Download or read book Motets and Prosulas written by Philip (the Chancellor) and published by A-R Editions, Inc.. This book was released on 2011-01-01 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Further details at: https://www.areditions.com/rr/rrm/m041.html Abstract: This volume is the first collection of medieval music devoted specifically to texts authored by Philip the Chancellor (d. 1236), a renowned lyric poet associated with the cathedral of Notre Dame Paris during the late twelfth and early thirteenth centuries. It presents the texts and music of all the motets and prosulas (words added to preexistent music from organa and polyphonic conductus caudae) ascribed to Philip in medieval sources, as well as a substantial number of works attributed to him by modern scholars. Many of the musical settings in this collection are credited to the composer Perotinus and are among the earliest efforts in these genres, suggesting that not only were Philip and Perotinus the sole artists now known to have cultivated the motet during its formative years, but that they may have played a seminal role in bringing the genre to light.

Download or read book Monophonic Tropes and Conductus of W1 written by Jann Cosart and published by A-R Editions, Inc.. This book was released on 2007-01-01 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt: Series: Recent Researches in the Music of the Middle Ages and Early Renaissance Pagination: xxxi + 38 pp.

Download or read book The Montpellier Codex Part 2 written by Hans Tischler and published by A-R Editions, Inc.. This book was released on 1978-01-01 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Medieval Music written by Honey Meconi and published by Routledge. This book was released on 2024-10-14 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This selection of classic essays on music performance practice of the Middle Ages addresses the most crucial of performers' decisions: pitch, rhythm and performing forces, as well as related matters such as proportions, tunings and the need for ornamentation. The volume includes essays on all types of music - monophony and polyphony, sacred and sec

Download or read book Music in the Middle Ages and the Renaissance written by Harold Gleason and published by Alfred Music Publishing. This book was released on 1981 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a complete revision of the second edition, designed as a guide and resource in the study of music from the earliest times through the Renaissance period. The authors have completely revised and updated the bibliographies; in general they are limited to English language sources. In order to facilitate study of this period and to use materials efficiently, references to facsimiles, monumental editions, complete composers' works and specialized anthologies are given. The authors present this systematic organization in this volume in the hope that students, teachers, and performers may find in it a ready tool for developing a comprehensive understanding of the music of this period.

Download or read book Music and Instruments of the Middle Ages written by Tess Knighton and published by Boydell & Brewer. This book was released on 2020 with total page 511 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on important topics in early music.

Download or read book A Critical Companion to Medieval Motets written by Jared C. Hartt and published by Boydell & Brewer. This book was released on 2018 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: First full comprehensive guide to one of the most important genres of music in the Middle Ages.

Download or read book Music in the Middle Ages written by Gustave Reese and published by W. W. Norton. This book was released on 2000-12 with total page 502 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Companion to Medieval and Renaissance Music written by Tess Knighton and published by Schirmer Books. This book was released on 1992 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Companion to Medieval and Renaissance Music is a fascinating new survey of the music and culture of Europe from the beginning of the Christian era to 1600. With almost 50 essays on the social, historical, theoretical, and performance contexts of the music and musicians of the period, prepared by 45 contributors, including such internationally known scholars and performers as Reinhold Strohm, Christopher Page, Margaret Bent, Bruno Turner, Thomas Binkley, and Paul Hillier, the Companion offers fresh perspectives on the musical styles, research sources, and performance practices of the medieval and Renaissance eras. The book is divided into six parts. Part I, "The Music of the Past and the Modern Ear," examines the quality of medieval and Renaissance compositions, the English a cappella heresy, medieval recording history, medieval performance practices, and fundamental questions of authenticity. Part II, "Aspects of Music and Society," discusses mainstream and provincial music and the dissemination of ideas in the Middle Ages, the critical role of endowments in the flourishing of sacred polyphony, women's history and early music, and the medieval conception of the "true musician." Part III, "Questions of Form and Style," covers vocal and instrumental genres, and techniques of composition; it includes striking essays on chant, monophonic song, early Western polyphony, mass polyphony, Polyphonic song, keyboard music of the fourteenth and fifteenth centuries, the medieval fiddle, and Renaissance wind ensembles. Part IV, "Using the Evidence," explores medieval music iconography, music in Italian Renaissance painting, archival research, and the challenge of orally transmitted music. Part V, "Pre-Performance Decisions," examines the medieval modal system; the role of the editor; and Renaissance pitch, underlay, and pronunciation. Part VI, "Performance Techniques," discusses such performance problems as vernacular pronunciation, tuning, tempo, reconstructing lost voices, and instrumental accompaniment. The Companion also features an extensive glossary, a chronology, end-of-chapter bibliographies, and 50 illustrations.

Download or read book Manuscripts and Medieval Song written by Helen Deeming and published by Cambridge University Press. This book was released on 2015-05-28 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.

Download or read book Music of the Middle Ages Volume 2 written by F. Alberto Gallo and published by Cambridge University Press. This book was released on 1985-07-11 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new and illuminating study of medieval polyphony.

Download or read book Music in Medieval Europe written by Alma Santosuosso and published by Routledge. This book was released on 2017-07-05 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources.

Download or read book Early Medieval Chants from Nonantola Part 1 written by James Matthew Borders and published by A-R Editions, Inc.. This book was released on 1996-01-01 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music of the Middle Ages written by David Fenwick Wilson and published by New York : Schirmer Books ; Toronto : Collier Macmillan Canada. This book was released on 1990 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music of the Middle Ages provides a comprehensive, chronological survey of musical style and compositional technique from early plainchant to the flourishing of fourteenth-century polyphony.--From publisher description.

Download or read book The Calligraphy of Medieval Music written by John Dickinson Haines and published by Brepols Publishers. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Calligraphy of Medieval Music treats the practical aspects of the book making and music writing trades in the Middle Ages. It covers most major regions of music writing in medieval Europe, from Sicily to England and from Spain to the eastern Germanic regions. Specific issues raised by the contributors include the pricking and ruling of books; the writing habits of scribes and their reliance on memory; the cultural influence of monastic orders such as the Carthusians; graphic variants between regional styles of music notation ranging from tenth-century Saint-Gall to sixteenth-century Cambrai; and the impact of print on late medieval notation. The volume opens with a few essays dealing with general issues such as page layout and manuscript production both in and out of medieval Europe. The second part of the book covers early music notations from the tenth and eleventh centuries, and the third part, the twelfth to the sixteenth centuries. John Haines is Associate Professor of Music and Medieval Studies at the University of Toronto where he holds a Canada Research Chair. He is the author of Eight Centuries of Troubadours and Trouveres (2004), Satire in the Songs of Renart le nouvel (2009) and Medieval Song in Romance Languages (2010), as well as the co-editor with Randall Rosenfeld of Music and Medieval Manuscripts: Paleography and Performance (2004). He has also published numerous articles in such periodicals as Scriptorium and Early Music History. In Toronto, he directs the research project Nota Quadrata. With Contributions written by: Giacomo Baroffio, Anna Maria Busse Berger, Olivier Cullin, Albert Derolez, Jean-Luc Deuffic, Lawrence Earp, Margot Fassler, Barbara Haggh-Huglo, Getatchew Haile, John Haines, David Hiley, Michel Huglo, Rankin, Susana Zapke.

Download or read book Words and Music in the Middle Ages written by John Stevens and published by Cambridge University Press. This book was released on 1986-10-16 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the relation of words and music in England and France during the three centuries following the Norman Conquest. The basic material of the study includes the chansons of the troubadours and trouvères and the varied Latin songs of the period. In addition to these 'lyric' forms, the author discusses the relations of music and poetry in dance-song, in narrative and in the ecclesiastical drama. Professor Stevens examines the ready-made, often unconscious, and misleading assumptions we bring to the study and performance of early music. In particular he affirms the importance of Number, in more than one sense, as a clue to the 'aesthetic' of the greater part of repertoire, to the relation of words and melody. and to the baffling problem of their rhythmic interpretation. This is the first wide-ranging study of words and music in this period in any language. It will be essential reading for scholars of the music and the literature of medieval Europe and will provide a basic and comprehensive introduction to the repertoire for students.

Download or read book Medieval and Renaissance Music written by Timothy James McGee and published by . This book was released on 1988 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the past twenty-five years Europe and North America have witnessed an enormous revival of interest in early music. Since the late 1950s numerous professional and amateur ensembles have delighted audiences with the vocal and instrumental music of the twelffth to the sixteenth centuries, while scholars have addressed themselves to the many problems involved in its authentic re-creation. This book unites the two fields; it is both a summary of the most recent scholarly investigations into the subject and a practical guide to the performance of early music based on the experience of the author and others who have performed a sizable portion of the early repertory. McGee lays out clearly the foundation and background of each of the performance problems, presenting the most recent research and pointing out areas of incomplete knowledge and controversy, and then introduces practical solutions based on the scholarship. All the topics necessary for a historical performance of early music are discussed: tempo, rhythmic flow, instrumentation, ornamentation, articulation, improvisation, style, and singing technique, along with some practical hints for selecting a program and shoosing substitute instruments. The final chapters is a reference guide to modern editions of the music and an introduction to the scholarly literature on early music performances. At the time of publication, this book was the first to address the problem of how to perform medieval and Renaissance music. It is intended for both the amateur performing musician and the serious student.