied with a prescient new appraisal, this stunning publication on Emerson’s seminal 1836 essay is at once a meditation on the ways artists influence each other and a timely cri de coeur to cherish and preserve America’s landscape. Widely considered to be the foundational text of the American landscape tradition, Ralph Waldo Emerson’s Nature urges Americans to value and immerse themselves in their country’s landscape, to build American culture from America's nature. Nearly two centuries after the original publication of the essay Nature by Emerson, this captivating book by critic and historian Tyler Green brings together a selection of artistic works in dialog with Emerson’s text for the first time. Green also offers his own fascinating take on Nature through new research into how the essay was informed by Emerson’s experiences of art and, in turn, how it informed American art well into the twentieth century. The result is a unique melding of essay, art, and ideas that will draw new readers to Emerson’s writings, while also introducing a fresh perspective on a critical contribution to the American canon and showing what impact Emerson's text still has for the US to this day.
